Tag Archives: gravel

Levee Road, Clearing Fog

“Levee Road, Clearing Fog” — Morning tule fog clears and the sun comes out along a Central Valley levee road.

Every New Year’s Day a group of us gather to greet the literal dawn of the new year and make photographs. This year Patty and I turned it into a three-day event, arriving on New Year’s Eve and hanging around through the morning of January 2. This isn’t your typical place to celebrate New Year’s Day — it is a quiet, isolated place in portions of of California that is likely not on most peoples’ maps. But there is beautiful light, quiet, and frequently the sun rising through tule fog.

It was quite foggy when we arrived before dawn on this morning, but not the incredibly thick fog that makes travel dangerous. In fact, the layer of tule fog was shallow enough that we could see the pre-dawn sky overhead. The fog began to thin soon after sunrise, and here along the levee road the intense color of early morning light was winning the battle with the remaining fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Gravel Road, Carrizo Plain

OK, I admit it. This is a bit of a “record shot,” considering how this place can look like the peak of the spring bloom in an exceptional year. However, it does give me a chance to write a bit about the location and how I came to be here on this day. I was doing the long drive from the SF Bay Area to Death Valley from the San Francisco Bay Area. Since I had decided to stop overnight in Ridgecrest before continuing to the valley, I had a bit of extra time on the first day’s drive. So I detoured through the Carrizo Plain. (Yes, I have driven that gravel single-track, though not on this visit.)

At its best, this place can be remarkably full of spring wildflowers. But my mid-March visit was too early for that, so I had to settle for a landscape just beginning to build toward that climax. In this photograph, the wildflower bloom is just getting started. In exchange, I had the place largely to myself, without the huge crowds that come later. While most who visit for the flowers think of this as a green and wildflower-colorful place, the truth is that most of the time it is quite dry and desertlike.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Levee Road, Trees, Fog

I love tule fog and the mysterious atmosphere it creates. But even more, I love what happens as it clears. Out here in the Central Valley the fog often seems to drift and thin unevenly. It moves away in one place to reveal a hazy landscape, but nearby the fog lingers and blocks longer views. Visible overhead through the shallow layer is combination of blue morning sky, high clouds, and sometimes soft remnants of the dissipating fog.

This scene is along a levee road, one of a seemingly infinite number of similar roads out in the wet parts of the valley. Many Californians, including me, tend to think of the summertime Central Valley, a place that is known for heat and dryness. But in the winter it can be the opposite, a cold and damp place, often dotted by seasonal ponds and lakes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Old Tree, Sunrise

Once again the weather reports predicted tule fog in the Central Valley, so I was up and on the road early. My hope was that I’d find more geese and cranes to photograph this time — there weren’t as many as I expected on my previous visit. At the same time, I knew that the wet conditions might diminish their numbers. It turned that this was the case, and there were almost none of the birds I came for in the morning. But there was fog!

It was almost a perfect foggy morning. Most of the drive was in clear air, but I hit heavy fog perhaps ten minutes from my destination, so thick that photography was initially a challenge. I photographed this tree later as the fog thinned. It still was around, but so close to the ground that the blue sky was visible above this sprawling old tree as the sun rose beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.