Tag Archives: early

Oak Tree, Clearing Spring Storm

An oak tree surrounded by wildflowers and new growth, as an early spring storm clears.

Oak Tree, Clearing Spring Storm. © Copyright 2019 G Dan Mitchell – all rights reserved.

An oak tree surrounded by wildflowers and new growth, as an early spring storm clears.

This is the green season in California right now, although our opportunities to get out and experience it directly are limited right now. While I can get out for a daily neighborhood walk during our mandatory “Stay At Home” order, that keeps me mostly within walking distance of home. There is spring to see and experience locally, but not quite the same way as when I travel. So for now I’m tracking my way through my raw file archives, roughly following the current season, and rediscovering photographs that I left behind in the past.

I made this photograph on a beautiful early spring evening in California’s Temblor Range last year. It had been a day of those wonderful spring storms, when light and shadow and showers sweep across the green landscape, one after another. Late in the day I went to this elevated location and looked back across a valley through this oak tree as the storm clouds began to clear from the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Creosote, Dunes, Shadows

Creosote, Dunes, Shadows
A clump of creosote among dunes shadowed by early morning light.

Creosote, Dunes, Shadows. © Copyright 2019 G Dan Mitchell – all rights reserved.

A clump of creosote among dunes shadowed by early morning light.

This photograph comes from nearly one year ago on the 2019 edition of my annual early spring visits to Death Valley National Park. (There will be no spring visit this year, what with shelter-in-place orders and so forth — fortunately I was there in January.) The late March and early April time frame is often ideal for wildflowers and for splitting the difference between winter cold and the unbearable heat that arrives in spring. Is there a downside? Yes. Lots of other people seem to have the same idea, and the number increases every year.

The sand dunes are an unending source of photographic opportunities. I prefer to photograph them either very early in the morning or during the sunset to early dusk time periods, when the light goes through remarkable transitions. My favorites include the subtly colored dusk hours and the moments of first/last direct sun, when the light is warmly colored and there are transitory shadows. I usually steer clear of the most popular ares of the dunes, generally finding more interesting things out along their boundaries.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Silos And Shadows, Morning

Silos And Shadows, Morning
California Central Valley silos in morning light.

Silos And Shadows, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

California Central Valley silos in morning light.

This photograph might serve as an example of an approach I sometimes take when photographing, especially when the subjects I had in mind may not present themselves or at least not present well. Basically, I have a backup plan, and I’m happy to switch gears and improvise if my primary subject either isn’t working or isn’t at its best. That was the case on this morning when I had traveled to the Central Valley to photograph birds. I did that, but then I decided to head down a narrow country lane looking for whatever I could find, and in this case the search uncovered some agricultural subjects.

It is always a question whether to stay with the subject you came for or to switch to another target of opportunity. To be honest, I cannot recommend one over the other — I do both, and it is hard to rationalize why I choose one over the other. Sometimes, quite honestly, it is mainly a hunch. If you stick with a subject that isn’t quite working you may eventually find a way to make it work, or perhaps that light you hoped for will appear. On the other hand, you could just as easily wait and find that nothing changes!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens, Ferns, And Boulders

Aspens, Ferns, And Boulders
Early autumn aspen color with ferns and granite boulders

Aspens, Ferns, And Boulders. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early autumn aspen color with ferns and granite boulders.

My arrival at this well-known Eastern Sierra location was perhaps a few days too early, and the color would not really peak until three or four days later. However, even when there are still a lot of green trees it is possible to find a few that are changing colors — and in some ways the striking fall leaf colors may even seem a bit more so when there are still some green leaves in the scene.

This photograph probably looks fairly static… but it was a very windy day! In fact, moments earlier I had given up photographing in a more exposed location because the winds were so strong! This grove was a bit more sheltered, being at the bottom of a steep, narrow bit of valley. Even so, the aspen leaves are easily moved in slight breezes and I had to wait for just the right moment to find a time when the motion was minimized. There is more going on in this scene than may be immediately visible. In a sense there are four primary components: the vertical lines of the light-colored trunks, the patterns of green and yellow leaves, the golden brown of the ferns, and hiding in the background the darker tones of rocks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.