Tag Archives: deep

Photographs: Cascades, Photographs: Nature, Photographs: Pacific Northwest

Trees, Alpine Terrain

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Trees, Alpine Terrain
A group of small trees stands on the edge of a deep valley, Cascade Mountains, Washington

Trees, Alpine Terrain. North Cascades, Washington. September 10, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of small trees stands on the edge of a deep valley, Cascade Mountains, Washington

This is another photograph from my brief visit to Washington’s North Cascades at Artist Point, high in the mountains at the end of the road between Mount Shuksan and Mount Baker. I had a free day, a rental car, and a forecast to relatively clear weather, so I went. The location is both popular and spectacular. The road ends at a very high point where snow still lay on the ground, and nearby are many trails, including the popular Artist Point trail that ascends a small rise nearby and offers excellent views in all directions.

There is a lot of intriguing stuff in this spot. Obviously the nearby alpine peaks with their extensive glaciers are impressive. Below there are two deep valleys leading away in opposite directions — one to the south towards a very large lake and the other to the north and leading to peaks on the Canadian border. The immediate terrain is alpine, with rocky areas (though less so that in the Sierra Nevada), small tarns, many plants, and small stands of beautiful trees that I believe are mountain hemlock. In this photograph one of those stands is positioned above the upper reaches of the valley that eventually leads south, and across this valley there are a few more trees, deeply eroded terrain, and some meadowy areas.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: The Southwest, Photographs: Urban/Street

Creek, Bend in the Canyon

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Creek, Bend in the Canyon
A small stream bends and twists its way along the bottom of a deep sandstone canyon

Creek, Bend in the Canyon. Utah. October 24, 2014. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small stream bends and twists its way along the bottom of a deep sandstone canyon

We spent the morning hiking down into this deep sandstone canyon, following its course as it twisted toward its confluence with a larger river below. Leaving behind the high tablelands, we dropped into upper, shallow section of the canon, and continued walking as it twisted and turned and worked its way deeper into the landscape. Finally we came to deeply shaded spot with a rock bench beneath a large overhang, where we stopped and pondered and ate for a while. We split up and each of us did a bit more exploring, but soon it was turn-around time — that point that we determine to be when we need to begin to retrace our steps in order to get back to where we started at a reasonable hour.

Heading back up a route on the return walk always feels different. The trip in is one of discovery, while much of the trip out is one of recognition — passing spots that we remember for a few hours earlier, taking time to pause in places we walked through quickly the first time, making a few detours here and there. While the terrain is the same, the light is not. By the late afternoon the deepest sections of this canyon were largely in shadow, and as we each picked our way back up the creek individually things seems slower and quieter.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Glaciated Granite Landscape

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Glaciated Granite Landscape
Glaciated Granite Landscape

Glaciated Granite Landscape. Yosemite National Park, California. September 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Looking through evening haze into the depths of a deep canyon of glaciated granite, Yosemite National Park

Near a lake in the Yosemite backcountry where we camped for five nights were many examples of the common Yosemite glacial granite slab terrain, with sparse trees and glacial erratic boulders on top of both broken granite and smooth glacial polish. The highest nearby area of this sort attracted us and we visited it many times in both morning and evening hours.

This area, which featured a couple of low domes separated by a saddle of broken granite, sat near the edge of a very large river canyon that leads away to the west. The photographic possibilities here could keep one busy for many days — even more than the 5 or so days we had to work here. In the evening the light of the setting sun shone up the length of the canyon, causing the atmosphere within to glow and lighting all sorts of domes and ridges within the canyon. Sitting at the edge of this huge open area we also had extensive views of further and higher mountains. On this evening I climbed to the top of one of the domes and pointed my camera down into the depths of this canyon, shooting across the top of a nearby ridge on which scattered trees were still in the last light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Erosion Patterns

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Erosion Patterns
Erosion Patterns

Erosion Patterns. Death Valley National Park, California. December 10, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Deeply furrowed erosion patterns in early morning light, Death Valley National Park

I spent some time photographing Death Valley National Park in mid-December, during a very cold time of the year. It is not unusual for the place to be surprisingly cold in the middle of winter, but this was a period of exceptional cold and it got down to 25 degrees in the Valley and much colder in some of the places I visited in the surrounding desert mountains. I had arrived the evening before I made this photograph, and a sequence of events on the drive it suggest an inauspicious beginning to this visit. I usually come in through Ridgecrest and then up through Trona. I usually drive almost straight through to Ridgecrest and then take a long, late lunch break there – getting my last espresso until I come back out of the park, filling up the gas tank, and so forth. I killed pretty close to an hour taking care of these odds and ends, and then started out of town toward Trona.

Less than a mile up the road I ran into a flashing warning sign announcing that this entrance to the park was closed! This necessitated a bit of backtracking and then travel north up US 395 to then head east toward the park on highway 190. I had originally planned to arrive by mid-afternoon, set up camp, and then photograph in the evening… but by the time I finished all of this driving it was dark when I arrived and I simply pulled into the campground and slept in my car. Early the next morning, feeling just a bit disconnected, I drove over towards 20 Mule Team Canyon where I knew I should be able to find some nice morning light. In fact I did, and I soon found this beautiful miniature landscape of nearly parallel gullies in a hillside along the canyon. As the first light hit the edges off the ridges between the gullies I found a composition that mostly filled the frame with them. I finished shooting here and moved on. At my next location, I finally must have engaged my brain, and I checked the camera to find that it had been left on ISO 3200 from my previous work photographing musicians backstage at a concert in natural light. Groan! So this photograph is one that I managed to salvage from that little escapade… and I’m grateful for the relatively good performance of modern cameras… even when the operator is not paying attention!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.