Tag Archives: haze

Evening Sky and Haze, Death Valley

Death Valley National Park is a huge place — not just as measured by its total area but also by the immense spaces we view there. In many places we look across dozens of miles toward objects so far away that they are obscured by the atmosphere even on clear days. We might look at a “nearby” destination and think, “I’ll walk there.” If we try, hours later our intended destination will still be in the distance.

This photograph, made at sunset in the central part of the great valley, is an example. If I had gotten in my car and started driving, it would have taken me an hour and a half or longer to reach the base of those mountains in the distance. In this scene the valley has already fallen into the shadows of the Panamint range and a final bit of soft side-light glances across the large wash in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Fog and Haze, Distant Mountains

You may need to look closely at this photograph to understand what you are seeing. The foreground is perhaps obvious — a tule fog covered area of Central Valley winter landscape just before sunrise. Beyond that there is a slightly darker band of mountains. These are the Sierra foothills. But look above that. You are not seeing clouds. You are seeing a section of the distant Sierra Nevada crest.

It isn’t every day that the crest is visible from the Central Valley. In particular, foggy and stormy winter days often obscure the range from view. But at dawn — and on through the day when it is exceptionally clear — the range rises in striking fashion to the east and stretches as far as you can see from north to south.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Tree, Dawn Sky

This photograph is the result of an unexpected and disappointing happenstance… that turned out fine in the end. I had driven a couple of hours before dawn to photograph in the Central Valley. But when I arrived I found a small group of people waiting outside a locked gate. That happens sometimes, and sooner or later the gate opens automatically. But this time it did not, and we could not find a way to open it. Rather than sit around and wait — and miss the sunrise — I headed off to look for alternatives.

A few miles away I came upon a creek and some surrounding wetlands where trees grow. I quickly found a few potential compositions in the rapidly arriving sunrise light. One of the first was this lone tree, silhouetted against ann intensely colorful sky. (Eventually I returned to that locked gate. Someone did finally show up annd open it.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Geese, Morning Fog

This was not the photograph I planned to make when I stopped here. The area was blanketed with tule fog, and no birds were visible. So I got out my tripod and turned my attention to making landscape photographs. As I worked the fog began to thin, and the sky above became faintly visible though the shallow fog. I heard geese approaching, and as the first group passed I grabbed my camera off the tripod, quickly reset things for handheld photography, and framed this subject as the next large group passed overhead.

There is a lot of this “gear switching” when I photograph migratory birds. One moment I might be photographing an individual bird in flight — which requires some specific camera settings. A moment later my attention may turn to a tree or clouds or the sky, and that sort of landscape photography uses entirely different settings and sometimes different lenses… or even a different camera!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.