Tag Archives: geology

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Mustard Hills

January 27, 2012 G Dan Mitchell 2 Comments

Evening light on the Mustard Hills, Death Valley National Park.

This photograph was made in a fairly accessible and “civilized” part of Death Valley not far from Furnace Creek and the old Harmony Borax Works. I have passed these hills many times, barely stopping aside from a time or two when I did a little loop drive while on my way to some other place. I did photograph in the area once before and even got one or two interesting photographs.

This time I decided to use one of the small, rounded hills as a overlook for shooting some distant shots of various portions of the Valley near sunset. By walking away from the highway, one can end up on top of any number of hills which happily show little evidence of being visited even though they are relatively accessible. I first did a bit of investigation to find the “right” hill, then hiked back to my car to pick up my camera, tripod, and bag of gear. Once I got back to the top of the hill, the shadows of the Panamint Range were already well across the main Valley and moving east quickly. I made a few photographs of the shaded valley and the lower slopes of the range, and then I turned my attention to the nearby yellow-tinted hills, looking for interesting near/far juxtapositions. I found this one literally seconds before the oncoming shadow of the Panamints arrived – in fact, it is beginning to diminish the foreground light in this shot, and in the one I made a few seconds later the light is greatly diminished.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Ridge Above Tucki Wash, Dawn

January 9, 2012 G Dan Mitchell 4 Comments

First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.

I spent a good portion of the week following New Year’s Day in Death Valley National Park. My goals were to earlier in the seasons when the days were shorter and more “good light” was available, to perhaps encounter cloudy skies from a passing weather system or two, and to both shoot some new subjects and shoot some familiar ones in somewhat different ways. I think that I succeeded with most of these goals, though those storm front clouds were elusive. (This is a very strange and troubling season for California weather. At a time when the Sierra are usually covered in winter snows… all of the high trans-Sierra passes are still open, and the east side of the range looks pretty much like it might normally look in, say, July.)

On one morning I decided to visit a favorite overlook high in the Panamint Range very early in the morning. I’ve shot here a number of times in the past, but always late in the day during sunset and dusk hours. While getting up an hour and a half before dawn to drive to such a place is always a bit of a challenge, at least the sunrise isn’t quite as early at this time of year. On the other hand, it is colder! (Those unfamiliar with the Death Valley seasons may think of it as an entirely hot and dry place, but it gets quite cold there this time of year.) When I got up the temperature down in the Valley at my camp site at Stovepipe Wells was in the thirties. Surprisingly, the temperature rose into the low fifties as I ascended into the mountains, and when I reached my goal at a bit above 6000′ it was no colder than the Valley at this hour.

I arrived before dawn, but just as the pre-dawn light show was beginning. On this morning I had perhaps the best clouds of the entire trip, and they lit up shortly after I arrived and got my equipment ready. (Photos of that moment will likely come a bit later.) As the sun finally rose above the horizon the interesting light began to work its way down, starting with the higher peaks and then descending past the lower ridges to finally reach the Valley itself. This photograph shows the first light striking an unnamed (as far as I’ve been able to determine) spur ridge the projects eastward into the Valley from the massive bulk of Tucki Mountain. In the far distance are the low mountains and washes along the far side of the Valley, and the are also just beginning to pick up the first light.

Shooting in these rapidly evolving conditions that are not entirely predictable is more of an action sport than a sedate and contemplative experience, at least during the first minutes of light as it works its way across and down the landscape, often surprising me by showing up in places I had not thought to look. At one point I had photographed the cloud-filled sky but lamented a bit that the mountains below that shot were a bit dark and drab. I look away for a moment and when I looked back this intense and saturate light had hit those very mountains… so I turned and quickly began to photograph them.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Detail, Red Cathedral

November 16, 2011 G Dan Mitchell Leave a comment

I have recently posted other photographs made in the area of Zabriskie Point in Death Valley, including one other of this feature sometimes known as the Red Cathedral. It stands to the right of the more famous and recognizable parts of the Zabriskie Point Landscape where, for example, Manley Beacon is one of the most well-known visual icons in the park.

This detail photograph was made using a long lens very shortly after the first morning light had arrived on this feature. In my experience, getting good light on Red Cathedral can be a tricky thing. Parts of it face away from the sun and towards Death Valley and because its face is deeply fluted it can be tricky avoiding blocked shadows. But increasing exposure too much creates problems with saturated colors on the brightest strata that cut through its face. If you shoot it in the morning, light somewhat softened by some high clouds can be helpful, and that is what I had on this morning – the sun light is direct, but it is also filtered a bit by passing through broken clouds to the east.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hills and Gullies, Twenty Mule Team Canyon

October 17, 2011 G Dan Mitchell Leave a comment

Morning light across the shapes of hills and gullies, Twenty Mule Team Canyon, Death Valley National Park.

This is a photograph I made back in 2009 when I managed to get to Twenty Mule Team Canyon before sunrise and then continued to shoot for several hours. Though this area is very close to one of the most popular and oft-photographed locations in Death Valley National Park, it gets relatively few visitors from what I’ve seen. While it doesn’t generally present the huge and expansive vistas of some of the more famous areas, it is a great playground for those of us who enjoy the eroded and rounded landforms and the seemingly infinite variations of color and texture.

Here I tried to fill the frame completely with these shapes that have been produced by water eroding the relatively soft earth. The light was very interesting and a bit complex. Some diffused light was coming straight down from the sky, hence the bits of blue shadow in some of the gullies. At the same time, slightly diffused sunlight was directly striking the earth in a few spots. And in some of the foreground areas additional illumination was being reflected into the scene from nearby formations.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.