Tag Archives: desert

Sand Dunes, First Light

Sand Dunes, First Light
The first morning light reveals textures in sand dunes, Death Valley National Park

Sand Dunes, First Light. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The first morning light reveals textures in sand dunes, Death Valley National Park

These dunes, and others like them, are both more ephemeral and more permanent that many may expect. The permanence initially surprised me. I had always imagined the peaks of dunes marching gradually across the landscape like slow motion ocean waves, producing a landscape that would never be the same twice. However, observing certain dunes in Death Valley National Park over a period of time made it clear that the broad features of the dunes are actually very nearly permanent. From year to year the overall form of the dunes remains largely the same — no surprise, perhaps, given that the forces that form them are constant, including the prevailing winds and surrounding geological features. Yet, other things are more ephemeral. Plants come and go, and footprints are erased by the next dust storm. The light is constantly changing, through the daily cycles and the annual cycle.

This was the final morning of this trip to Death Valley. Since dust storms (and rain!) had passed through the previous evening I was certain that I could find areas unmarked by footprints, where the natural patterns produced by wind would be found. I drove to a less popular area near the dunes, loaded up my equipment, and set out across the playa to get to the low dunes I had in mind. I arrived in soft pre-dawn light and began to photograph, trying to work with this subtle light and its extraordinarily low contrast, all the while watching the sky to the east to see when sunlight would strike the dunes. I composed this photograph in that soft light, but as I worked the sun cleared the mountains far to the east and warmer colored light began to more clearly show the sand patterns. I made this photograph during the very brief interval — literally only seconds — when that first light began to softly light the sand and before it struck with full intensity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening Rain and Sandstorm

Evening Rain and Sandstorm
Evening rain and sandstorm as sun illuminates the Grapevine Mountains

Evening Rain and Sandstorm. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening rain and sandstorm as sun illuminates the Grapevine Mountains

During the spring season in Death Valley National Park almost anything can happen. It can be 90 degrees or higher, or it might snow. Days may be pleasant to sunny, or it could be overcast with huge winds and dust storms or rain. We just spent the better part of five days there, and I think I saw as great a range of conditions as I’ve encountered before. The second evening was particularly remarkable. We were up in Panamint Mountains when we first noticed the tell-tale haze of dust storms, and by the time we returned to the Valley it was so windy that there was nothing to do but hunker down and wait it out. Near sunset the winds began to abate a bit and we ventured outside. I heard a few claps of thunder and it began to rain huge drops. Later we discovered that it had snowed on the highest peaks.

A few days later the conditions were supposed to be more benign. We spend early morning hours photographing out on the dunes, then did a midday and afternoon hike up a beautiful canyon. Exiting the canyon we were surprised to see dust beginning to rise again, since the forecast had called for very light winds. By the time we got back to Stovepipe Wells the winds were howling, light rain was falling, and dust filled the atmosphere. A bit later things calmed down and I decided to make a quick evening trip to a nearby high point from which I could get an overview of the valley. Arriving there I could see a wild combination of dramatic light on up-valley mountains, rain falling on their summits, and the dust storm growing below. Within minutes of making this photograph the wind began to howl and the dust enveloped my position and I retreated once more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer, Long Valley, Dawn

Photographer, Long Valley, Dawn
Photographer Patricia Emerson Mitchell working the dawn light near a small lake in Long Valley

Photographer, Long Valley, Dawn. East of the Sierra, California. October 10 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Photographer Patricia Emerson Mitchell working the dawn light near a small lake in Long Valley

On about my third week of aspen photography this fall I was accompanied back to the Sierra by my wife and fellow photographer, Patricia Emerson Mitchell. There are all sorts of advantages for me when she comes along — motel (instead of tent or back of car), real food (instead of things heated over a camp stove), and more… ;-) By this point in the aspen season I was ready for something that wasn’t aspen, so on this morning we headed east rather than west into the Sierra, traveling out across Long Valley with a plan of going even further east toward the White Mountains near the town of Benton.

We started in near darkness and arrived at a familiar spot out in the Valley before the sun rose. We parked and headed out to our destination, arriving a few minutes before the light, at which point we went to work rapidly — the photographic opportunities evolve rapidly as the first light arrives. Here she sets up close to the shoreline of the lack, photographing across the water toward mountains to our north as the first light rakes across sagebrush and the nearby hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Eastern Escarpment

Eastern Escarpment
The eastern escarpment of the Sierra Nevada rises from desert hills to rugged aretes lit by dawn sun

Eastern Escarpment. Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The eastern escarpment of the Sierra Nevada rises from desert hills to rugged aretes lit by dawn sun

Depending on how you approach the range, the Sierra Nevada presents two quite different aspects to the visitor. For many decades, as a long time resident of the San Francisco Bay Area, I was only familiar with one of them. I always came to the range from the west, on long drives over coastal mountains and then across the Great Central Valley. As I approached the east side of the Valley I would encounter the low hills, at first almost imperceptible, that humbly mark the beginning of this might range. Because it tilts upward from the west, the western slopes are overall very gradual. Rising through these first low hills, the grass and oak covered landscape raises over a distance of many miles, and it is quite a while before the range starts to feel like “the mountains,” and many hours before the visitor arrives in the high alpine zone of rugged granite peaks. Even here, to the west of the crest there are plenty of gentle valleys and meadows.

The east side is a radically different world, as I finally began to understand two or three decades ago. The eastern base of the range is an arid near-desert place, made more so by Los Angeles’ historic draining of east side waters that once irrigated now-dry places and once filled today’s dusty playas with shallow lakes. The Sierra rises abruptly from this lower landscape, and in places you can look up nearly 10,000′ to the highest summits — you stand in desert and look at alpine peaks, and you see every zone in between. I made this photograph at dawn from one such valley location where the landscape that of sagebrush and playa and alkali lakes. From this spot I looked across low hills with the first coniferous trees toward the abrupt rise of the eastern foothills, backed by jagged and rugged slopes leading upward to high peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.