Tag Archives: forest

Morning, Subalpine Lake

Morning, Subalpine Lake
A granite peninsula holding small trees extends into the waters of a subalpine lake, Yosemite National Park

Morning, Subalpine Lake. Yosemite National Park, California. September 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A granite peninsula holding small trees extends into the waters of a subalpine lake, Yosemite National Park

I made this photograph on our first real photography day of our early September backcountry photography trip in Yosemite National Park. There is a sort of life-cycle to any trip and especially for longer trips like this one. The entire first day of the “expedition” was spent loading vehicles, driving across California, and getting settled into first night accommodations in the eastern Sierra. The second day was a travel day — first a drive up to our trailhead, getting our gear to the packers who would take the majority of it in to our destination, leaving vehicles and starting the long hike, arrival and camp setup, and dinner… and the day was gone. So this third day of the trip was the first for serious photography.

The first day in a location where you will spend substantial time photographing is an interesting one, and the first morning is a very special time. After two days of transit, this is when photography begins. We arose before dawn, loaded up packs of camera gear, and headed down to the lake, each following his or her own path. It is a time of renewal and recognition — of the features and sensory elements of being in the Sierra high country and of focusing your “seeing” intensely. I began by first making an obligatory warm-up shot or two and then working my way around the west side of the lake, looking back across it toward the early morning sun as it eventually rose high enough to backlight trees and rocks. When I look at this photograph, the point of view and the elements in the frame remind me again of those first day sensations as we began our relationship with this lake and its surrounding terrain, a location we would photograph for the better part of a week.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Fall Aspen Trees, Country Road

Fall Aspen Trees, Country Road
Fall Aspen Trees, Country Road

Fall Aspen Trees, Country Road. Near Monitor Pass, California. October 10, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A narrow gravel road approaches groves of brilliantly colored autumn aspen trees, Sierra Nevada

The eastern Sierra is full of fall color during the month of October, especially in areas where aspen trees grow. (The peak color is typically found sometime during the first two to three weeks of the month, though it varies depending upon a range of climate and local conditions.) Sierra aspens often have a different appearance from that which many expect if they have seen the big, tall, straight aspen groves in places like Colorado and Utah and similar. There are some groves like that in the Sierra, but they are unusual. Here the trees seem to have more varied form depending upon where they end up growing. In some places the trees are stout and thick but also quite twisted and gnarled. In others the trees are straight but very short. Along some creeks they grow so think that it is almost impossible to make your way inside the groves.

The trees in this photograph are perhaps typical, to the extent that it makes sense to speak of “typical” Sierra aspens. They grow at a relatively high elevation, on a ridge that is actually east of the true Sierra crest, and thus in a drier location. The trees are straight, but they are also not all that big. They are not part of a huge grove stretching across vast distances, but instead form a somewhat isolate grove — there are others nearby, but they are not connected.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mt. Conness, Dusk

Mt. Conness, Dusk
Mt. Conness, Dusk

Mt. Conness, Dusk. Yosemite National Park, California. September 9, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dusk light falls across Mt. Conness and northern Yosemite wilderness

This ridge holds an astonishing range of photographic subjects, ranging from the smallest (tiny trees growing through cracks in the rock) through the intimate landscapes of trees and boulders and culminating in some grand vistas of distant ridges and peaks.  For several days, even though there were other nearby subjects calling out to me, I returned repeatedly to this area, whose size cannot be more than a few acres.

I climbed up to photograph on this ridge one final time on our last night at this location. At first I went back to take care of some unfinished business — photographing subjects that I had seen but not shot on previous evenings, looking for a few in evening light that I had noticed at other times of the day, and working to perfect and distill images of certain subjects that I had photographed earlier. I finished most of that work as the sun set and the light began to go, and I started back across the ridge toward camp.  As I crossed the ridge I caught a view of distant Mount Conness — named after the senator whose bill created Yosemite as a national park in the 1800s — in the glow of post-sunset dusk light that was still illuminating the foreground forest and granite.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Glacial Erratics, Cathedral Range

Glacial Erratics, Cathedral Range
Glacial Erratics, Cathedral Range

Glacial Erratics, Cathedral Range. Yosemite National Park, California. September 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Sunset light on glacial erratics, domes, and the Cathedral Range

The first time I ascended this system of granite slabs to its high point was in the morning, and my goal was to shoot the opposite direction from the scene shown here, so that I could capture the backlight on trees ascending from the ridge toward a higher valley to the east. While up here it became apparent that this spot had potential beyond just that of trees in morning light, and I made several more visits during out stay here.

On this evening I thought I would find out what late-day light possibilities might exist. My initial idea was to arrive soon enough to shoot down the slabs into an open forest of lodgepole pines that seemed like it might catch evening backlight in interesting ways. I arrived at a spot from which I thought such a shot was possible, but it seemed a bit too early for ideal light, and I continued on up the granite rib to a higher point. The atmosphere and light were a bit tricky. At this time of year it is very common to see a bit of wildfire smoke in the air, and that was the case on this evening. In addition, there were some high clouds far to the west and seemed likely to mute the last light. In fact, just as I initially set up this shot the light quickly faded, as if someone had turned down the dimmer switch on a lighting system! At first I was disappointed, but when I looked to the west to see the clouds that blocked the light I could see that there was a gap below the clouds through which the sun would likely shine once more before sunset. So I waited. Perhaps five or ten minutes later the light began to change silently (somehow it always seems a bit odd that only the light changes at those moments) and I managed to shoot through the transition from dark to full light and make one exposure when the light had come back on both the near features and the distant ridge.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.