Tag Archives: high

Photographs: Nature, Photographs: Scotland, Photographs: Travel

Loch Ness From The Great Glen Way

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Loch Ness From The Great Glen Way
“Loch Ness From The Great Glen Way” — The view of Loch Ness from the high route of the Great Glen Way between Invermoriston and Drumnadrochit/Lewiston.

Scotland’s Great Glen Way, an 80-mile walking route between Fort William and Inverness, follows a nearly-straight valley or glen that runs from the southwest to the northeast. There are three lochs (or lakes) along the Glen — from south to north they are Loch Lochy, Loch Rich, and Loch Ness. They are interconnected via the remarkable structures of the Caledonian Canal, and watercraft can travel from end to end. Loch Ness, at the north end, is both the largest and the most famous of the lochs, in part because of the “Loch Ness Monster” tales. (I marvel at how the Scots can build an economy around Nessie, a non-existent thing!)

On this day’s walk — a long and exhausting one! — we traveled from Invermoriston to Drumnadrochit and its neighbor, Lewiston. This was one of the four days on which we had Loch Ness to our right. (Well, on one of them we hiked the section in reverse, so the loch was to our left.) Yes, it is that long! This view is from a section of the path that rose into forests high above the valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

A Storm Approaches

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A Storm Approaches
“A Storm Approaches” — Forest trees stand in sunlight while distant ridges are darkened by the clouds of an approaching Sierra storm.

At first look this might just seem like a photograph of a row of trees. It is late in the day, and the warm light lends color to this forest at Tuolumne Meadows, and it looks like a pleasant early evening. But that bluish strip at the top of the frame tells a different story. Look closely and you can make out a peak, and the peak is backed by higher peaks that are partially obscured by the dark clouds from an incoming storm.

We hear all the time that photography is about light, and there’s truth to that claim. (I would hold that it isn’t always “just” about light, but subjects usually benefit a lot from wonderful light.) One of my favorite situations is the one shown here — something nearby in lovely, warm light, but in the background a darker and more dramatic effect.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Mono Lake Basin, Photographs: Nature

Ponderosa Pines, Mono Basin

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Ponderosa Pines, Mono Basin
“Ponderosa Pines, Mono Basin” — A group of ponderosa pines on slopes leading toward Mono Lake in distant haze.

Mono Lake is a remarkable place. Lying in a relatively high, desert basin, it covers a huge area. It is so big that it is just about impossible to get a solid impression of its vast size. While you can drive past its west side and access a few spots along the north and south shores, much of it is essentially inaccessible, at least without a lot of very difficult travel. Because its level has fluctuated over time, much of the surrounding area has been submerged in the past, and the evidence of this is everywhere.

The lake itself is set in an even larger basin surrounded by mountains — the Sierra to the west and various desert ranges to the north, east, and south. I made this photograph near the base of one of those, the Mono Craters. Here an extensive ponderosa pine forest spills down from the heights and spreads across the shallower slopes of the basin, eventually fading out within sight of the lake. These trees are some of the furthest vanguards of that forest. Beyond you see the final descent the lake, the lake itself, and in the far distance the faint outlines of distant desert mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Mono Lake Basin

Rabbitbrush, Ghost Forest

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Rabbitbrush, Ghost Forest
“Rabbitbrush, Ghost Forest” — Rabbibrush blooms near a ghost forest of burned ponderosa pines, Mono Basin.

On a late-September morning I headed out into country near Mono Lake, eventually turning off the two-late highway to follow a random gravel track that traced the edge of an extraordinarily large ponderosa pine forest. This area within sight of Mono Lake was burned in a forest fire years ago, and there are still lots of dead trees around the fringe of the forest. The stark beauty of the skeletal trees intrigued me, and I eventually found a place to stop and explore a bit.

This is an austere landscape. Even where the trees still grow there is a lot of space between them, likely due to the dry environment. In many places there is only sagebrush country, and in this spot the sandy soil supports even less vegetation. But it the middle of this — and against the backdrop of those dead trees — rabbitbrush plants were in full, colorful bloom.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.