Tag Archives: fog

Corn Field, Fog

Corn Field, Fog
Corn Field, Fog

Corn Field, Fog. San Joaquin Valley, California. January 16, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The winter remains of a corn field in San Joaquin Valley

I used to imagine that wildlife refuges, those areas that are intended to provide habitat for wild critters, were something like parks of wilderness. Since I’ve been photographing winter birds in California I have learned that this presumption is usually dead wrong. There are a few such places that are left in their natural state, but many of them are distinctly non-natural locations. (Many are also there because hunters want to ensure that birds are there for them.) Quite a few of these places are agricultural, including some that I often visit.

I’ve seen some where the flooded winter fields were rice fields. This one is a corn field during much of the year and part of a very interesting and busy wildlife refuge in the winter. As I was there photographing birds recently, I looked across a field of dead corn plants fading into the distant fog and something about this desolate scene seemed worth a photograph, and I like the rather different mood that it evokes for me.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pond, Winter Fog

Pond, Winter Fog
Pond, Winter Fog

Pond, Winter Fog. San Joaquin Valley, California. January 19, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A wetland pond in dense winter fog

In the winter California’s Great Central Valley is often covered by tule fog. This fog is sometimes so shallow that you can look straight up and see the moon, the sun, stars, and clouds… but it may also be so dense that you can barely see a hundred feet straight ahead. People who have to drive long distances in these conditions — the east/west drive across the valley or, worse, the north/south drive along its length — dread this for, and driving in it can be both nerve-wracking and dangerous. Some of us, however, respond to the dense fog alerts in a perverse way. They are our signal to head straight to the valley to photograph in the fog!

This was one of those days. We ran into the fog as soon as we topped the pass over the mountain range along the west side of the valley well before dawn, and then we drove slowly through it for over an hour to get to our destination, where we photographed in it until it began to clear a bit close to noon. It was thick and wet on this morning, with very limited visibility and a constant drizzle. But it was also very still, very quiet, and very mysterious as we drove slowly around this wetland area where the calls of invisible cranes and geese came to us through the fog.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tule Fog, Marsh

Tule Fog and Marsh, with a passing bird
“Tule Fog, Marsh” — Thick tule fog obscures the view of a central California marsh

These conditions are among my favorites out in the Central California wetlands — silent except for the calls of birds, almost nothing moving, fog so thick that details quickly disappear, and a gentle glow from sun above the shallow fog layer. Mornings like this one remind me that the photography is about something deeper than getting a clear shot of another bird — it is about somehow trying for that merging of capturing and evoking the mood of such a place, and about personally experiencing the thing.

Subtle and uncontrollable things come into play. I have to slow down a lot and look for compositions in place that are not at all obvious, and the subjects from which I can select are limited to those that are very close. Some elements of the composition exist almost on the very edge of visibility — in this photograph there is a further extent of the tules that is barely visible at all. Focus isn’t easy, and I may choose to “go with the softness,” as I did here. And the bird, suddenly appearing at the lower left, turns out to be utterly unpredictable yet important to the overall effect of the image.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Egret on the Hunt

Egret on the Hunt
Egret on the Hunt

Egret on the Hunt. San Joaquin Valley, California. December 22, 2014. © Copyright 2015 G Dan Mitchell – all rights reserved.

An egret hunts in marshland grasses, San Joaquin Valley, California

On this foggy late-December morning I was in this spot mostly looking to photograph sandhill cranes. It seems that the cranes are often a bit shy in the early morning and I often am not able to get too close to them — I try, but they tend to be a bit off in the distance except when they are in flight, and then they typically diverge a bit when they see me. There were lots of cranes on this morning, but they were by the ponds near the more distant trees in this photograph. (If you look closely you can probably spot a few of them.)

Egrets, on the other hand, are often not that far from my route. Out here they tend to be found along creeks and ditches or out in grassy areas where they can hunt, which is what this one was doing. While the egrets are spectacular in flight — with their slow, swooping trajectories and huge wingspans — they may actually be more interesting to watch when they are hunting. They seem to be very careful and very patient hunters, often sneaking up on their prey slowly. Along the way they may stop in some awkward pose, perhaps standing almost still aside from a bit of neck “rocking” or the slow movement of a foot. Then the neck stretches a bit and suddenly the bird stabs its small prey. This bird was hunting in grasses very close to a gravel road, so I remained in my vehicle to photograph it as it looked for its breakfast.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.