Snow Goose Maelstrom. Skagit Valley, Washington. February 19, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.
A swirling mass of snow geese taking flight above Skagit Valley, Washington.
(You may need to look at this one for a moment in order to understand what is going on.) I photographed these birds in what I believe Washingtonians might refer to as the “Lower Skagit River Valley” area of Washington. I visited the Seattle Area in mid-February, and managed to get one full day to drive up to Skagit Valley and look for the famous birds that are found there: snow geese, trumpeter swans, bald eagles, and more. I arrived there just before dawn on a cloudy and drizzly morning. Not really knowing the area, at first I wasn’t exactly certain where to look. I started just outside of the town of Conway, where fresh green fields occasionally held groups of trumpeter swans, though they all turned out to be a bit too far away for effective photography. Soon I decided to continue on the road out of Conway, driving in the general direction of Laconner and Anacortes. About half way between Conway and Anacortes, the road crosses a large bridge over the river through a forested area. Just before this bridge, I found my geese! As I approached I caught (thrilling) sight of airborne birds heading toward and landing in a field, so I pulled over and began photographing them. There were many thousands of snow geese, mixed in with some trumpeter swans and a few odd ducks.
As I have photographed the migratory birds this season, mostly in California’s Central Valley, one of the ideas that I got in my head was to photograph the massive flocks as they take off, using longer shutter speeds to create some motion blur and long focal lengths to compress the flocks. So, after making a few photographs at more normal and reliable shutter speeds, I switched to an unusually low shutter speed for a hand held 400mm lens and prepared for the inevitable lift off of the flock. I didn’t have to wait long. As the flock, with its edge barely more than 50 feet away from me, lifted off all at once, I used the long lens to crop closely and tracked the flock as it rose and expanded. While the initial impression of the resulting photograph might be “lots of blurry stuff!,” a closer look begins to reveal some detail and order in the madness, and individual birds can be isolated from the background blur. For the interpretation I had in mind, additional work was needed in the post-processing phase, including some work to control the blur and find edges, and some overall adjustments to dynamic range and color.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.