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Photographer Patricia Mitchell

Photographer Patricia Mitchell
Photographer Patricia Mitchell at work in early morning autumn light in the Eastern Sierra Nevada.

Photographer Patricia Mitchell. © Copyright 2021 G Dan Mitchell – all rights reserved.

Photographer Patricia Mitchell at work in early morning autumn light in the Eastern Sierra Nevada.

Someone has a birthday this week, so it seems appropriate to feature a photograph of, um, someone here. Photography is often a solitary activity — one person, a subject, a camera, how to see — and most of the time the two of us photograph alone. But every so often we get a chance to head out together on a trip that involves photography. We had such an occasion earlier this fall — and it has been too long! — when we did a weeklong trip that took us to the Eastern Sierra Nevada and then to Utah and a few nearby locations.

We started in the Sierra, where we headed into the eastern part of the range in search of fall color. Perhaps “search” is the wrong word here, as it is easy to locate! Instead of going to the “usual places” we wandered up some less-travelled roads, including the one that took us to this spot right beneath the eastern escarpment, a place with very few other people where the high desert and the beginnings of true mountain terrain intersect. We arrived on a brilliantly lit morning, with fall color everywhere, and a bit of early snow still on the peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Storm Clouds Above The Crest

Storm Clouds Above The Crest
Dark clouds beyond the crest while morning light shines on the east slope of the Sierra Nevada.

Storm Clouds Above The Crest. © Copyright 2021 G Dan Mitchell – all rights reserved.

Dark clouds beyond the crest while morning light shines on the east slope of the Sierra Nevada.

This should be a fine photograph in this series made in early morning light in the eastern Sierra Nevada above Bishop, CA. The morning began before dawn in extremely soft and blue-tinted light. Then the first direct light came through a narrow gap between the White Mountains and the clouds behind me and gradually spread down the escarpment of the Sierra. I continued photographing as this process unfolded, and by the time I made this photograph the direct light had arrived at my location and the deep golden color of the dawn light was dissipating.

Locations like this one are among the best to understand the immense size of the Sierra and the height of the crest. Far behind my camera position and quite a bit lower lies the Owens Valley, but even from this higher vantage point the steep faces of the peaks are formidable. On this morning the clouds added another dimension to the show. Up higher, above the area of this composition, gently curving clouds mirrored the shapes of the ridges. Below those clouds lay the dramatically dark form directly above the peaks, as seen in the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Eastern Sierra Morning

Eastern Sierra Morning
Morning light on the eastern escarpment of the Sierra Nevada under stormy skies.

Eastern Sierra Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on the eastern escarpment of the Sierra Nevada under stormy skies.

This photograph was made mere moments after another of the eastern Sierra Nevada escarpment that I shared recently. That photograph included the first, warm-tone light of the new day. This one comes after that initial golden hour light has left the highest peaks — though a bit of it remains in the lower foreground — and these formations are illuminated by somewhat harsher light. It was a remarkable morning, with conditions changing with extreme rapidity. The gently curving wave cloud in the previous photograph had, by the time I made this one, turned into a very dark layer beyond the crest.

There is another background story related to this series of photographs — a story that is partly about photography and partly about learning to know places. I first went to this location quite a long time ago, almost by accident the first time. Intrigued, I returned frequently when I had a moment, and as a result I saw the place in rather varied conditions. I began to get a sense not only of what I actually saw, but also of how this landscape might respond to conditions that I did not encounter. Eventually this served me well, and more than once I’ve aborted other photographic plans to go to this spot based on nothing more than a hunch about what the conditions might be like.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

At The Door

At The Door
Patricia Emerson Mitchell opens the door to a snowy Lower Manhattan street scene

At The Door. © Copyright 2017 G Dan Mitchell – all rights reserved.

Patricia Emerson Mitchell opens the door to a snowy Lower Manhattan street scene

We frequently visit New York at about this time of year. Our sons and their wives live in the area and we can often open up about a week of travel time. It is a fine time to visit — there is a lot of holiday stuff to see, if that is your interest, and it seems like the subways are a bit less crowded during the week between Christmas and New Year’s Day. Plus, by comparison to our mid-summer visits, the potentially cold weather actually seems attractive… and a welcome change from “California winter,” with its 50-60 degree temperatures. But the timing of these visits often has us there just a bit too early for snow.

This year was different. Shortly after we arrived the weather turned cold — extremely cold by our California standards — with daytime temperatures barely (and not always) making it into the lower 20 degree range. We persisted, however, and did a lot of walking all over Manhattan, always carrying cameras and making photographs. For most of the week we saw weather forecasts predicting a chance of snow on the last two days of the visit, but those forecasts gradually reverted to merely “cloudy.” So we were pleasantly surprised when we opened the hotel blinds on our final morning and saw snow falling! We headed out, mainly to find breakfast and coffee, and enjoyed the transformed landscape. As you look at this photograph, try to also imagine that moment when you move between the snowy, cold, and windy street and the warm, inviting space of a restaurant, coffee shop, or the home of friends/family.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.