Tag Archives: early

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Early Aspen Color

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Early Aspen Color
Early autumn season aspens begin to change color

Early Aspen Color. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early autumn season aspens begin to change color.

As fall approaches I always anticipate the color change of aspen trees way in advance of the actual event, and I start watching for early signs more than a month before the color peaks. Way back in August I typically find a few early clues — yellowing corn lilies, drying meadows — and at some point in September I find my first few yellow aspen leaves. The change begins in earnest by the first week of October, and that is when I made this photograph. At this point, the aspen trees seem to move toward a sort of “lime green” color, often with a few interspersed yellow leaves, and in the right light you can convince yourself the fall colors have arrived.

There is a useful lesson about lighting in this photograph, too. Although this scene seems pretty straightforward, there’s more going on with the direction and color of the light than you might first notice. This grove of trees is, indeed, in the shade. The camera is pointing roughly east, a tall ridge rises behind this little grove, and it was still shading the trees hours after sunrise. This provides soft light that fills in shadow details much better than direct sunlight. Look deeper into the grove and beyond and you may notice that the color becomes more blue. Light in shadows is usually quite blue — after all, the main light source is the very blue sky! But the trees in the foreground are not very blue… and there’s a reason. Behind my camera position (if we could turn around and look backwards) was a very large mountain in direct sunlight, and the reflection of that light was strongly diffused and directed straight into the grove, warming the colors and highlighting the front trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Cascade And Peaks, Morning

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Cascade And Peaks, Morning
Peaks lit by early morning light rirse above a Sierra Nevada wilderness cascade near timberline

Cascade And Peaks, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Peaks lit by early morning light rirse above a Sierra Nevada wilderness cascade near timberline.

The daily routine on these backcountry photographic expeditions tends to follow a basic pattern. We’re up very early — in order to be in a good place by the time the light arrives we typically need to arise when it is still dark out and then make our way to our chosen location. There’s often an intense period of photography right around sunrise, but then things taper off as the rate of change in the light slows. We work for a couple of hours until the light becomes less spectacular, then we return to camp for breakfast followed by a midday period of mostly hanging out. We usually eat dinner in the late afternoon time frame, and then we head out once again for a few hours of photography that often end in darkness.

On this morning I had a plan to walk up a nearby route to a higher lake, where I had several potential photographs in mind. I knew that these scenes were very light dependent, so I wanted to arrive early. I set out with plenty of time… and immediately started to find myself distracted by unanticipated subjects. I stopped to photograph the inlet stream of a lake, then a pool below the trail, then this lovely section of a small creek cascading down the slope from the valley above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Bandlands, Morning Light

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Bandlands, Morning Light
Soft early-morning light on rugged and colorful badlands formations

Bandlands, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft early-morning light on rugged and colorful badlands formations.

On the final full day of our early-April 2019 photography visit to Death Valley we decided to head for a familiar location where I enjoy photographing in the morning. After being closed earlier in the season this area had finally reopened — flooding of washes in the area had interfered with access, and repairs had be recently completed.

The photographic opportunities in this area — and, to be honest, in many places — depend a lot on the specific qualities of the light during a visit. I’ve been here where clouds turned everything gray and when intense light made some portions of this landscape a bit too stark for my preferences. This morning was close to ideal. When we arrived, before dawn, there was a high overcast and the light was not all that spectacular. However, the clouds were thin, and as the sun rose the light made it thought the dissipating clouds — and this sort of high, thin clouds provide some of the most subtle and beautiful light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dune Curves, Morning Light

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Dune Curves, Morning Light
Early morning light and shadows on curving dune forms, Death Valley National Park

Dune Curves, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early morning light and shadows on curving dune forms, Death Valley National Park.

Yes, it is one more in the never-ending series of sand dune photographs. As I have written previously, the dunes provide a seemingly endless photographic laboratory in light and shadow, color, texture, form, and more. They can be photographed on the large scale, where they comprise an entire monumental landscape, but they can also be presented on a smaller scale, where a photograph might feature a single gesture of sand, a plant, animal tracks, or some other small thing.

I think that you can look at many photographs of this type as having a dual nature. Looked at one way they are representations of “the real” in the natural world, though always with some degree of subjectivity and interpretation. Looked at in another way they can almost be abstract, divorced from their sources. I enjoy trying to see them both ways and in exploring the flexible boundary between the two ways of seeing. Here I was intrigued by mirrored shapes, in one case created by sunlight on a dune surface and in the other a shadow cast by a low ridge that is not within the frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.