Tag Archives: green

Orange, Green, and Black

Orange, Green, and Black
A safety pylon casts a shadow on green metal panels next to black plastic.

Orange, Green, and Black. © Copyright 2021 G Dan Mitchell – all rights reserved.

A safety pylon casts a shadow on green metal panels next to black plastic.

This photograph came out of my participation in a project to photograph orange things (around Halloween, not surprisingly) with a group of fellow photographers. The group gets together every so often — virtually at the current time — to share recent photographic work. I suspect that the reasons include both social value and photographic value, but these little exercises can be useful, especially if you are trying to get “un-stuck,” are looking to explore something different, or are just seeking out a way to practice the work of seeing.

Because it was around Halloween I wanted to avoid going for the low-hanging fruit and just photographing pumpkins and autumn leaves. So for a couple of weeks as I walked around my community I kept my eyes open for anything orange. I also started to try to think a bit more broadly about what it meant to photograph orange — and one idea was that orange could easily just be one component color in a subject. Since I was looking for that color, it isn’t a surprise that the pylon first caught my attention. But I quickly started thinking about the relationship between green and orange, the shadow, and the dark pattern at the left side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Early Autumn Aspen Grove

Early Autumn Aspen Grove
A small grove of Eastern Sierra Nevada aspen trees begins to take on autumn color.

Early Autumn Aspen Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of Eastern Sierra Nevada aspen trees begins to take on autumn color.

Over the past decade or so the fall color change in the Eastern Sierra Nevada has come to attract a lot of attention. It is not unwarranted, as the aspen color throughout the range can be quite spectacular. It is also pretty accessible, and as the state’s population has continued to increase and as social media has spread the word faster and more widely… some areas have become quite crowded and even overrun for a few weeks each year. A few well-known locations have become some famous that they literally attract mobs of photographers and others. I won’t name them here — they get enough attention already. (I sometimes wonder how much blame I share as the author of a book on this event — though my publisher went along with my vow to drastically limit naming places that can’t handle the traffic.)

Despite the crowds, I hinted at the good new in the first paragraph of this post when I wrote, “throughout the range.” Often folks head straight toward the Big Name locations (as is natural) and drive right past a whole bunch of other wonderful instances of fall color. Over the years, some of my favorite aspen trees have been in places that are distinctly non-iconic. There are many things to like about this development. It means that I have subjects everywhere! I frequently find myself alone while photographing these locations. And over time I’ve developed my own little collection of place with personal meaning. This photograph comes from such a place, a grove that I had literally driven past for years before I finally stopped one day to make photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Streamside Trees, Red Rock Cliff

Streamside Trees, Red Rock Cliff
Narrowleaf cottonwood trees with a few autumn leaves beneath sandstone cliff along the Virgin River, Zion National Park.

Streamside Trees, Red Rock Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.

Narrowleaf cottonwood trees with a few autumn leaves beneath sandstone cliff along the Virgin River, Zion National Park.

The trees along the Virgin River in Zion National Park are a big attraction for me, especially as the autumn color transition begins. There is quite a variety of these trees, ranging from conifers to deciduous trees, from small to large, in locations ranging from open flats to ledges far up on the red rock cliffs and on the more open highlands far above. Landscape photographer friends like to joke that we just make pictures of “rocks, water, and trees” — and all of those play a big part in this landscape.

This little mini-grove lies a bit off to the side from a popular and busy Zion Canyon trail. Working in such a canyon, with its shade and diffused, soft light, is very appealing to me, and the contrasts between green foliage and red rock make it even better. These trees grow in one of the many bends in the canyon as it winds back and forth, and the sandstone cliffs form a sort of wide alcove here. The Virgin River — at a fairly low rate of flow — runs past in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Oak Tree, Red Rock

Oak Tree, Red Rock
A twisting oak tree beneath red rock towers, Zion National Park.

Oak Tree, Red Rock. © Copyright 2021 G Dan Mitchell – all rights reserved.

A twisting oak tree beneath red rock towers, Zion National Park.

The title simplifies the content of this scene — there are actually several kinds of trees here, and the contrast between the lighter trunk of the foreground tree and the dark shape of the more distant tree is part of what attracted me to this scene. Other elements included the twisting shapes of the trees and the contrast between the bright green of the leaves (which are close to beginning their autumn color transition) and the red Utah sandstone.

The nature of light is almost always a key factor in photography, but it plays out in very special ways in the red rock canyons of the Southwest. As I have written previously, the typical photographers’ schedule (shoot very early and rather late) is upended in canyons. We often try to find the softer and warmer light of the very early and late hours of the day, but in these canyons the tall walls often keep the subjects in the soft shadow light much of the day, and direct sunlight reflected off the canyon walls can provide that warm color to the light. (To those used to having a midday break between morning and evening photography, this can be exhausting!) This photograph was made during those essentially middle-of-the-day hours, and the soft light illuminates and colors the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.