Tag Archives: haze

Lake Manly, Mountains, and Haze

Lake Manly, Mountains, and Haze
“Lake Manly, Mountains, and Haze” — Blue morning haze softens the contours of desert mountains beyond Lake Manly, Death Valley.

Haze is a factor to be reckoned with when photographing in a vast landscape like Death Valley National Park. It is there even on “clear” days, and over long distances its effects can be substantial. Details are muted (especially in shadows), the colors shift toward blue, and atmospheric instability can make subjects literally shimmer. (That makes it virtually impossible to get sharp focus in some situations.) It used to leave me nonplused, but eventually I thought about how to use these characteristics — after all, they are part of the scene.

When I made this photograph it wasn’t just a matter of distance — the atmosphere actually was hazier than usual. In this interpretation of the subject I decided to embrace that haze and its softening effect on the distant mountains. This contrasts with the rather more stark contrasts between the foreground waters of Lake Manley and bits of darker land. But overall, the image retains that blue coloration that I mentioned above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Mountains, Morning

Desert Mountains, Morning
“Desert Mountains, Morning” — A sunrise view across rugged desert mountain rainges from Dantes View, Death Valley.

I arrived at this well-known location high the Black Mountains well before sunrise. I’ve photographed here in the evening, but this time I was looking for sunrise light, which first touches the peaks of the Panamint Mountains across Death Valley, then works its way down and across the valley. Aside from the moments just before and after sunrise, these things happen relatively slowly, so I had plenty of time to look around at other subjects, too, including this view of layered desert mountain ranges.

Death Valley is the star attraction here for most people, but it is surrounded by impressive mountain ranges on all sides, and most of them are visible from this ridge. They stretch off into the far distance to the southwest. (Yes, somewhere in that direction lies Los Angeles!) The photograph looks southward along the flank of the Black Mountains, then across salt flats in Death Valley, and on toWard far more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Mountain Ridges

This is one of those “photograph the thing you did not go for” photographs, seen while mostly focusing on an entirely different subject. I was in Death Valley partly because I go there every year at about this time, and partly to photograph the rare reappearance of Lake Manly. (This lake reformed following heavy rains in the desert starting late last summer.) On this morning I went to a point high above the valley to photograph the broad setting of the lake and to use long lenses to isolate details. But the lake is nowhere in this photograph…

… because this scene was in the opposite direction! I arrived well before sunrise, and while I waited for some of that sun to arrive in the valley the horizon to the east put on a spectacular show. Obviously the pre-dawn sky was impressive with its intense and varied colors. But the vast area visible from this point produced beautiful atmospheric recession over the layered ridges stretching into the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Evening Sky and Haze, Death Valley

Death Valley National Park is a huge place — not just as measured by its total area but also by the immense spaces we view there. In many places we look across dozens of miles toward objects so far away that they are obscured by the atmosphere even on clear days. We might look at a “nearby” destination and think, “I’ll walk there.” If we try, hours later our intended destination will still be in the distance.

This photograph, made at sunset in the central part of the great valley, is an example. If I had gotten in my car and started driving, it would have taken me an hour and a half or longer to reach the base of those mountains in the distance. In this scene the valley has already fallen into the shadows of the Panamint range and a final bit of soft side-light glances across the large wash in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.