Tag Archives: edge

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes Meet Playa

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Dunes Meet Playa
Desert sand dunes meet the edge of a playa in evening light

Dunes Meet Playa. © Copyright 2019 G Dan Mitchell – all rights reserved.

Desert sand dunes meet the edge of a playa in evening light.

A late-winter or early-spring visit to Death Valley is always on my photographic agenda. This year I visited in early March, shortly after a big atmospheric river weather system had dumped tremendous amounts of rainfall all over Southern California. Years ago I became aware of the seeming irony that the effects of water are nowhere more visible than in Death Valley, and on this visit they were even more obvious. Playas were flooded, roads were washed out and closed, mud flows were everywhere, and the colors of the dunes were intensified by the remaining moisture.

I made this photograph in the evening of my final full day in the park. The light was challenging — late in the afternoon clouds began to arrive, and as the golden hour approached most of the color was drained from the light. I had traveled to this area of dunes hoping to find some interesting light — and a small group of photographer friends — but when I got there it did not look promising. I decided that instead of going directly to specific dune subjects I would find a high place with a wide panorama. From there I could see the entirety of the upper Valley and be ready to use a long lens to take advantage of any good light that might briefly appear, even if it should be at a distance. As dusk came on the sky opened a bit and glowing light from the west softly lit the boundary between playa and dunes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Grasses, Water, Talus

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Grasses, Water, Talus
Talus from a glacial moraine reaches the edge of a reflective alpine lake with a shoreline patch of grass

Grasses, Water, Talus. © Copyright 2018 G Dan Mitchell – all rights reserved.

Talus from a glacial moraine reaches the edge of a reflective alpine lake with a shoreline patch of grass

This is (yet another) photograph from my September backcountry sojourn in the John Muir Wilderness, accompanied by a group of four friends and photographers who try to do this every year. We packed in to a lake a few miles from the trailhead, set up camp, and proceeded to work the surrounding landscape for the next week, starting early and finishing late almost every day. In the course of the week we thoroughly explored the surroundings within a few miles radius of our camp.

The far edge of the lake near our camp was completely rocky and almost entirely devoid of flora. (Our side did features a meadow and some stunted trees.) A tremendous talus field, distorted by glacial action, rose straight up from the lake shore to the surrounding ridges. I photographed this material several times during our stay, most often working in the early morning before the direct sunlight arrived. In many of the photographs there is nothing by rocks and water, but in this one I included a bit of the colorful shoreline grass.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Trees In Sun, Cliff In Shadow

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Trees In Sun, Cliff In Shadow
Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

Trees In Sun, Cliff In Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

I made this photograph on a day of somewhat ephemeral conditions. There had been snow the day before — light snow, but in very cold conditions. On this morning the storm had passed, but it was so cold that a thin layer of snow was still there. It was in the meadows, on the branches of trees, and collected on every small irregularity on the granite cliffs above Yosemite Valley. At the moment I made this photograph the sunlight, shining through thin clouds, had just arrived on the closest trees, while those in the distance remained in cold shadows.

The light and the snow patterns on the face of the granite monolith are remarkable. The small amount of snow — perhaps only and inch or two — brought the patterns of cracks and small ledges into relief, making visible features that we might overlook on a warmer day And the light on the cliff is rather blue since the face is illuminated not by direct sunlight, but instead by the giant “light panel in the sky,” which happens to be very blue!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Cliff in Sun, Trees In Shadow

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Cliff in Sun, Trees In Shadow
The edge of a granite face caught in morning sun, with snow-covered trees in shadow

Cliff in Sun, Trees In Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

The edge of a granite face caught in morning sun, with snow-covered trees in shadow

The little bit of sunlit granite cliff on the right side of this photograph has long intrigued me. When the light hits it a highlight is added to a scene that is often otherwise almost completely in shadow. The light only happens for a short period, since the sun has to rise above the thousands-of-feet-high cliff above and then find its way down at just the right angle. Basically, it is only going to happen in the morning at this time of year, and for a short time at that. On this day I photographed it just after new snow had fallen the night before, coating trees and granite with a thin layer of snow.

The color of this scene is perhaps also worth mentioning. I decided to “go with the blue” on this image. Deeply shaded areas that are illuminated by open sky are often far bluer than we might think, something that photographers soon learn to recognize. When we look at such a scene with our eyes and our brains visual processing system, our brain tells us that, for example, the snow in this scene is white. But objectively speaking it is very much NOT white — it is the blue of the sky. In many cases photographers — including me — will adjust the color of the blue shadows in post to make them a bit closer to how we recall the scene, but another option is to leave it just as blue as it actually is… which is what I’ve done here.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.