Tag Archives: dusk

Lenticular Clouds, Alpenglow Reflections

Lenticular Clouds, Alpenglow Reflections
“Lenticular Clouds, Alpenglow Reflections” — Two lenticular clouds in the alpenglow above the Sierra Nevada crest, Yosemite National Park.

This photograph comes from her the end of the spectacular afternoon and evening that I’ve been posting about recently. To quickly recap, I saw lenticular clouds forming over the crest earlier in the day, headed to this spot that I had scoped out previously, then photographed all the way from pre-golden hour through sunset and on into the early dusk. This photograph was made just after sunset, when the pink light was still coloring the sky and the landscape but the blue of evening was gradually taking over.

If you head out into the landscape often to photograph, you will experience a lot of fine but unremarkable days. With care, you can make good photographs in those conditions. You’ll also experience a few “meh” days when nothing happens. (Deny all you want, but you’ve experience it!) But it seems like this earns you an occasional luminous miracle, when everything comes together and amazement ensues. If there is a downside to this, it might be having to explain to people that, “yes, this really happened!” That’s a small price to pay.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Evening Light, Sierra Crest

Evening Light, Sierra Crest
“Evening Light, Sierra Crest” — Sunset light illuminates Sierra crest peaks as summer clouds clear beyond Tuolumne Meadows, Yosemite National Park.

This is the second photograph in this series that I’ve shared recently. (Two more are in the pipeline.) I posted a slightly different one that rendered the scene in portrait orientation. But a bigger difference is how the light evolved over the couple of minutes between the two exposures. At this time of day in these conditions, the light is very dynamic as it shifts from yellowish toward pink and red and ultimately to the blue tones of dusk. Meanwhile, the sunset light from the west is affected by intervening clouds, and the light and color move across the landscape. In this exposure, those blue tones are strengthening in the foreground forest and meadow and in the darker clouds above the lenticular formations.

Often a scene suggests one particular photographic interpretation or perhaps two. Maybe portrait- and landscape-orientation versions are in order or there is more than one way to frame the composition. But on a spectacular evening like this one when the scene remains compelling as it undergoes radical transformations of color and light, it is possible to end up with too many photographs! Originally I strained to hold myself to a series of four from one vantage point. However, after returning to these images recently I now see that others work, too — like this one.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Evening, Alpine Lake and Peaks

Evening, Alpine Lake and Peaks
The view from an alpine wilderness lake overlooks high peaks of the southern Sierra Nevada.

Evening, Alpine Lake and Peaks. © Copyright 2022 G Dan Mitchell.

The view from an alpine wilderness lake overlooks high peaks of the southern Sierra Nevada.

Experiencing the high country brings all sorts of rewards — the thrill of high peaks, the beauty of a summer meadow, the (mostly) joy of traversing forests and crossing creeks, and much more. Many of these are immediately accessible, and you can enjoy them just by getting out of your car and walking a little. Some take a bit longer, perhaps requiring an overnight stay away from roads. Still others only come after a relatively long time on the trail — long enough to almost forget that there was another life before you started walking.

Some of these experiences are, at least for me, both remarkable and a bit difficult to put into words. This evening just west of the Southern Sierra crest was one of those times. I was part of a small group of friends who had grown comfortable backpacking together over the years. We were nine days out on a trans-Sierra trip, and we had fully settled into the routines of the trail. In the morning we would get up very early and ascend the highest peak in the range before making the 7000′ descent to the trailhead and the “real world.” But on this evening there was nothing more important to do than wander slowly around this lake and gaze at distant ridges as the day came to an end.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Dunes

Evening Dunes
Low dunes in soft evening side-light, Death Valley National Park.

Evening Dunes. © Copyright 2022 G Dan Mitchell.

Low dunes in soft evening side-light, Death Valley National Park.

Rather than being the result of a carefully planned and scheduled shoot, this photograph was a last-minute photograph of opportunity. We had spent the day in a remote location in Death Valley National Park, at the end of a long and rough backcountry road, where we had parked and hiked a few miles further into a canyon. The light in deep canyons tends to be best while the sun is still high in the sky, so we finished in the late afternoon and then drove out. We decided to stop for an early dinner and not worry about evening photography.

We finished dinner and as walked back to the vehicle it occurred to me that there was just enough light to squeeze in a bit of photography if we hurried to a nearby spot. We immediately parked and set up equipment as the last direct sunlight began to fade on the landscape below. I exposed three frames before the light was gone, and the soft light enhances the sensuous quality of all of those sand formations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.