Detail of Staten Island Ferry as it approaches the dock.
I’m afraid that there isn’t a lot to write about this photograph. It is an orange fence. On a boat! I was wandering around on the Staten Island Ferry looking for subjects other than the New York skyline here I photographed the railing as the vessel was very close to the terminal at the Staten Island end of the run.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.
Given some of the other iconic and impressive things that may be photographed at the Mare Island Naval Ship Yard, this is sort of a normal looking scene. However, as one who has photographed there quite a bit at night, somehow it seems to capture – for me, anyway – something about the way the place feels. Wandering about among very old, very abandoned, and very dilapidated old structures in the quiet of the night, sometimes things can feel just a bit strange, and a glow from inside a window on the second story of a building or the reflection of a soft interior light can sort of make you wonder just a bit.
To be honest, I’m rarely scared or nervous when shooting there. For the most part the experience is a very quiet, slow, and contemplative one. But I recall one night that was a bit different. I had arrived early – before the sun set – and had met up with a group of fellow night photographers. They had some plans to shoot in a particular area, but I really wanted to shoot something else at first. So I told them to go ahead and start and that I would find them a bit later after shooting my first subject. Finishing with that work a half hour or so later I headed off in the direction they had gone, stopping to make more photographs along the way. But I never saw them again. I continued shooting along, wandering along deserted old streets and up alleys behind abandoned buildings. Finally at one point I suddenly became aware of being very alone in a very dark place and, for the first and only time at MINSY, I became nervous – and quickly packed up, returned to my car, and left. This photograph reminds me of that just a bit…
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A of new building under construction in the Mission Bay are of San Francisco, as seen through a cyclone fence.
Just across McCovey Cove from San Francisco’s AT&T Park is an area where a lot of construction is currently occurring. The area is visually interesting right now partly because of the juxtapositions of really old and run-down stuff, some of the typical empty urban areas filled with parking lots and other temporary facilities, and a lot of change as new buildings go up. On this morning I walked into an area that not all that long ago had an abandoned feeling during the morning hours – and how it was buzzing with activity. Huge steel pilings stretch toward the sky, construction zones are fenced off, and hundreds of workers and lots of heavy equipment are busily at work. Yet even this is only a temporary state that will lead before long to yet another change once the buildings are complete, the construction workers go away, and new businesses and residents move in.
At this site I had first photographed the towering steel pilings. They created a feeling of a sort of odd, abstract monument as they pointed toward the sky. (A photograph of that will appear, or may already have appeared, here at the blog.) Then I walked up next to the fence surrounding the construction site and was impressed by the organized (I presume!) confusion and complexity of what was going on at ground level. Every inch of the site seemed to be occupied by something – rebar ready for concrete pouring, workers operating various pieces of large and small machinery, engineers and planners inspecting the work, the beginnings of towers and walls rising here and there. If anything in the urban landscape comes close to the level of complexity that may be found in the natural landscape, it just might be a place like this!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The interior of an abandoned waterfront building on the Embarcadero, San Francisco.
This interior is a room in a building located on one of the piers along the Embarcadero on San Francisco’s waterfront. This one is located not far from the South Beach Harbor. It seems to be one of those old structures that was recently adapted for use by companies that had the “look” of being part of the tech boom in the city – perhaps design firms or similar. I have walked past it many times, occasionally photographing the exterior windows and other features, but otherwise not noticing it all that much.
On my last walk past this spot things had changed, to say the least. There were signs along entrances that declared that the pier had been closed, ostensibly for safety reasons, and that no trespassing was allowed. No one seemed to be inside the building, and most of the businesses appeared to have left or been abandoned. Though one set of windows I could see stacks of boxes labelled with intended mail recipients, but that mail wasn’t going anywhere! Near the north end of the building I could see into this sun-filled room, with its tall windows facing the bay and the morning sun. Almost everything was removed from the building, giving it almost the same abandoned feeling that I often experience when shooting at Mare Island. I managed to push my camera up against a window, block reflections from the street behind me with my hand, and make a few perhaps final photographs of this space.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
