Tag Archives: haze

Blue Mountains

Blue Mountains

“Blue Mountains” — Desert mountain ridges, obscured by morning haze, extend into the distance.

If you have been following my 2023 photographs from Death Valley — I visited in March — you may recognize the contours of these distant mountains from a couple of monochrome images I shared earlier. I was at a high elevation location along the east side of the valley to photograph the playa at sunrise, but from time to time I turned my attention the other direction to look at these ridges extended into the distant haze.

One pleasure of viewing the world from such a location, high above the surrounding landscape, is that we sometimes see so far that eventually the features simply disappear into the distant haze. Here the haze was so thick — and back lit — that details were lost, leaving only the counters of the main features of the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Far Desert Mountains

Far Desert Mountains
“Far Desert Mountains” — High desert mountain ridges sretch toward the horizon under morning clouds.

I know I am repeating myself, but one of the most impressive things about Death Valley National Park is the sheer scale of the place — the distances are huge. The only place I’ve experienced that impressed me the same way was the near-arctic in the Yukon Territories and Alaska. Here mountains go on, range after range, into the far distance. (As a friend of mine might point out, the haze here is an obvious example of “atmospheric recession.)

This photograph is also an example of why I’m a big fan of long focal lengths for landscape photography. Some will tell you that “landscape lenses” have short to normal focal lengths, and that wide-angle lenses should be your standard tools. I beg to differ. The truth? While I own ultra-wide lenses, I use them sparingly… and my favorite landscape photography lenses are often telephotos. Here I used a very long lens to compress the distance and to isolate a small, interesting section of much larger terrain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Lake Manly, Mountains, and Haze

Lake Manly, Mountains, and Haze
“Lake Manly, Mountains, and Haze” — Blue morning haze softens the contours of desert mountains beyond Lake Manly, Death Valley.

Haze is a factor to be reckoned with when photographing in a vast landscape like Death Valley National Park. It is there even on “clear” days, and over long distances its effects can be substantial. Details are muted (especially in shadows), the colors shift toward blue, and atmospheric instability can make subjects literally shimmer. (That makes it virtually impossible to get sharp focus in some situations.) It used to leave me nonplused, but eventually I thought about how to use these characteristics — after all, they are part of the scene.

When I made this photograph it wasn’t just a matter of distance — the atmosphere actually was hazier than usual. In this interpretation of the subject I decided to embrace that haze and its softening effect on the distant mountains. This contrasts with the rather more stark contrasts between the foreground waters of Lake Manley and bits of darker land. But overall, the image retains that blue coloration that I mentioned above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Desert Mountains, Morning

Desert Mountains, Morning
“Desert Mountains, Morning” — A sunrise view across rugged desert mountain rainges from Dantes View, Death Valley.

I arrived at this well-known location high the Black Mountains well before sunrise. I’ve photographed here in the evening, but this time I was looking for sunrise light, which first touches the peaks of the Panamint Mountains across Death Valley, then works its way down and across the valley. Aside from the moments just before and after sunrise, these things happen relatively slowly, so I had plenty of time to look around at other subjects, too, including this view of layered desert mountain ranges.

Death Valley is the star attraction here for most people, but it is surrounded by impressive mountain ranges on all sides, and most of them are visible from this ridge. They stretch off into the far distance to the southwest. (Yes, somewhere in that direction lies Los Angeles!) The photograph looks southward along the flank of the Black Mountains, then across salt flats in Death Valley, and on toWard far more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.