Tag Archives: hill

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast, Photographs: San Francisco

Muir Beach Overlook, Sutro Tower, Dusk

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Muir Beach Overlook, Sutro Tower, Dusk - San Francisco's Sutro Tower is visible in the distance beyond the Muir Beach Overlook in dusk light, in the Marin Headlands.
San Francisco’s Sutro Tower is visible in the distance beyond the Muir Beach Overlook in dusk light, in the Marin Headlands.

Muir Beach Overlook, Sutro Tower, Dusk. Marin Headlands, California. August 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

San Francisco’s Sutro Tower is visible in the distance beyond the Muir Beach Overlook in dusk light, in the Marin Headlands.

A few moments before making this photograph, I had decided that I was done for the evening, as the light was fading very fast and the brilliant and intense sunset and post-sunset colors were draining from the scene. But a turn or two up the road I came upon this overlook, with its view traversing the steep headlands toward the south to where the low hills of San Francisco just outside the Golden Gate were visible, Sutro Tower stood high above these hills, and subtle shades of blue and rose light were still visible.

So we pulled over, and I quickly got set up – again! – and made a few exposures in this dying light. This light is just about as subtle and difficult to photograph as it gets. In fact, I almost didn’t bother! On the scene, it was quite dark – darker than this rendition would suggest. And in that darker dusk, the haze that here partially conceals the San Francisco hills made them almost invisible.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast, Photographs: San Francisco

Tree and Pinnacle, Pacific Sunset

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Tree and Pinnacle, Pacific Sunset - The last evening light falls on a tree and a rocky pinnacle high above the Pacific Ocean north of San Francisco, California.
The last evening light falls on a tree and a rocky pinnacle high above the Pacific Ocean north of San Francisco, California.

Tree and Pinnacle, Pacific Sunset. Marin Headlands, California. August 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The last evening light falls on a tree and a rocky pinnacle high above the Pacific Ocean north of San Francisco, California.

On the return drive from our late-August sojourn to the Mendocino Coast, we returned to the Bay Area by the less efficient but more spectacular route and drove the coast on Highway 1, the “coast highway.” For the most part the road hugs the coastline, alternately dipping down to the shoreline and climbing to the tops of very tall coastal bluffs, and occasionally running inland for a short distance. We stopped in Point Reyes Station for dinner (and we can now heartily recommend Osteria Stellina!) and then continued on – and as we did I began to get a sense of where we might be for the golden hour light. It seemed like we would likely pass Stinson Beach – which seemed fine, since I didn’t have an interest in photographing there – and be somewhere south of there in the Marin Headlands.

As we ascended the high and steep road perched along the cliffs south of Stinson Beach, a lot of stuff started happening all at once. I knew that we were getting very close to “that” light, when we spotted a lone coyote along a ridge above the road… right below a large ridgeline rock and above which the nearly full moon had just appeared. Really! So we obviously had to stop and see what we could do with that subject – which turned out to be more difficult that I had thought. At about this time other likely “targets” started to appear, and I photographed back towards Stinson Beach, directly into the sun-lit haze from northern California forest fires. Then I looked closer to my location and saw this windswept tree catching the last bit of light, with a single rugged pinnacle behind it, and beyond that the surface of the Pacific Ocean, fading into the mist and picking up the pink tones of the setting sun.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Home Bay, Drakes Estero

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Home Bay, Drakes Estero
“Home Bay, Drakes Estero” — Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore

This quick late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I drove up to San Francisco, where my wife was to be involved in a music performance — the plan being to drop her off and then drive on over the Golden Gate Bridge to Point Reyes. It is often cold and windy there, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog. With this in mind, I planned to either visit the Limantour Beach or else hike out towards Drakes Bay.

I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out towards Drakes Head, thinking I might make it there for late afternoon light. Soon I saw the telltale puffs of incoming fog overhead, and I came around a bend in the trail to see that the fog had already moved in to the west and over Drakes Bay. Fortunately, iin most cases I would rather photograph in “interesting” weather than in supposed perfect blue sky weather.

At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.

In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

Two Bridges and Fog, San Francisco Bay

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Two Bridges and Fog, San Francisco Bay - Morning fog floats above the north end of the Golden Gate Bridge, San Francisco Bay, the Bay Bridge, and Yerba Buena Island.
Morning fog floats above the north end of the Golden Gate Bridge, San Francisco Bay, the Bay Bridge, and Yerba Buena Island.

Two Bridges and Fog, San Francisco Bay. San Francisco, California. July 14, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning fog floats above the north end of the Golden Gate Bridge, San Francisco Bay, the Bay Bridge, and Yerba Buena Island.

This is certainly not a unique viewpoint for photographing the Golden Gate (and the bridge named after it) and the rest of San Francisco Bay… but I keep returning anyway. While the principal physical elements of the scene – Marin headlands, bridge, the City, bridges, Yerba Buena Island, the East Bay – the conditions of light and atmosphere change constantly. The variations in the fog alone could be the subject of a book, I’m sure! It can come from the west (summer) or the east (winter), it can be high or low (or both at once!), thin or thick, opaque or luminous, static or moving quickly, illuminated by sun or by artificial light at night, and more.

On this morning it was a combination of several of those. There was a sort of thin fog/haze at the lower levels, but the thicker fog was quite high, above the bridge towers and even a bit above my position in the Marin headlands. The fog was beginning to break up, starting to the east and gradually moving westward toward the coast, and when I made this photograph large beams of diffused light were coming through the fog deck and lighting areas around the San Francisco waterfront and even on the bay waters. Lining up the elements of the photograph wasn’t terribly hard once I found the composition I liked, but then I waited for boats for move into or out of the frame (see a large freighter passing between towers of the distant Bay Bridge) and for the light to appear in (as close to) the right places (as one can hope for).

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.