Tag Archives: high key

Gullies in Soft Light #2

Gullies in Soft Light #2
“Gullies in Soft Light ” — Eroded gullies and ridges in soft light, Zabriskie Point.

In the right light (and perhaps with a certain amount of post-processing) the geological patterns in a place like this can be drawn out and emphasized. But most of the time they are rather subtle, with pastel colors and low levels of contrast. This is especially true early and late in the day when the formations are not in direct sunlight. In this series of photographs from Zabriskie Point I decided to embrace the low contrast light and allow subtleties of shape, texture, and color to predominate.

Previously I mentioned that I ended up here because in the predawn twilight I thought I saw the potential for a spectacular sunrise sky. You cannot predict such things with certainty, and this time the colors did not develop as I hoped. Since I was there and set up to make photographs, I decided to use a long lens and focus on smaller details of this area’s landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Winter Plants

I like to photograph in California’s Central Valley during the dark and foggy part of the year — roughly from November through the first half of March. (There are some distinctly non-dark days during this period, too.) With the exception of grasses, which start to green up in California during the winter, this is largely a season of dormant plants. As I pass through these wetland areas I’m always intrigued by the forms of these plants, especially when backed by or reflected by the water.

I was out there to photograph birds, but during quieter moments I turned my attention to these plants. Most of them don’t make for good photographs — they have busy backgrounds, they are too thick, or their shapes just aren’t quite right. But every so often I find a specimen that has managed to take on a graceful, even flowing shape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Wave

Winter Wave
“Winter Wave” — A winter storm wave breaks along the California coast.

This is another photo from the California coast during the recent period of extremely high surf. We spent an afternoon along the Pacific Coast Highway between Santa Cruz and Half Moon Bay, where the surf was absolutely huge — as large as I’ve ever seen it there. The waves were so big that their spray filled the air along the coast and even spread inland.

The day started out cloudy with light rain from a passing storm system. (The waves came from a different system that was still far out at sea.) As the day wore on the skies began to clear, and I made this photograph when blue skies were beginning to dominate. While the sky was clearing, the high surf remained and the spray still filled the air and softened the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Headlands, Surf, and Fog

Headlands, Surf, and Fog
Headlands and coastal mountains obscured by winter fog along the Big Sur Coast.

Headlands, Surf, and Fog. © Copyright 2023 G Dan Mitchell.

Headlands and coastal mountains obscured by winter fog along the Big Sur Coast.

This is a scene that I have tried to photograph many times. When I stop to make a photograph here, it always seems like it should be easy… but it inevitably ends up being very challenging if not impossible. The subject is quite a distance away, so it requires a very long focal length. However, the long focal length magnifies issues created by air movement across the great distance, and even with though I want to evoke that soft atmosphere, it is hard to get the right balance of detail where it is needed. I tried again this past week, and decided to interpret the subject in a bit of a different manner.

A challenge is that the hazy conditions that obscure and diffuse the subject in the way I hoped for also tend to be both gray and of quite low contrast. To address that I decided on a brighter, high key rendition of the scene in which the colors are extremely subtle and the darkest tones are, objectively speaking, still at the brighter end of the scale. In a sense, the object here is to “suggest” more than to “record.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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