Tag Archives: drift

Dawn Fog, California Hills

Dawn Fog, California Hills
Sunrise fog drifts across springtime California hills under overcast skies.

Dawn Fog, California Hills. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sunrise fog drifts across springtime California hills under overcast skies.

The fact that I’m unable to be in the field making new photographs right now is a good reminder that photography is more than taking a camera into the field to find and capture subjects. There is a lot that happens before the exposure — perhaps years of accumulated experience with subjects and how they might be photographs. And there is a lot that happens after the exposure — review, selection, experimentation, carrying out the plan for images that I had in mind when I made the exposures, and more. For now I’m living photographically mostly in that post-exposure world.

I photographed this scene on a memorable morning last spring in a remote area of California hills. I was there to photograph flowers, but this lovely morning of fog and soft dawn light distracted me. It was one of those wonderful unexpected moments in photography that reminded me of how much serendipity is involved in this endeavor.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Curving Beach, Fog

Curving Beach, Fog
Fog retreats to the shoreline above a curving beach near Point Sur

Curving Beach, Fog. © Copyright 2019 G Dan Mitchell – all rights reserved.

Fog retreats to the shoreline above a curving beach near Point Sur.

This is the same location where I made a couple of other recently posted photographs — a spot along the Pacific Coast Highway not far from the town of Big Sur, where a long, curving beach runs out toward a peninsula that has long been the home to an iconic California light house.

Much to my surprise, I encountered really beautiful conditions on this morning visit to the area. The forecast had called for essentially clear conditions, but I was instead greeted by a persistent fog bank that remained right along the coast, stubbornly intruding into the hills in some locations, while pulling back and allowing sunlight over the ocean in others. This scene was dynamic as I photographed it, with the fog intermittently rising and falling or drifting across this scene, located near the delta of a river that empties into the Pacific near the small hill sitting on the beach.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Lake, Wildfire Smoke

Mono Lake, Wildfire Smoke
Mono Lake and tufa towers with drifting wildfire smoke in morning light

Mono Lake, Wildfire Smoke. © Copyright 2019 G Dan Mitchell – all rights reserved.

Mono Lake and tufa towers with drifting wildfire smoke in morning light.

My foremost impressions of Mono Lake are usually formed around its vast expanse — the place is absolutely huge, and the low mountains to its east accentuate this effect. The great open space above its water usually presents an equally expansive view of sky, whether it is pure blue or broken by various clouds. (My other strong impression of the place is an audio impression — a combination of early morning silence and the sounds of thousands of birds.)

I made this photograph during very unusual conditions. On this late-summer morning a very large wildfire was erupting south of here, and its smoke was drifting northward in the early morning. The morning light was increasingly blocked by the smoke and eventually (after I made this photograph) the smoke became oppressively thick and I had to leave. When I made the photograph the smoke was drifting softly in front of those distant mountains and glowing faintly in the early morning backlight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning Light On Wildfire Smoke

Morning Light On Wildfire Smoke
Early morning light on wildfire smoke drifting among forest trees

Morning Light On Wildfire Smoke. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early morning light on wildfire smoke drifting among forest trees

For a day that I began with only a vague plan (photograph Glacier Point at dawn) that I managed to miss (distracted by dogwood trees), I ended up with quite a photographic haul before it was over. I have a very early morning photograph of a lovely forest scene with autumn colors, a series of photographs of beautiful and mysterious drifting smoke along Glacier Point Road, several photographs of the autumn scene in Yosemite Valley, and finally a small set of photographs of sunset light on snow-dusted granite along Tioga Pass Road. All told, it turned out to be a rather remarkable day!

The least expected subject also turned out to be the one that produced the largest number of photographs — the early morning wildfire smoke that had settled down in valleys and among the trees overnight. If I had arrived at Glacier Point when I originally planned I might have missed this in darkness. Yet again, I got lucky, and after a delay brought about by my inability to resist stopping to photograph another forest scene I arrived here at just the right moment. The air was still and the smoke was barely moving among the trees in this large valley below my location. I had a good long time to stand and take it in and then work the scene carefully, with photographs ranging from those including the full scene to others, like this one, that zeroed in on small elements of it. Several things attracted me about this particular scene: the beams of lighting the smoke drifting through the trees at the bottom of the frame, the zigzag pattern produced by forest and smoke, the tall and thin trees on the far ridge, and the bits of Yosemite granite domes barely visible in the distance through the smoke.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.