Tag Archives: escalente

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Arch and Shadows

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Arch and Shadows
A Utah red rock country arch in a shadowed canyon.

Arch and Shadows. © Copyright 2012 G Dan Mitchell – all rights reserved.

A Utah red rock country arch in a shadowed canyon.

It can seem that improbable features like this are everywhere in Southern Utah. While many are familiar from national parks like Zion and Arches, similar features are found in less accessible places, and if you poke around enough you can experience them in relative quiet and solitude. I’ve wondered why it is this way in Utah, and I think there are several explanations including that such features really are quite common, and some that warrant national park status are in non-park areas for reasons including uneasy compromises with extractive industries.

A group of us wandered into a lovely canyon, inauspicious at the start but with sandstone walls that soon began to tower and close us in from the world beyond. These are intimate places, where your awareness is mostly confined to the space between the canyon bends in front of and behind you, and where the quiet is only broken by the an occasional birdsong and by the gentle sounds of water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Detail

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Sandstone Detail
Detail of a section of a Utah sandstone rock face.

Sandstone Detail. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of a section of a Utah sandstone rock face.

Remarkable things happen to the light deep down in the recesses of narrow sandstone canyons. The light is rarely direct, more often bouncing many times among red canyon walls. As it does, it softens, diffuses, and picks up the colors of the red rock. At the same time this landscape is open to a band of blue sky — what I think of as a giant blue light panel — and this color becomes part of the mix, though this light can follow a more direct path and fill in shadows. When you stop to consider what it really looks like, it almost seems unreal.

We were deep in such a canyon, spending a day heading deeper and deeper into it as it cut into the landscape. By the point at which I made this photograph, that band of blue sky was increasingly narrow and we encountered less and less direct sunlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Arch and Canyon

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Arch and Canyon
A large arch above a Utah sandstone canyon

Arch and Canyon. Utah. October 24, 20114. © Copyright 2015 G Dan Mitchell – all rights reserved.

A large arch above a Utah sandstone canyon

I have been down this canyon a couple of times now. The walk begins in what might seem like an inauspicious place in rather plain terrain. Soon the route drops below the level of the plateau and enters the upper portion of a shallow canyon. Continuing to walk into this canyon, the walls soon rise higher and the canyon narrows and twists. Before long the expected sandstone walls appear.

As is usually the case, we followed the course of the creek along the bottom of the canyon, alternately walking in it, walking next to it, or cutting over higher ground between bends in its course. Places like this are full of distractions, and stops are frequently to photograph water seeping over rocks, trees with fall colors, arrangements of rocks and pebbles, reflections and always the sandstone canyon walls. Eventually we reached a familiar personal landmark along the route where we stopped to photograph, eat, and talk. A short distance beyond and the around another bend, and a path led up to a high point, from which there was a view through this arch back into the canyon.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Old Cottonwood Trees, Autumn

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Old Cottonwood Trees, Autumn - Old cottonwood trees against autumn sky, Grand Staircase-Escalente National Monument
Old cottonwood trees against autumn sky, Grand Staircase-Escalente National Monument

Old Cottonwood Trees, Autumn. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Old cottonwood trees against autumn sky, Grand Staircase-Escalente National Monument

This is a photograph that I wish I had seen this way while I was there! On the scene, while wandering into a beautiful section of a big, deep canyon to photograph water, sandstone, and fall colors, I came across these trees (or this tree – they may grow from a common root system) and made the photograph in landscape orientation… and only realized while working on it in post that I really like it in portrait orientation, too. So, yes, this is cropped from a larger original photograph.

I don’t know how others will “see” this, but for me this version recalls a lot of older monochrome photographs of subjects like this from an earlier era – the era in which I first came to be fascinated by photography. Way “back in the day” when I first did photography, with the encouragement and help of my father, virtually all of the photographers whose work inspired me shot black and white. With that in mind, and with my early experience involving how to shoot, develop, and print black and white, I suppose it shouldn’t be a surprise that I still love monochrome. (A number of my personal favorites among my own work are black and white.) In this one I even applied the virtual equivalent of the classic filtering to alter the tonal balance and lighten clouds and foliage and somewhat darken the massive, twisting forms of tree trunks and branches.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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