“Highlands Loch, Mountains, and Sky” — Dark clouds, a loch, and mountains in the Scottish highlands.
Having just returned from our second long visit to Scotland and the highlands, I’m still trying to form a clear sense of just what defines the character of this landscape. Admittedly, this is a subjective thing, affected by our unique experiences there and by the prior experiences to which we compare that. My touchstone for “mountains” is California’s Sierra Nevada, a generally congenial range with sunshine and access to very high places. By Sierra standards, Scotland’s high places are “low” — but equally spectacular. Scotland definitely does not seem like a “place of sunshine” — instead it is wet, cloudy, and when sunshine comes it is often muted.
“Sandstone Terrain and Mountains” — Morning haze and backlight obscures distant mountains and sandstone terrain, Arches National Park.
Arches National Park is red rock country, a landscape dominated by the colors of Southwest sandstone. Almost all of my photographs of the area are in color, for that obvious reason. It is not just the rocks themselves — the complementary greens of vegetation and the blue of the sky feature strongly, too. But this particular view, a veritable moonscape, seems to call for a monochrome interpretation.
“Autumn Black Oak Trees” — Black oak trees with autumn foliage on a hazy day in Yosemite Valley.
I have photographed in Yosemite since I was literally a child. (The first “serious ” photograph I recall making was on a family trip to the Valley when I scrambled up a little hill to find a composition of a dome framed by tree branches.) The Valley remains one of the most astonishing sights on the planet, with features that are darned near unbelievable. But after decades of photographing there, when I visit now I look for other things than the icons.
Admittedly these black oaks have become almost iconic, though they aren’t a recognizable feature in the way that Half Dome or Yosemite Falls are. There’s no one particular feature, but rather a playground of textures and colors and lines to work with. I stop and photograph here on almost every visit.
“Three Trees And A Valley” — Three autumn trees and Yosemite Valley cliffs.
This photograph has been in the queue for months as I worked on other subjects, and before that it languished in my raw file archive for a couple of years. I rediscovered it during a review of past season’s fall color photographs last year. There is a bit of fall color in the leaves of these trees, but it may be subtle.
After photographing in Yosemite Valley for decades, I am less inclined to re-photograph the big icons. I’ll do so in exceptional conditions, but I’m more interested in poking around odd corners of the valley and looking for new perspectives. This location is a bit tricky — several years ago it was identified as being an area prone to rockfall — but I’m attracted to several features of this view. The foreground trees don’t quite block the view, and beyond them a large meadow allows plentiful light. Across the valley are steep cliffs, in including some with cascades and small waterfalls.
