Tag Archives: evening

Wetland Evening Reflections

Wetland Evening Reflections
A wetland pont reflects a late-autumn evening sky as a weather front approaches

Wetland Evening Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

A wetland pont reflects a late-autumn evening sky as a weather front approaches

This wetland evening was representative of another seasonal “type” here in California — the conditions that arise as one of our Gulf of Alaska weather fronts approaches the state. Once the storm arrives the light can be quite gray, but there is a transitional period when beautiful high clouds begin to move in, but are still broken enough to reveal the sky and to allow direct sunlight to illuminate the landscape and sky.

This was one of those evenings. As it became later the conditions changed from clear to increasingly cloudy. By the time I made this photograph the sun had already dropped behind the clouds to the west, and the light became much softer and much less warm in color. Yet, to my north some of that color still appeared in the higher clouds, and I stopped to photograph this sky and its reflection in a shallow pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Snow Geese in Twilight Flight

A flock of snow geese in flight at twilight

Snow Geese in Twilight Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of snow geese in flight at twilight,

This post is partially about this photograph, partially about birds, and partially about an upcoming event. Stick with me for a moment, and I’ll explain. I came a bit late to photographing birds, having photographed landscapes and other subjects for many years before thinking to approach this subject. For a long time I didn’t regard myself as a “birder” type, but I had a few bird encounters that started me steering in this direction roughly a decade ago. Two of them involved the Pacific Northwest. Back then I did the long drive from the San Francisco Bay Area up to Seattle over two days, starting in the afternoon and passing through the upper Sacramento Valley around dusk. I was amazed to see tens or thousands of birds in the beautiful evening sky, and my interest was piqued. On another visit to Seattle I found myself with a free day and I headed up to the Skagit Valley, not really knowing what I’d see. Soon after arriving I pulled over at a bend in the road near the crossing of the river, and to my astonishment tens of thousands of snow geese descended into the field next to where I had parked.

Since that time photographing birds has become important to me. I’ve come to think of it largely as “birdscape” photography, more about the place of the birds in their landscape and generally not so much about individual birds. I often (though not exclusively) photograph them in flocks, and I work to position them as part of their environment.

And, there is a show coming up! My friend David Hoffman and I are doing a joint exhibit at Stellar Gallery — in Oakhurst at the southern entrance to Yosemite National Park. The opening reception will be on February 16 at the Gallery — I’ll share more information soon, and I hope to see you there!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Big Sur Coast, Evening Haze

Big Sur Coast, Evening Haze
Evening winter haze and mist at sunset along the rugged Big Sur coastline

Big Sur Coast, Evening Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening winter haze and mist at sunset along the rugged Big Sur coastline

This is perhaps a fairly “typical” winter view of this coastline — if such a landscape can ever by described using that term. We were on the return leg of a visit to the Los Angles Basin, and we decided to take the long route back, following US 1 up the Big Sur coast. (There is an inverse relationship between speed and rewards when traveling between northern and southern California. Racing up and down I-5 in the Central Valley has its place, but you miss a lot. US 101 is slower but more interesting, and US 1 is a lot slower and a lot more interesting!)

By the time we got out of the LA Basin — which took three hours even on a post-holiday morning — it was clear that the winter sunset would occur when we were somewhere north of Ragged Point and south of the town of Big Sur. We did not know precisely where, but along this coast it is usually possible, when you realize that the day is ending, to find a good spot fairly quickly. I picked this one perhaps 10-15 minutes before sunset, mainly by intuition as we came around a headland and saw the foreground bay, the layered headlands, and the long view to the north. I quickly got out and set up to photograph in the warm, sunset light… and then watched it “gray out” as the sun dropped behind low haze sitting on the horizon!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Sky, California

Winter Sky, California
Winter evening sky above the San Joaquin Valley, California

Winter Sky, California. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter evening sky above the San Joaquin Valley, California

Photographers sometimes have a complicated relationship with sky. On one hand, quite a few of us tend to minimize its presence in photographs, especially when the sky isn’t special. The sort of blue sky day that seems beautiful to non-photographers (and beautiful to photographers when not making photographs!) often produces a plain blue expanse that can seem empty in a photograph. (Not always. It is also possible to use this in some cases, for example to suggest grand space and distance.) Among my photographer friends, quite a few work to minimize the presence of such skies or even eliminate it entirely — to the point that this can become an inside joke. I’ve heard people refer to certain photographs by one friend as “an extremely rare [insert photographer name] photograph of the sky.”

But sometimes the sky begs to be included, and on occasion it can be the main subject. To generalize, the most interesting skies often come in fall, winter, and perhaps spring in California, when much of the state gets its most interesting weather. (There are opportunities in summer, to — how about a clearing thunderstorm?) I made this sky photograph while I was busy photographing another subject. During a slow moment I looked away from that “other thing” and saw these clouds. I pivoted and made a few exposures, just as the last sunset light was illuminating the undersides of the clouds and already beginning to fade from the highest clouds against the darkest sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.