Tag Archives: high

Rabbitbrush, Ghost Forest

Image June 19, 2024 G Dan Mitchell Leave a comment

On a late-September morning I headed out into country near Mono Lake, eventually turning off the two-late highway to follow a random gravel track that traced the edge of an extraordinarily large ponderosa pine forest. This area within sight of Mono Lake was burned in a forest fire years ago, and there are still lots of dead trees around the fringe of the forest. The stark beauty of the skeletal trees intrigued me, and I eventually found a place to stop and explore a bit.

This is an austere landscape. Even where the trees still grow there is a lot of space between them, likely due to the dry environment. In many places there is only sagebrush country, and in this spot the sandy soil supports even less vegetation. But it the middle of this — and against the backdrop of those dead trees — rabbitbrush plants were in full, colorful bloom.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Far Desert Mountains

Image May 6, 2024 G Dan Mitchell Leave a comment

I know I am repeating myself, but one of the most impressive things about Death Valley National Park is the sheer scale of the place — the distances are huge. The only place I’ve experienced that impressed me the same way was the near-arctic in the Yukon Territories and Alaska. Here mountains go on, range after range, into the far distance. (As a friend of mine might point out, the haze here is an obvious example of “atmospheric recession.)

This photograph is also an example of why I’m a big fan of long focal lengths for landscape photography. Some will tell you that “landscape lenses” have short to normal focal lengths, and that wide-angle lenses should be your standard tools. I beg to differ. The truth? While I own ultra-wide lenses, I use them sparingly… and my favorite landscape photography lenses are often telephotos. Here I used a very long lens to compress the distance and to isolate a small, interesting section of much larger terrain.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

High Desert Aspens in Transition

Image December 4, 2023 G Dan Mitchell Leave a comment

A grove of high desert aspens in transition to autumn color.

Although my first inclination has always been to think of aspens as being trees of the high, subalpine zone, in fact they grow right down into the high desert, including along the eastern side of the Sierra Nevada. As such the trees are often found juxtaposed with what seem more like desert landscapes than the mountain scenes we might expect. I’m fascinated by these places, and I’ve long looked around for more examples.

This little winding grove sits near the bottom of a shallow valley that likely holds a stream during the spring melt. Here most of the trees are the typical small and sometimes stunted type, but the skeletons of a few taller trees are mixed into these little groves.

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Photographs: Mono Lake Basin, Photographs: Nature

Dawn Reflections, Mono Lake

Image November 7, 2023 G Dan Mitchell Leave a comment

Colorful dawn light reflected on the surface of Mono Lake.

On this morning I had a particular scene in mind to photograph at Mono Lake, so I was at that location before sunrise. I worked that subject until just before the sun actually rose, as planned, and then I turned to something different — the surface of the huge lake itself, slightly disturbed by morning breezes, with waterfowl here and there, as the sun was just about to top a mountain range fare to the east. I angled the camera downwards to keep the sky out of the frame, including just a bit of the distant mountains many miles away beyond the far shore.

On a clear morning like this one, the most intense sky color comes before sunrise, after which the brilliant sun washes out the colors that are visible earlier. To make this photograph I aimed the camera directly toward the point on the horizon where the sun would rise, so the very brightest portion of the colorful sky was strongly reflected on the lake’s surface.