Tag Archives: eastern

Photographs: Nature, Photographs: Sierra Nevada

Outlet, Morning

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Outlet, Morning
Morning light shines on the formations of a canyon containing the outlet stream of an alpine lake.

Outlet, Morning. © Copyright 2022 G Dan Mitchell.

Morning light shines on the formations of a canyon containing the outlet stream of an alpine lake.

Don’t hold me to this… but this may be the final photograph in the series from the August Eastern Sierra backcountry trip. A group of us entered the wilderness, set up a base camp, and photographed the area for a week. The group included Michael Frye, Claudia Welsh, Franka Gabler, David Hoffman, Jerry Bosworth, Patty Mitchell, and me — a fine group of colleagues and friends with whom to spend the week! We survived a torrential rain storm on our first day or two, then explored the area around our camp and on up into the high, alpine country nearby.

If you have been following my posts from the trip, this subject perhaps seems familiar by now. The outlet stream from the lake where we camped empties suddenly into a fairly narrow and rugged canyon that descends to a larger valley beyond. The morning light here was often quite beautiful, coming from beyond and somewhat to the right. On this morning a bit of haze, likely from wildfires, glowed in the backlight and slightly muted the details of more distant features.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Clearing Storm Clouds

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Clearing Storm Clouds
Blue sky appears as storm clouds dissipate above the Eastern Sierra Nevada.

Clearing Storm Clouds. © Copyright 2022 G Dan Mitchell.

Blue sky appears as storm clouds dissipate above the Eastern Sierra Nevada.

Perhaps the most interesting skies are associated with transitions from one kind of weather to another. This includes not only the arrival of storms but also their departure. If the storm has been large and long, the first hints of its passage bring a feeling of home and light. Thinner areas appear in the cloud cover, in some places the sky becomes more blue than gray, perhaps a bit of sunlight shines through. The storm usually doesn’t depart all at once — more likely in fits and starts as lingering clouds move in and out.

After more than 24 hours of mostly rain, some of it heavy, the clearing finally began in the very late afternoon of the second day of our Sierra backcountry visit. At first we mostly just noticed that the rain had stopped, even though the clouds were thick and gray. We left our tents and wandered out to overlooks, hoping to make some photographs. Gradually the clouds rose higher, and gaps began to appear. Soon a bit of light came over the ridge to our west and the clouds over the lowlands to the east began to break up, revealing blue sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Post-Storm Clouds

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Post-Storm Clouds
“Post-Storm Clouds” — A great variety of clouds and fog as a summer storm clears over the Eastern Sierra.

No, I am still not quite finished with this spectacular evening in the Sierra backcountry. In early August our group spent a week base-camped in the wilderness, heading out each day (starting before sunrise and concluding after dark) to photograph our spectacular surroundings. We experienced challenging weather during the first 24 hours, but on the evening of the second day the storm dissipated, and just at sunset things opened up and alpenglow briefly lit up the sky.

There was no guarantee of this happening — which is often the case when chasing such subjects. Not long before this things were pretty gray, and fog drifted just overhead, obscuring trees and peaks, al though we could see that the sky was lightening up a bit. Then a bit of pink showed up on the higher clouds, gradually working its way down though the various layers left by the departing storm. I had been photographing the fog, but I quickly turned my attention to this developing scene! As the sky became more and more colorful, a bank of lighter fog enveloped the top of a ridge on the other side of the valley beyond the lake. A few minutes after this spectacular finale… the show was over.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada

The Ridges Beyond

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The Ridges Beyond
“The Ridges Beyond” — A series of Eastern Sierra ridges leads to the east beyond a backcountry lake in morning light.

Because variations on this particular scene comprise a significant portion of the photographs I made during our August Sierra backcountry sojourn I have been trying to release them somewhat gradually. However, even though I shared a quite different version of the view from this camera position just a few days ago, here’s another. This one is, obviously, a near-panorama rendition that takes in the far edge of “our” little lake, its outlet, surrounding ridges, the more distant scene, and some beautiful morning clouds. The whole scene is softened by a bit of backlit morning haze.

Sometimes I’m immediately certain of what a photograph will look like as I make the exposure. But other times I’m less sure and I reserve judgment, perhaps making multiple exposures that will work for any of several possible directions I might take with the subject. That was the case with this scene — multiple “takes” were required not only for that reason but also to ensure that I’d be able to work with some rather extreme light contrasts between the shadowed foreground and the very bright clouds and sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.