Tag Archives: half

Thoughts About Photographing Icons

Earlier today I posted a photograph of an icon, Yosemite’s Half Dome. The idea of photographing such a thing evokes a variety of thoughts and concerns that I suspect many photographers understand: Is it too easy? Has it already been done? How will the shot stand in comparison to those that have already been done by greater and more famous photographers? Why bother?

It is interesting to see the variety of ways in which photographers respond to this issue. At one extreme are those who perhaps chase the icons, realizing that they are beautiful and compelling and that there sure as heck is a market for them. (Experiment: Take two of your best photographs from a famous location, one showing an icon and one showing something less familiar, and post them at Flickr… and see what happens. :-) At the other extreme are those who fall into the camp represented by a photographer who, when asked how to photograph icons more or less replied, “Don’t.”

I suppose I’m somewhere in the middle. Let’s use Yosemite Valley as an example since it is so familiar and since I frequently have the opportunity to travel there to do photography. I most certainly do not head straight for icons when I shoot there. In fact, when I photograph in the neighborhood of most of the icons you will frequently find my camera pointing the other direction. After visiting the Valley for decades, I think I’ve come to understand there is much more to this place than the post card shots.

However, icons are icons for a reason. Every so often I’m in the company of someone who is seeing the Valley for the first time, and through their reaction I am again reminded of the visual power of some of the icon scenes. (I wish I could experience what it must be like to emerge from Wawona Tunnel for the first time having never seen that stupendous view of the Valley before!) So I will shoot icons, but I suppose I at least think I’m more selective about how and when I’ll shoot them. I look for a different angle, a way to position the icon as a background element in a photograph of something less iconic, or perhaps unusual conditions.

It isn’t for me to say how successful I might be at this, but it seems that it is perhaps more of a challenge to find a way to shoot an icon in an interesting way than it is to shoot something that is less familiar.

So the photograph I posted earlier today fits into this category – you can’t get much more iconic than Half Dome! I’ve been trying to learn to understand this particular location – the variables of season and time of day and weather and technical issues about capturing the scene – and I now have a couple images in mind that I’d like to shoot here eventually when the time is right. This one gets close to one such shot I have in mind… but I’ll be back at this overlook many more times.

Half Dome Sunset from Big Oak Flat Road

Half Dome Sunset from Big Oak Flat Road

Half Dome Sunset from Big Oak Flat Road. Yosemite National Park, California. November 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Sunset on Half Dome and El Capitan, photographed from Big Oak Flat Road, Yosemite National Park, California.

I almost always stop at this turnout along the Big Oak Flat Road entrance to Yosemite Valley when heading into the Valley and, if the conditions are right, photograph the view up the Valley past El Capitan toward Half Dome. (The turnout is just past the side road to Foresta as you head toward the Valley.) The morning view tends to be, obviously, backlit and often includes a lot of haze – which can be an interesting subject itself.

For some time I’ve wanted to try photographing this view near sunset. I have tried a few times during the past year, but either managed to miss the good light (it starts a bit earlier than I thought it would) or else I had flat and boring light when I arrived. On this afternoon I thought that the light might be more interesting so I managed to leave the Valley soon enough to get to this spot with plenty of time to spare. I actually arrived so early that I didn’t even set up my camera right away – but I was soon surprised by the full moon coming up above El Capitan! (Photos of that scene may be coming a bit later.)

As sunset approached the last light hit the forested ridge in the lower part of the scene and shadows from foreground ridges began to lengthen and get darker.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Late-Season Corn Lilies and White Flowers

Late-Season Corn Lilies

Late-Season Corn Lilies and White Flowers. Yosemite National Park, California. August 24, 2009. © Copyright G Dan Mitchell – all rights reserved.

Golden late-season corn lily plants at Half Moon Meadow, Yosemite National Park, California.

The summer goes so quickly in the High Sierra! It was barely a month ago that I was in the Young Lakes region for a few days and the wildflowers were just starting to come into form, and only a couple weeks ago when I encountered peak condition wildflowers above 10,000′ in the upper Sabrina Basin. While you can still find wildflowers – including in this photograph! – if you know where to look in the Sierra, the signs of the coming autumn are beginning to appear throughout the high country, as they do every year at about this time.

Every year, there seems to be a day during the second half of August when I’m in the Sierra and I get a very clear and distinct impression of a change. In many cases I’m hard pressed to identify exactly what it is, but I know it is there. It might be something about the changing angle and quality of the light. Sometimes I think changing air movement and wind patterns may play a part. Perhaps it is the end of the lush moisture from melting snow. In other cases it is more obvious – like when I begin to see these late-season corn lily plants begin their transition: first they are thick and green; then a bit of  brown begins to appear at the tips of the leaves; soon the veined pattern of the leaves begins to pick up brown and yellow streaks; before long some of the plants turn wild yellow and gold colors and their stems begin to weaken; and in a short time they fall over and taken on the texture and color of old corn stalks.

I photographed these brightly colored leaves at the edge of Half Moon Meadow in Yosemite during the last week of August while on a three-day pack trip into the Ten Lakes Basin.

(If anyone can identify the small white flowers in this photo I would be very grateful. And, no, the flowers are not growing from the bright yellow corn lily plants! 10/11/09 – I think we have  a winner. It looks like it might be a plant called gray’s lovage.)

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Yosemite Valley Tunnel View #2

Yosemite Valley Tunnel View #2
Yosemite Valley Tunnel View #2. Yosemite National Park, California. April 2, 2008. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of the narrow space between two buses, several people waiting by the buses, and a group getting its self-portrait at the Yosemite Valley View parking lot.

Beyond… Yosemite Valley, Bridalveil Fall, Sentinel Dome, Half Dome…

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