Tag Archives: haze

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Meadow and Mountains

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Meadow and Mountains
“Meadow and Mountains” — Morning haze and wildfire smoke on Mounts Dana and Gibbs above a late-summer Yosemite high country meadow.

In some places the Sierra Nevada crest can present the classic, rugged alpine scene — high, rocky peaks and ridges that almost appear to be inaccessible. But in other places the land rises a bit more gently, and you can look across open meadows and forests towards peaks that look as if you could just walk to their summits. (In fact, you could walk to the summits in this photograph, but you’d be exhausted, as the highest is over 13,000′ tall.

The water in the foreground belongs to the Dana Fork of the Tuolumne River. Early in the season the meadow here can be lushly green — and quite wet — but by the end of summer, like almost all Sierra meadows, it turns golden. On this day the atmosphere was complex — high clouds would lead to thunderstorms later on, and drifting wildfire smoke obscured distant subjects.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Trees

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Morning Trees
“Morning Trees” — A small group of pine trees at Tuolumne Meadows in bright morning light.

Previously I have mentioned that certain boulders, hillocks, bends in creeks, and trees in the Sierra are “old friends” of mine that I have visited regularly for decades. These trees are among those friends. It isn’t unusual for me to photograph Tuolumne Meadows in the early morning, and these trees stands at the west end of the meadow, positioned before a panorama of meadow, forest, and peaks.

To be honest, it was no longer exactly “early morning” when I made this photograph, at least not by photography standards. (“Early” means things like arising at 3:00am, setting out on a hike at 3:30am, or arriving at a location more than a half hour before sunrise.) The sun had risen above the peaks of the Sierra Crest, and it was making the atmospheric haze glow.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Sea Stacks and Surf

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Sea Stacks and Surf
“Sea Stacks and Surf” — Sea stacks in morning light along the rugged Big Sur coastline.

Way back in June I met up with my friends Franka Gabler and David Hoffman to photograph the upper Big Sur area of the California coast. They were there to see an exhibit of photographs by John Sexton and Anne Larsen, so I did the 90 minute drive down to Big Sur to meet them. After some confusion about who was where — and no cell service to sort it out — I finally figured out that they were on the bluffs above this area where Soberanes Creek enters the Pacific Ocean.

This is a particularly rugged section of the Big Sur coast. While it doesn’t feature the high cliffs that make other areas essentially inaccessible, here there are rugged rocky headlands and many sea stacks, especially in the shallow bay between the Soberanes Creek and Soberanes Point.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Mono Lake Basin, Photographs: Nature

Tufa, Island, Distant Mountains

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Tufa, Island, Distant Mountains
“Tufa, Island, Distant Mountains” — Shoreline tufa formations, an island, and distant mountains, Mono Lake.

This view looks roughly north across the expanse of Mono Lake and Mono Basin. The foreground formations are tufa towers, exposed as the lake’s level dropped decades ago when Los Angeles began taking the water from feeder streams. The main body of the lake lies beyond the tufa. What appears to be the far shoreline is actually Paoha Island, a volcanic feature. In the far distance are desert mountains of the basin and range country.

I knew some history about the fights over Mono Lake’s water, but I learned something new on this visit. A few decades ago Los Angeles Water and Power bought out water rights up and down the Eastern Sierra, drastically changing the environment — and in places turning former lakes into dusty wastelands. This taking dropped the level of Mono Lake by many feet (it was too late for Tule Lake in Owen’s Valley) until court orders and regulations forced an agreement that LA would begin to protect the watershed, with a goal of eventually restoring the lake to a level closer to its historic level. I thought that serious progress had been made… but decades later the lake’s level is still dangerously low.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)