Tag Archives: grove

Oak Among The Conifers

Oak Among The Conifers
“Oak Among The Conifers” — A solitary autumn black oak tree at the edge of a grove of conifers.

Every so often I think about how photographers captured images of fall “color” in the era of black and white photography, and I have to try my hand at it once again. Obviously the usual approach — finding some brilliant color and then emphasizing it in the photograph — won’t work here. Instead, contrast with darker surroundings could be one way to evoke the brilliance of autumn foliage.

Although this small black oak appears alone in the photograph, it has other oak neighbors nearby. What sets it apart apart is that it grows against a backdrop of a very dark and thick conifer forest. I’ve watched this tree for years, and the contrast can be quite compelling in the fall.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Autumn Hillside

Autumn Hillside
“Autumn Hillside” — Aspens and other autumn foliage, Utah.

This is another photograph from “nowhere in particular,” a location where I often find myself while searching for subjects. It turns out that there’s a lot of interesting stuff to see there if you slow down a bit and keep your eyes open. This slope is on the west side of a range of Utah mountains that overlooks much lower desert country, and I photographed it late in the day when the light was warm-toned and soft.

I suppose that this photograph violates a few of the “rules” about having a clear primary subject and so on. But here the main focus isn’t a single thing — it is the overall wash of color and texture on this hillside. Where is this spot? I can say that it is in the Dixie National Forest, but that is about as specific as I’ll be!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Aspen Trees, Utah

Autumn Aspen Trees, Utah
“Autumn Aspen Trees, Utah” — Dense forest of tall aspen trees with autumn foliage, Dixie National Forest.

This seems like a somewhat unusual aspen photograph for me. One difference is the color palette — in addition to the usual yellows and reds, there is a lot of green from the small conifers growing beneath the aspen canopy. Another difference is that I photographed during the main part of the day, rather than in the soft light of early morning or evening.

Over the course of several visits to Utah I gradually learned that the best sights are not restricted to the famous national parks. There is a lot to see and photograph in those places, but state parks, national monuments, and national forests also present loads of opportunities. This photograph was made in the vast and diverse Dixie National Forest.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trees and Sandstone Cliffs

Trees and Sandstone Cliffs
“Trees and Sandstone Cliffs” — Trees near the base of sandstone cliffs, Zion Canyon.

There is a lot going on here related to textures and colors. Color first: the cliff and tree colors are almost complementary. The green trees at the base of the cliff are in full shade. The further cliff face is getting both direct and reflected light. The cliffs seem massive and solid, but the surfaces are surprisingly varied. We see lighter and redder sections contrasting with almost-blue darker areas.

I was a little surprised to see trees growing so close to the base of he cliff. Often these areas are littered with accumulated rockfall debris, but here the trees don’t show any signs of that. It isn’t easy to tell from the photograph, but some of the trees are actually growing from cracks in the rock wall.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.