Tag Archives: facade

Detail, Duomo of Orvieto

Detail, Duomo of Orvieto
“Detail, Duomo of Orvieto” — Detail of a twisting column from the facade of the Duomo of Orvieto, Italy.

As per the common pattern, the hilltop town of Orvieto Italy has a large “duomo” on a central square. As is also typical, the facade of this church is packed with remarkable visual features — statuary, columns and arches, and fascinating details like this twisting column. Much of it is high enough that it can only be seen at a distance, but this bit is right for eye-level viewing.

You can read about these places and look at pictures of them for years (as I, a late-in-life traveler, did) and not really understand the effect of their physical reality. In particular, if you imagine them in the times when they were first created you start to understand how astonishing and even magical they must have been (and still are). It is remarkable that those who produced a structure that depends so much on massive scale for its effect also had the energy to attend to such tiny details with so much precision.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fond Antico

I photographed this bit of Bologna architecture on a “random walk” during our 2023 summer visit. In the morning we headed out with no particular destination in mind, just expecting to wander and see what we might discover. We had a vague plan to start near the two famous towers not far from the central piazza, and then we just kept going until we came to the edge of the old part of the town. We turned around and began to improvise a different route back.

I can’t tell you exactly where I made this photograph, since by this time we were following our instincts rather than a map. We changed directions as we saw interesting things, and our route was anything but direct. I was first intrigued by the arched doorways on this building, but the light also fascinated me. The combination of reddish earth tones and light reflected from other buildings on the narrow street reminds me of walking the narrow canyons of the American Southwest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Paroisse Saint-Paul Saint-Louis

Paroisse Saint-Paul Saint-Louis
Paroisse Saint-Paul Saint-Louis, Le Marais, Paris

Paroisse Saint-Paul Saint-Louis. © Copyright 2022 G Dan Mitchell.

Paroisse Saint-Paul Saint-Louis, Le Marais, Paris.

This church figured briefly in the text accompanying a recently-posted photograph of a historic Paris fire alarm station. The story is that I wasn’t sure what building this is. It caught my attention, for obvious reasons, while walking in Le Marais, so I made a photograph — but I neglected to note the precise location or even the identity of the place. (I often prefer to not do too much research about a location in order to retain some of the fun of “discovering” it.) I finally figured it out by spotting its reflection in the fire alarm photo!

The remarkable church was constructed in the 1600s, which explains the detailed architecture. Today the colors of certain features are quite striking — those red doors and the sun design around the clock, for example.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Criminal Courts Building

Criminal Courts Building
North Entrance, Crimial Courts Building, Mahattan.

Criminal Courts Building. © Copyright 2021 G Dan Mitchell – all rights reserved.

North Entrance, Crimial Courts Building, Mahattan.

This photograph comes from the same winter walk from Midtown to Lower Manhattan that I wrote about in another recent post. It was a somewhat unusual photographic walk, in that we had a specific appointment to make in Lower Manhattan just after sunset. With that in mind we were less able to follow our noses on this walk, and rather than pausing too much or taking little side journeys along the way, we progressed at a fairly regular rate to the south. This meant that I rarely had time to pause long to make photographs, aside from the occasional street light, so most of the photographs were made quickly, and I had only a short time to work any of the subjects. (In fact, we moved fast enough that I often did not have time to even take careful note of what I was photographing.)

As we passed this impressive Art Deco building in Lower Manhattan, the combination of angular stone faced, blue-toned evening light, and the contrasting warm yellow tones of interior light caught my attention. I was working quickly and using a fixed-focal length lens, so my compositional options were limited. I couldn’t photograph the entirety o the building, so I focused on this entrance area. It occurred to me later how profoundly the appearance of this scene is affected by light — a daytime photograph here would not be particularly dramatic, but there’s something a bit oppressive about the quality in this light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.