Tag Archives: glass

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

People, MoMA

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People, MoMA
People, MoMA

People, MoMA. Museum of Modern Art, New York City. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

People moving on multiple levels of lobby and walkways at the Museum of Modern Art, New York.

I’ve been sitting on this photograph for a while, but I’ll interrupt the recent series of Sierra Nevada photographs to insert something more urban.

The photograph was made handheld inside a central atrium-like area of the Museum of Modern Art in New York City, a space from which layers of walkways could be seen. Although the slow shutter speed was somewhat a matter of necessity (but not totally) it also allowed me to let the moving figures blur, which suggests their motion more than would a faster shutter speed. I also removes the specific features of many of the closer people and lets them function more as generic figures in the image. There is more going on in the scene than might be apparent with a cursory glance.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Courtyard, MOMA

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Courtyard, MOMA
Courtyard, MOMA

Courtyard, MOMA. New York City. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of the courtyard of the New York’s Museum of Modern Art, photographed through windows of the museum.

Sticking with the urban New York theme for at least one more day, this is another photograph shot from a window in the Museum of Modern Art and looking out over a courtyard and architecturally busy urban scene combining older brick and stone facade buildings with more modern and taller buildings.

There are subtle (or perhaps not so subtle?) reflections in the window through which I made the photograph. These reflections are one reason, though not the only one, that I decided to render this as a black and white image – some of the shadows had colorations that did not work for me. To my mind, this photograph is related to some others that I’ve made featuring views of and through the windows of modern buildings, including this photograph from the Getty Museum in Los Angeles.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Windows, MOMA

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Windows, MOMA
Windows, MOMA

Windows, MOMA. New York, New York. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

A scene consisting almost entirely of windows and secondary reflected subjects, Museum of Modern Art, New York.

Look closely and you’ll perhaps see that this is not quite what it might first appear to be. It is something of a visual trick or joke on one level. It is some other things, too.

The bottom line is that almost nothing in this scene is actually where it appears to be or even what it appears to be. The shot was made through an upstairs window of the Museum of Modern Art in New York, and the vertical shapes are the window frame and a bit of the interior wall at the far right, with some diagonal elements of the frame at top and bottom. But the “scene” outside is entirely reflected in the windows of the adjacent building – this is actually a photograph of a single glass-walled building, not exactly a photograph of an urban scene with buildings and trees and sidewalks and people – those are all reflections in the glass of the building. Obviously, I was also having some fun with perspective lines going off in a range of different directions – the window frame lines converging to the right, the outside perspective lines converging toward the left, and the converging lines on the reflected buildings headed back to the right. There’s more, but I’ll probably get lost if I try to describe it. A close inspection – easier with the print than in this little jpg – reveals some other odd stuff here and there: double images of some of the reflected buildings, some warping and bending of those shapes, people scattered around the courtyard and some moving figures that are barely visible.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Broken Window and Cinder Blocks, High Line Park

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Broken Window and Cinder Blocks, High Line Park
Broken Window and Cinder Blocks, High Line Park

Broken Window and Cinder Blocks, High Line Park. New York City, New York. August 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

A broken window in a brick wall with cinder blocks behind, High Line Elevated Park, New York.

This odd window set against a solid cinder block wall was alongside the High Line Park in the Chelsea area of Manhattan. I am always intrigued by odd brick patterns, including those where someone has painted the bricks. The image of the smashed window “opening” to a solid wall was also compelling, and in a larger print there are some very interesting patterns, colors, and textures in the broken glass and the bits of paint on the window.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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