Tag Archives: high key

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Gullies in Soft Light

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Gullies in Soft Light, Death Valley
“Gullies in Soft Light” — Eroded gullies and ridges in soft light, Zabriskie Point.

These badlands formations, where soft layers have been eroded by water, can be difficult to photograph. Those difficulties can lead to ethical questions for photographers. The issue is that the range of colors and luminosity in these formations is very limited — the color is basically a light tan and the difference between the light and dark areas is small, at least in soft light. One choice is to enhance that contrast and coloration during the post-processing phase, and that can create some impressive images… though this can depart radically from the actual appearance of the landscape. Here I decided to go with the low contrast and soft colors instead.

To repeat a story I’ve previously related, almost by accident I ended up here to photograph a subject that ultimately did not develop as I had hoped. So I turned my attention to other things nearby, including these formations. I photographed them rather early, before the direct sunlight arrived. This meant that the contrast was even more subdued, as the soft light was from the early morning open sky — directional, but only subtly so.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Gullies in Soft Light #2

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Gullies in Soft Light #2
“Gullies in Soft Light #2” — Eroded gullies and ridges in soft light, Zabriskie Point.

In the right light (and perhaps with a certain amount of post-processing) the geological patterns in a place like this can be drawn out and emphasized. But most of the time they are rather subtle, with pastel colors and low levels of contrast. This is especially true early and late in the day when the formations are not in direct sunlight. In this series of photographs from Zabriskie Point I decided to embrace the low contrast light and allow subtleties of shape, texture, and color to predominate.

Previously I mentioned that I ended up here because in the predawn twilight I thought I saw the potential for a spectacular sunrise sky. You cannot predict such things with certainty, and this time the colors did not develop as I hoped. Since I was there and set up to make photographs, I decided to use a long lens and focus on smaller details of this area’s landscape.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Central California, Photographs: Nature

Winter Plants

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Winter Plants
“Winter Plants” —Dormant winter plants await spring alongside a Central Valley road.

I like to photograph in California’s Central Valley during the dark and foggy part of the year — roughly from November through the first half of March. (There are some distinctly non-dark days during this period, too.) With the exception of grasses, which start to green up in California during the winter, this is largely a season of dormant plants. As I pass through these wetland areas I’m always intrigued by the forms of these plants, especially when backed by or reflected by the water.

I was out there to photograph birds, but during quieter moments I turned my attention to these plants. Most of them don’t make for good photographs — they have busy backgrounds, they are too thick, or their shapes just aren’t quite right. But every so often I find a specimen that has managed to take on a graceful, even flowing shape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Ocean & Coast

Winter Wave

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Winter Wave
“Winter Wave” — A winter storm wave breaks along the California coast.

This is another photo from the California coast during the recent period of extremely high surf. We spent an afternoon along the Pacific Coast Highway between Santa Cruz and Half Moon Bay, where the surf was absolutely huge — as large as I’ve ever seen it there. The waves were so big that their spray filled the air along the coast and even spread inland.

The day started out cloudy with light rain from a passing storm system. (The waves came from a different system that was still far out at sea.) As the day wore on the skies began to clear, and I made this photograph when blue skies were beginning to dominate. While the sky was clearing, the high surf remained and the spray still filled the air and softened the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.