Japanese maple trees are ubiquitous in the gardens of Portland, Oregon, and during out early July visit to that town I had plenty of opportunities to photograph them. Here I decided to shoot a very small portion of a tree close up. I had been walking through this garden and focusing of larger views of whole trees and groups of trees and surrounding subjects, but when I walked past a small group of taller trees I noticed small twigs with a few leaves growing from the otherwise bare lower trunks and thought they might make interesting subjects themselves, especially in the very soft light in the shade of the taller trees.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Redwood and big leaf maple forest along Gazos Creek, California.
I recall that on this day I had gone out to photograph along the Pacific coastline between Santa Cruz and San Francisco, California, mostly without any specific plan. First I had gone to one of my favorite Highway 1 bluffs to photograph the birds that pass within a few feet of it as they coast along the coastal updrafts. Then I moved north along the coast and discovered a group of kite surfers at one of the beaches, so I stopped and photographed them for a while.
Continuing north I came to a turn off to one of the many small roads that head up into the mountains that lie between the shoreline and the urban areas around San Francisco Bay. I took it and found myself driving along this narrow and twisty road that followed the bottom of a valley holding a small creek. The bottom of the steep and narrow canyon was deeply shaded by thick forest, including some stands of second-growth redwoods. This photograph was made in a nameless section of the valley where there was a spot to pull over and photograph the soft light filtering down through the moss-covered trees.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A worn green wall with doorknob, grass along the street, Fremont District, Seattle, Washington.
I made this photograph on my one-hour “Seattle PhotoWalk” in the Fremont District back in early May. A group of Seattle photographs was getting together to photograph between here and the Gas Works Park in the late afternoon and evening, and it turned out that I was in the Seattle area and able to pry open a bit of time in my schedule to meet up with them and explore the interesting photographic opportunities in the Fremont area.
We started in what I suppose must be “downtown Fremont,” right beneath the statue of Lenin. Yes, a statue of Lenin. It is a long story – but the short version, as I understand it, involves a post-Glasnost trip to the junk yard (in Poland) for the statue, its discover there by someone from Seattle who thought it had historical significance, its transport to the US, and then setting it up in Fremont for lack of a better place. Or something like that. (Google Fremont Lenin statue for more.) In any case, from the meet up at the statue we commenced our “photo walk,” and first explored the immediate surroundings. A lot of the buildings right there seem pretty old and a bit worn – though they have also been modified and updated in interesting and sometimes idiosyncratic ways. Take this bright green wall and door, for example! I was struck by the juxtaposition of the garish green paint and the natural green of the grasses that had sprung up at the base of the wall.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.
Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.
When I photographed from the Green River Overlook in Canyonlands National Park back in early April, I arrived there in the evening with one shot definitely planned out ahead of time (though the conditions were, as they often are, a bit of a pleasant surprise once I arrived) and one sort of half planned. The first was a shot across the rugged terrain to the west and southwest through which the Green River has carved a deep and twisting canyon. The second was of more or less the same subject, but shot in vertical format with a longer lens and tracking some of the formations out toward the horizon.
Once there, I quickly figured out my shooting location – to be honest, there are quite a few options and unless you include cliff-top foreground subjects you don’t have to be terribly particular. I composed the first, landscape-orientation shot and then sort of went back and forth between that image and the vertical shot as the light evolved. As I did this and the low angle light began to cut through some of the haze a bit more, the terrain to my south that I had not really thought about earlier started to look a bit more interesting. From the Green River Overlook, the upper sandstone cliffs first curve back away from the river canyon, then run south, and once again extend a bit out into the canyon at Murphy Point, the impressive prominence at the left side of this photograph. One thousand feet below, Murphy Hogback – a flat-topped ridge – extends further toward the Green River. Beyond that the terrain extends into the distance, full of features that were unfamiliar to me but still very impressive – a series of plateaus, often with white rock edges, steep drop-offs into deep canyons, more distant and barely visible towers and other formations. From what I’ve read since then, I’m pretty certain that beyond the shoulder of Murphy Point, I am seeing the area roughly where the Green and Colorado Rivers meet and beyond that the area known as The Needles.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
