Tag Archives: grapevine

View From A High Place

“View From A High Place” — Looking out at Death Valley and the Grapevine Mountains from a viewpoint in a high canyon.

Elsewhere in California on this early winter day the skies were cloudy and rain was in the air. But in Death Valley the skies were (partly) blue and the temperatures were comfortable. We had a little extra time between stops so we headed up to this popular little canyon late in the day. On the way back down we came across this place where the dark canyon opened in the bright valley.

There is a lot of “Death Valley stuff” in this photograph. The distant playa is just above sea level, and in places is covered by impressive sand dunes. The distant desert mountains tower thousands of feet above the lowlands. Because there is little to no vegetation on them, their geology is laid bare. The dark foreground walls are near the opening at the bottom of a grand desert wash.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Grapevine and Door, Provesende

Grapevine and Door, Provesende
“Grapevine and Door, Provesende” — A volunteer grapevine grows against an old wall next to a doorway, Provesende, Portugal.

Our May week-long walk in the hills above Portugal’s Douro River Valley began in the small town of Pinhão — with a rather stiff climb from the river up into those hills at Provesende. (We used Portugal Green Walks to organize the trip, and I give them a lot of credit for designing the trek to start with a short, steep day… and conclude the trip at a place with a stunning view overlooking the Douro.)

Provesende was one of many charming small towns we passed through on the walk. Most are quiet places, with old buildings and narrow streets, and surrounded by vineyards. If I recall correctly, this scene was part of a small rural building on the edge of town. The textures and colors of the old building attracted my attention, as did the solitary, opportunistic grapevine growing from a crack at the base of the wall.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Mountains and Dunes, Sunset

Mountains and Dunes, Sunset
“Mountains and Dunes, Sunset” — Evening light on desert mountains with sand dunes in shadow, Death Valley.

Until you spend time there, it is possible to imagine that the terrain of Death Valley corresponds to traditional notions of “desert” — vast open and flat areas largely filled with sand. There are sand dunes, of course, but they cover a very tiny fraction of the entire park. There are open, flat areas that are not dunes, but they also are arguably not the area’s main feature. But everywhere there are mountains, and the arid landscape lays bare their forms.

I was in what are perhaps the best-known Death Valley dunes on this evening. I arrived in the late afternoon when the light was still strong, planning to be in an interesting location when the shadows of the Cottonwood Range would sweep across the flatlands before sunset. I made this photograph just after that happened, and while the dunes are in shadow there is strong and warmly-colored side light on the more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Clouds, Desert Mountains

Evening Clouds, Desert Mountains
“Evening Clouds, Desert Mountains” — Three clouds in evening light above desert mountains, Death Valley.

On most of my visits to Death Valley there are many days of perfectly clear skies. That might sound great, especially if you are in a rainy or cloudy place. But for most photographers it is far preferable to have something interesting going on in the sky. Give me some thin overcast, cloud streaks before a storm , a snow squall among mountain peaks, or a dramatic thunderhead any time. On this trip I was lucky, getting most of the things in that list, including this sunset cloud formation.

When photographing in Death Valley I often make location decision as much by looking at the weather conditions as by considering subjects. If I have a choice between two subjects and one will likely be in good light, the decision is easy. And sometimes the light itself becomes the subject. That is almost the case here, as the end-of-day light is very muted on the desert mountains, yet just bright and colorful enough to enhance the clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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