Tag Archives: glow

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Moonlit Stairway, Wall, and Window

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Moonlit Stairway, Wall, and Window
Moonlit Stairway, Wall, and Window

Moonlit Stairway, Wall, and Window. Mare Island Naval Shipyard, Vallejo, California. February 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

Night photography of a moonlit stairway, wall, and window at the Mare Island Naval Shipyard, Vallejo, California.

Compared to most of my night photography, especially the work from Mare Island, this photograph has, I think, more of a noir quality. This photograph was made in extremely dark conditions at the bottom of a dark stairway next to a dark building in a dark corner of the historic Mare Island Naval Shipyard using only moonlight. Oh, did I mention that it was very dark? :-)

Making this a bit more of a technical challenge, in order to get the composition I had in mind (more or less, since it was impossible to really see the scene fully) I needed to shoot from a position very close to the bottom of the stairway and close to the window at lower right. Since I didn’t want to lose sharpness on the far section of the wall that is lit by moonlight I had to use a small aperture of f/16. But in order to maintain image quality I didn’t want to raise the ISO too far.Talk about being stuck between a rock and a hard place! So the exposure ended up being very close to eleven minutes long, and even this was barely long enough. (And, using the camera’s long-exposure noise reduction, this meant waiting around for well over 20 minutes to expose the shot and then do the follow-up dark frame exposure. For obvious reasons, I only made one shot of this subject!)

This is going to be a challenging photograph to print! I think that it really needs to go all the way to black in portions of the lower left, but I’ll need to keep at least a small amount of near-black detail – and I’ll have to do a bit of work to figure out how to best print to get the right color/detail in the shadow at the upper right.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/16, 645 seconds (that’s not a typo!)

keywords: moon, light, moonlit, night, photography, nocturnes, minsy, mare, island, naval, shipyard, historic, vallejo, california, usa, north america, architecture, structure, noir, railing, door, panel, stairs, stairway, steps, pole, shadow, glow, urban, industrial, window, door, reflection, stock

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Powerplant, Railroad Avenue – Mare Island Naval Shipyard

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Powerplant, Railroad Avenue - Mare Island Naval Shipyard
Powerplant, Railroad Avenue - Mare Island Naval Shipyard

Powerplant, Railroad Avenue – Mare Island Naval Shipyard. Mare Island, Vallejo, California. February 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

Night panoramic photograph of the powerplant building and other structures along Railroad Avenue at the historic Mare Island Naval Shipyard, Vallejo, California.

This is a bit of a first for me – a night photography stitched panorama. This image is composed of two separate exposures which were aligned and “stitched” into a single image in post. (As such, it could be a very large print!) Shooting from an elevated position, I shot almost directly north (as you can tell from the star trails in the larger version). The view looks up Railroad Avenue past the iconic power plant building with its smokestack that is visible from all over Mare Island.

I’m usually a bit casual about exposure time with long exposure night photographs. It isn’t that I don’t care – it is just that one has a ton of leeway when it comes to the very long exposures I typically use. For example, on a 3 minute exposure you would have to be off by three minutes to overexpose by one stop! So rather than use a stopwatch or an automatic timer I just count to myself. I’m usually will within a 10% error, and that is good enough. However, when stitching “good enough” often isn’t. The separate component frames really need to be quite similar, so in this case I resorted to using my watch to get relatively accurate 90 second exposures.

Another interesting factor in night photography is illustrated in this photo, namely the wildly varied colors of the light sources we deal with. There are three dominant sources in this image. The overall illumination comes from the full moon, which is quite similar to day light in terms of white balance. On the near wall of the brick power plant there is very “hot” and saturated yellow/red tinted light, probably from sodium vapor lamps. Near the left end of the image is an old wooden building that is illuminated by very green light, which I believe comes from mercury vapor lamps. I often chuckle a bit when people speak of “white balancing” the color in a scene like this. If you pick one source for your white balance you’ll throw the others even more out of line. My philosophy is usually to just go with what looks right!

Finally, the idea of making the stitched panorama came from the recently started Panocturnists web site, begun by people connected with The Nocturnes, the San Francisco Bay Area night photography group. I was intrigued by the idea of creating panoramic night photography, and I’ve done a few images along these lines on my two most recent visits to Mare Island.

(More of my Mare Island photographs)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/8, 90 seconds

keywords: powerplant, building, structure, railroad, avenue, street, track, asphalt, sky, dark, night, photography, star, trail, color, light, yellow, red, blue, smoke, stack, cyclone, fence, brick, glow, panorama, panocturnes, minsy, san francisco bay area, window, antenna, vallejo, california, usa, north america, mare, island, naval, shipyard, stock

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Horsetail Fall, Early Evening

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Horsetail Fall, Early Evening
Horsetail Fall, Early Evening

Horsetail Fall, Early Evening. Yosemite Valley, California. February 15, 2010. © Copyright G Dan Mitchell – all rights reserved.

The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley, California.

I’m thinking it is pretty nearly impossible to make a truly original photograph of Horsetail Fall – though I won’t completely rule out the possibility.

In any case, here I decided to start photographing the February spectacle a bit before the colorful sunset light showed up. At this point the beam of light on the cliff face around the fall is a bit larger, lighting the rocks to the right of the fall as well as the fall itself. During this season there has been enough precipitation and the weather had warmed enough to not only get Horsetail flowing but to also create some seepage down the face of the cliff next to the fall. As a matter of fact, the reflections from this wet rock caught my attention more strongly at first than did the fall itself. A second process was at work here as well: a stiff breeze from the west was blowing across the path of the falling water, catching it, and blowing thin clouds of spray across the buttress to the left of the fall itself.

I have posted several short articles on photographing this seasonal Yosemite Valley icon:

One of the best sources of current season information about the Horsetail Fall photography potential is photographer Michael Frye, who frequently posts general information and updates each winter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Horsetail Fall, Sunset (#3)

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Horsetail Fall, Sunset (#3)
Horsetail Fall, Sunset (#3)

Horsetail Fall, Sunset (#3. Yosemite Valley, California. February 15, 2010. © Copyright G Dan Mitchell – all rights reserved.

Photograph of Horsetail Fall – the “natural firefall” – along the eastern end of the face of El Capitan, Yosemite Valley, California.

I made this photograph from “the other” vantage point for viewing the winter Horsetail Fall light show. I’ve shot this subject a few times in the past, but always from the general area of the picnic area at base of the east end of El Capitan. Since I thought the light might be good on this evening I decided to try the location along Southside Drive at a point between the crossover road near El Capitan and the start of the Four Mile Trail where many people photograph this scene. Yeah, it is an icon. What can I say? (Well, I can say that my favorite photograph from this particular trip to the Valley is actually a black and white image of a couple branches of a dormant fern plant – but that’s a different photo and a different story.)

This location – I’ll call it the “Merced River location” – is popular among Horsetail Fall photographers for several reason. For one it is very accessible. To be blunt, you can find a shot within a few seconds walk from your car! (Unless you arrive late and all the parking is gone, a distinct possibility in such a popular spot, especially if you go on a weekend when the sunset light hits the fall.) It also provides a different sort of view of the fall. While the view from right beneath El Capitan tends to provide a slightly wider and closer view of the upper fall, this one provides a clear view of a greater portion of the fall along with the little valley above the fall. And because it is a bit further east, you are looking at the fall more from the side. This means that when things work out just right the brilliantly lit fall becomes a very thin stream against the much darker background rock.

The light on this evening was perhaps not quite “classic” Horsetail light. There was some nice color, but the light faded before it became brilliantly colorful. It seemed like perhaps the sun (which is itself not visible to photographers from here) might have passed behind some distant clouds in the west just before reaching the horizon. The development of the brilliant sunset color was somewhat muted when this happened.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 360mm
ISO 200, f/11, 1/50 second

keywords: yosemite, national, park, valley, california, usa, north america, nature, winter, horsetail, fall, waterfall, water, gold, molten, light, sunset, dusk, glow, fire, firefall, cliff, el, capitan, cap, face, crack, water, spray, mist, sierra, nevada, mountain, range, february, stock