Tag Archives: facade

Photographs: Architecture, Photographs: France, Photographs: Travel

Paroisse Saint-Paul Saint-Louis

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Paroisse Saint-Paul Saint-Louis
Paroisse Saint-Paul Saint-Louis, Le Marais, Paris

Paroisse Saint-Paul Saint-Louis. © Copyright 2022 G Dan Mitchell.

Paroisse Saint-Paul Saint-Louis, Le Marais, Paris.

This church figured briefly in the text accompanying a recently-posted photograph of a historic Paris fire alarm station. The story is that I wasn’t sure what building this is. It caught my attention, for obvious reasons, while walking in Le Marais, so I made a photograph — but I neglected to note the precise location or even the identity of the place. (I often prefer to not do too much research about a location in order to retain some of the fun of “discovering” it.) I finally figured it out by spotting its reflection in the fire alarm photo!

The remarkable church was constructed in the 1600s, which explains the detailed architecture. Today the colors of certain features are quite striking — those red doors and the sun design around the clock, for example.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Criminal Courts Building

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Criminal Courts Building
“Criminal Courts Building” — North Entrance, Criminal Courts Building, Manhattan.

This photograph comes from the same winter walk from Midtown to Lower Manhattan that I wrote about in another recent post. It was a somewhat unusual photographic walk, in that we had a specific appointment to make in Lower Manhattan just after sunset. With that in mind we were less able to follow our noses on this walk, and rather than pausing too much or taking little side journeys along the way, we progressed at a fairly regular rate to the south. This meant that I rarely had time to pause long to make photographs, aside from the occasional street light, so most of the photographs were made quickly, and I had only a short time to work any of the subjects. (In fact, we moved fast enough that I often did not have time to even take careful note of what I was photographing.)

As we passed this impressive Art Deco building in Lower Manhattan, the combination of angular stone faced, blue-toned evening light, and the contrasting warm yellow tones of interior light caught my attention. I was working quickly and using a fixed-focal length lens, so my compositional options were limited. I couldn’t photograph the entirety o the building, so I focused on this entrance area. It occurred to me later how profoundly the appearance of this scene is affected by light — a daytime photograph here would not be particularly dramatic, but there’s something a bit oppressive about the quality in this light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: Structures and Objects, Photographs: Urban/Street

RK AVENUE BALLRO

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RK AVENUE BALLRO
The front entrance to an urban dance studio, San Jose.

RK AVENUE BALLRO. © Copyright 2021 G Dan Mitchell – all rights reserved.

The front entrance to an urban dance studio, San Jose.

If you have been following along here you probably can guess that this is another photograph from my (almost) daily long walks in the greater neighborhood, an activity that has become a ritual during the time since March 2020… for reasons that you can also probably guess. These walks range from the short (“Gotta at least put in a half hour!”) to nearly ten miles, virtually always through the urban wilderness of neighborhoods, industrial areas, shopping centers, and similar.

I always carry a camera, though on most walks it stays in the bag. But every so often something catches my attention and out comes the camera. Quite often the subject is something that I’ve passed by many times but only really notice for the first time on one of the walks — a common experience, by the way. The elements that make this building what it is comprise quite a collection — the heavy framing of the entry way, the rather striking and perhaps unusual color choices, and more… some of which lies outside the frame in this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Building Facade, Reflections

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Building Facade, Reflections - The facade of a San Francisco building reflects the image of nearby buildings and the sky.
The facade of a San Francisco building reflects the image of nearby buildings and the sky.

Building Facade, Reflections. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The facade of a San Francisco building reflects the image of nearby buildings and the sky.

I enjoy looking for reflections in large, glass-facade downtown buildings in San Francisco and other urban centers. I find the reflections fascinating, especially when they hold complete images of other buildings or sky, the way that they acquire various distortions, and when the reflections begin to visually merge with the image of the building itself.

I spotted this building as the train approached the Fourth and Townsend Caltrain Station in San Francisco, so by the time the train stopped I had figured out that I needed to wander on over to this spot to see if I could find a photograph. I made a bee-line for the general area of the building that I had seen, and I soon figured out who to put together an image that included a wide range of materials: the building itself, the interior spaces beyond the window glass, the reflections of sky and clouds, and more. I especially like the bits of orange reflection from a building behind my camera position.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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