Tag Archives: geology

Eroded Formations, Bryce Canyon

Eroded Formations, Bryce Canyon - Wildly eroded sandstone formations in morning light at Bryce Canyon National Park, Utah
Wildly eroded sandstone formations in morning light at Bryce Canyon National Park, Utah

Eroded Formations, Bryce Canyon. Bryce Canyon National Park, Utah. April 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Wildly eroded sandstone formations in morning light at Bryce Canyon National Park, Utah.

During our early-April week-long visit to Utah, I discovered several things. For one, Utah is an amazing place to do photography. I just wish I had gone there much sooner – but now I’ll certainly have to return. For another, it is a big place and no one-week visit could possibly do it justice. Our main focus was on Zion during the first part of the trip, and then the area around Moab, including Arches and Canyonlands, for the second part. This meant that in between we unfortunately had to pass by some beautiful places with barely time to look at all. (Though we did get a chance to see a handful of such places enough that we know we want to return to them.)

One of the places that we only visited very briefly was Bryce Canyon. In a state full of visual superlatives, this is yet another almost unbelievable location with its high central area dropping off to lowlands by means of the famous rugged cliffs. We were in the park literally on a few hours and during more or less the middle of the day. Fortunately, there were some high clouds – and this was enough to soften the potentially harsh midday sun a bit. One thing I’ve come to look for when shooting in terrain like this – steep towers separated by narrow gullies – is the light the is reflected from the sunlit side of the towers into the shaded portions. It can produce a wonderfully colorful glow. To get this, it is necessary to shoot a bit later, when the sun is high enough to shine down into these gullies. It is also a good idea to shoot into the sun, with the subjects back-lit, as I did here.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fractured Sandstone Cliff, Plants

Fractured Sandstone Cliff, Plants - Plants grow among craks of a fractured sandstone cliff, Zion National Park
Plants grow among cracks of a fractured sandstone cliff, Zion National Park

Fractured Sandstone Cliff, Plants. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Plants grow among cracks of a fractured sandstone cliff, Zion National Park.

On my first morning in Zion (we had arrived there the previous afternoon) we headed up into the park and Zion Canyon, though which the Virgin River flows. Although I was more or less not looking for icons to photograph, I had stopped along the way to photograph that icon, the view of the Watchman from the bridge on the Mt. Carmel highway. (At least I could console myself that I was not shooting it at the usual sunset time, but instead in the early morning. ;-) After a brief stop for that purpose, I headed up the canyon with a plan of visiting the Weeping Rocks and seeing what sort of photographs might be possible there.

After a short walk up to the rocks, I figured out that it wasn’t going to quite be my photographic “cup of tea.” However, along this walk I did find some other interesting subjects. One that I’ve shared previously was a very close view of some brand new spring leaves on the trees that grow along the trail. Another subject was the nearby sandstone cliffs that here come down close to the level of the trail. One area nearby featured immense vertical blocks of the striking red sandstone, with interesting crack systems and some plants growing in the cracks. I made several exposures of this area in full shade, and this vertical composition is one that I like a lot. I’ve probably said this before and I’ll no doubt mention it again, but for a guy who is so used to shooting the equally impressive but much less colorful granite of the Sierra, the colors of these rocks proved irresistible! And the color variations are amazing – here you can see some areas where the color trends toward purple.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Tower and Cliff, Morning

Sandstone Tower and Cliff, Morning - A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.
A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

Sandstone Tower and Cliff, Morning. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

If you look at the photograph that I posted yesterday, you can probably locate almost the entire composition of this photograph contained within the earlier one. This perhaps illustrates one or more things about how I sometimes think when making photographs. One approach that I think I use quite a bit is to try to isolate small sections within much larger landscapes. If you look at yesterday’s image, you’ll see that it uses a fairly familiar sort of approach, namely to include a fairly large swath of “stuff” from close to far away within the frame. Today’s image, though, eliminates out all of that other stuff that might provide a wider context and instead just “shows” one small, interesting bit of the larger scene. And, obviously, I used a longer lens – something else that I often do when shooting landscape. I’m most certainly not one of those photographers who buys into the notion that “landscape photography is done with wide-angle lenses!” I also like juxtapositions. In this scene there are perhaps quite a few – and you might even see some that I’m unaware of. There are color juxtapositions the bright green at the bottom against the very different tones of the rocks; the brighter reddish rocks in the foreground against the darker and more blue or even purple tones of the more distant rocks; the clarity of the close and sunlit red rocks against the lower contrast and somewhat haze-obstructed character of the distant cliff.

The location is in the Virgin River drainage of Zion Canyon. One person described it as “Yosemite in red,” and now that I have been there I can certainly see why! While the overall scale of this valley is smaller than that of Yosemite, the verticality of the place is just as stunning. In fact, in some ways, because the walls are closer and because of the wild colors, it may be more stunning. (Of course, Yosemite does have those waterfalls… and some crazy dome formations… and the massive scale of features like El Capitan. I digress… ;-) The smaller scale makes some kinds of photography perhaps a bit easier. For example, those “juxtapositions” I mentioned above can be fine tune a bit more readily by moving the camera position a few feet. (I did that here as I moved the camera a bit to get three trees way up on the far cliff to line up to the left of the upper section of the closer formation on the right side of the frame. Ironically, you probably didn’t even see them until I mentioned that… ;-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Eureka Dunes and Last Chance Range, Morning

Eureka Dunes and Last Chance Range, Morning - Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.
Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.

Eureka Dunes and Last Chance Range, Morning. Death Valley National Park, California. January 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.

While I love – who doesn’t? – the golden hour light on the desert dunes and hills and valleys, I also like to seek out the subtler and more “atmospheric” effects that are often frequently seen in this terrain. I had spent the (very cold!) night alone out here in Eureka Valley. I woke up fairly early, though with the sun having to rise past the ridge of the Last Chance Range, the light did not come early. I soon packed up my camp – which largely meant rearranging stuff in my vehicle – and before long started the drive out toward Lone Pine and my trip back home over Tioga Pass.

But first I planned to stop just a ways away from the camping area so that I could use a long lens to photograph the dunes against the background of the higher surrounding peaks. By the time I did this it was after 9:00 a.m. and the early morning golden hour light was long gone, replaced by the soft and hazy bluish light that is more typical during daylight hours. However, the sun was still low enough to glance across the dunes at a fairly low angle and to backlight the dunes and the mountains behind them. The idea here was to juxtapose some of the different textures, lines, curves, and angles of this landscape – the curving forms of the dunes near the bottom of the frame, the sharply delineated sunlit ridges of the upper dunes, the faint view of jagged and stratified rocks in the low peaks beyond them, the further ridge inclining the opposite direction from the dunes, and the much fainter texture of the huge valley in the distance.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.