Tag Archives: golden

Aspens and Conifers, Autumn

Aspens and Conifers, Autumn
“Aspens and Conifers, Autumn” — A small stand of conifers surrounded by scrub aspen in autumn colors, Eastern Sierra Nevada.

In our search for the biggest, most spectacular aspen trees and the biggest and most expansive groves, we sometimes overlook these smaller “scrub aspen” trees. At least I do. But often they are just as colorful as the bigger trees, and they can be quite fascinating when draped across the right kinds of terrain. Their color is every bit as vibrant as that of the bigger trees, and sometimes they are the earliest to turn fall colors. I have even photographed them in September, the month before the main October peak of color.

The trees in this photograph might not be all that impressive up close. They are, after all, quite small — probably no taller than you are. But from a distance they form a more unified subject, a sort of blanket of color lying across this gentle landscape and surrounding a small group of conifers in early evening light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens, Last Light

Aspens, Last Light
A few final beams of light illuminate Eastern Sierra autumn aspen trees.

The light in this location is unusual for the Sierra — for geographic reasons that I’ll explain below. This forest of autumn aspen trees is on the east slope of the range, at what I think of as a middle elevation. Here the high desert sage country meets aspens and a few conifers, then transitions as the terrain rises until the forest is mostly conifers. The shallow angle and steady rise let us view one of the bigger aspen stands in the Sierra.

About that special geography… In many places the eastern front of the Sierra is quite steep, and some of the most precipitous mountain faces in the range are along this side. But in this location the rise is more steady and gentle and it begins at a higher elevation. Consequently, late in the day when I made this photograph the light streaming between peaks to the west comes in at about the same angle as the slope — and long shadows and beams of late-day sunlight spread across the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Evening Shadow

Evening Shadow
“Evening Shadow” — Evening shadows work their way up the face of a Sierra Nevada ridge, John Muir Wilderness.

This is one of the best times of the day in the backcountry — when the shadows lengthen and fall across the landscape, with nightfall inevitably not far behind. On typical evenings, everything slows down as the winds die and it becomes very quiet — a kind of deep quiet never experienced in our city lives. The light turns golden and we stop to watch the colors on peaks, knowing that the day is almost over.

Our group of photographers was camped in a high Sierra basin for a week a few years ago. By this evening we had adapted completely into the rituals and slower time of the backcountry, and as the quiet evening approached we set about slowly looking for a few last photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens and Evening Shadows

Aspens and Evening Shadows
“Aspens and Evening Shadows” — Long evening shadows creep across aspen groves in the Eastern Sierra Nevada.

This photograph comes from one of those evenings when I almost packed up and left too soon. At this location there is beautiful late afternoon back-light on aspen groves in the fall, but then the sun quickly drops behind higher peaks and “turns out the lights.” That had already happened on the trees that were my primary subject, and I thought it was time to leave. But hen I noticed that the long shadows from the peaks were stretching across the trees and the rolling hills of this Eastern Sierra landscape.

It is hard to know when to stick around to see what will happen versus when it is time to move on to a different subject. I wish there was a simple rule to apply to this conundrum, but I’ve never discovered it. Sometimes staying is the right choice, but sometimes I stick around and the light just… goes away. And, of course, sometimes when I move on I do encounter something remarkable that I might have missed. However (you saw this coming, right?) I’ve also driven or walked away to look for a better subject only to be stumped.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.