Tag Archives: haze

Lake, Ridges, and Haze

Lake, Ridges, and Haze
“Lake, Ridges, and Haze” — Hazy morning light on ridges, cliffs, and a subalpine lake, Sierra Nevada.

It is fair to say that I got a lot of photographic mileage out of this view during our stay here a few years back. I’ve shared numerous photographs of it, though in different formats, times of day, and conditions. Despite the presence of so much other visual material, it dominated our consciousness. I suppose that part of the reason is that it was within minutes of our campsite, but it is a remarkable setting, too.

I photographed this version in the morning. At the start of our visit we had quite a lot of rain, but that diminished later on, and the sky was mostly clear on this day. The view looks roughly northeast, so the sun was just clearing the ridges out of the frame to the right. This light, coming in at an angle, illuminated the atmospheric haze and emphasized the atmospheric recession of more distant ridges. It also produced what almost looks like rim light on the exposed places on the face at the left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Big Sur Haze

Big Sur Haze
“Big Sur Haze” — Summer haze along rugged Big Sur coastline, California.

I drove down the Big Sur Coast on this mid-August morning, traveling as far as the point where the road is currently closed for landslide repair. A bit north of that I pulled out at a popular overlook where I have photographed before — there is a great view down the coast and past a series of big ridges descending to the water. I almost didn’t photograph, but as I looked at the scene I became interested in smaller sections of the larger view.

Typically when I have photographed here I have worked in vertical portrait mode so that I could include the more distant curve of the coast and an interesting “natural bridge” on some rocks to the right. I’ve often trued to exclude the foreground trees, but this time I thought that they might make a good foil to the haze-muted forms and textures of the more distant coastline at the upper right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Curving Coastline, Fog

Curving Coastline, Fog
“Curving Coastline,Fog” — Successive ridges drop to the Pacific Ocean in fog along the rugged Big Sur Coast.

The Big Sur Coast seems to strtch on forever, with rugged mountains dropping precipitously into the Pacific Ocean. Ridges are separated by small valleys, and a drive along the Pacific Coast Highway often follows a pattern of turning inland to cross a valley and then turning toward the ocean to cross another ridge. And from high on these ridges the views are usually spectacular, taking in great expanses of that coast and Pacific Ocean panoramas.

A combination of characteristics makes this area quite “photographable” outside of the favored very early and very late hours. The coast trends from northwest to southeast, so as midday approaches the sun can be right above the coast, providing backlight that highlights the receding ridges. (A bit later its light reflects off the water.) And often the morning fog has cleared but left a bit of haze behind, and on the best days it glows luminously.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Ponderosa Pines, Mono Basin

Ponderosa Pines, Mono Basin
“Ponderosa Pines, Mono Basin” — A group of ponderosa pines on slopes leading toward Mono Lake in distant haze.

Mono Lake is a remarkable place. Lying in a relatively high, desert basin, it covers a huge area. It is so big that it is just about impossible to get a solid impression of its vast size. While you can drive past its west side and access a few spots along the north and south shores, much of it is essentially inaccessible, at least without a lot of very difficult travel. Because its level has fluctuated over time, much of the surrounding area has been submerged in the past, and the evidence of this is everywhere.

The lake itself is set in an even larger basin surrounded by mountains — the Sierra to the west and various desert ranges to the north, east, and south. I made this photograph near the base of one of those, the Mono Craters. Here an extensive ponderosa pine forest spills down from the heights and spreads across the shallower slopes of the basin, eventually fading out within sight of the lake. These trees are some of the furthest vanguards of that forest. Beyond you see the final descent the lake, the lake itself, and in the far distance the faint outlines of distant desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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