Tag Archives: illuminate

Photographs: Death Valley, Photographs: Nature

Evening Rain and Sandstorm

2 Comments
Evening Rain and Sandstorm
Evening rain and sandstorm as sun illuminates the Grapevine Mountains

Evening Rain and Sandstorm. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening rain and sandstorm as sun illuminates the Grapevine Mountains

During the spring season in Death Valley National Park almost anything can happen. It can be 90 degrees or higher, or it might snow. Days may be pleasant to sunny, or it could be overcast with huge winds and dust storms or rain. We just spent the better part of five days there, and I think I saw as great a range of conditions as I’ve encountered before. The second evening was particularly remarkable. We were up in Panamint Mountains when we first noticed the tell-tale haze of dust storms, and by the time we returned to the Valley it was so windy that there was nothing to do but hunker down and wait it out. Near sunset the winds began to abate a bit and we ventured outside. I heard a few claps of thunder and it began to rain huge drops. Later we discovered that it had snowed on the highest peaks.

A few days later the conditions were supposed to be more benign. We spend early morning hours photographing out on the dunes, then did a midday and afternoon hike up a beautiful canyon. Exiting the canyon we were surprised to see dust beginning to rise again, since the forecast had called for very light winds. By the time we got back to Stovepipe Wells the winds were howling, light rain was falling, and dust filled the atmosphere. A bit later things calmed down and I decided to make a quick evening trip to a nearby high point from which I could get an overview of the valley. Arriving there I could see a wild combination of dramatic light on up-valley mountains, rain falling on their summits, and the dust storm growing below. Within minutes of making this photograph the wind began to howl and the dust enveloped my position and I retreated once more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Industrial Building, Mixed Lighting

2 Comments
Industrial Building, Mixed Lighting
Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. “Normal” photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn’t care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Last Light on Snow, Fog, and Granite

Leave a comment
Last Light on Snow, Fog, and Granite
Last Light on Snow, Fog, and Granite

Last Light on Snow, Fog, and Granite. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Trees, fog, and snow on the granite summit of El Capitan glow in a final beam of sunset light.

Near the beginning of March I was in Yosemite Valley for three days in conjunction with the opening of the Yosemite Renaissance XXIX exhibit. (One of my photographs is in the show.) It was a wonderful weekend in many ways. Lots of artists of all sorts were there for the opening—and for Yosemite!—and I had the chance to get together with many friends among them. It was also a time of atmospheric conditions that were spectacular in ways that interest me as a photographer – broken light, occasional rain, mist and clouds.

On this evening we went to Tunnel View since it was mostly gray down in the Valley and because there was some promise of not only drifting clouds and mist there, but also of some late day light. All of those things happened, but as the end of the day approached, the “lights went out” as the clouds to the west thickened and blocked the setting sun. I continued to shoot for a while, mostly focusing a long lens on small distant details within the scene, but I finally decided that the light was simply becoming too flat and I walked back to the car to pack up, thinking about the friends I would soon join for dinner in the Valley. At the back of the car I removed the long lens, collapsed the tripod, and was packing everything away when Patty, who was sitting the front seat and facing the valley, exclaimed, “Look at that light!” Frankly, I wasn’t expecting much, but when I looked up I saw a blood red band of light stretching across the cliffs of El Capitan on the left and Sentinel Rocks on the right. Apparently the sun had found a narrow gap in the clouds almost exactly at the point it reached the horizon far to the west. I immediately knew that this light would be gone very quickly—at best it might last a minute or two—so I worked very quickly to set up the tripod, attach the camera, and stick a long lens on it… not even looking up at the view as I worked. No time to look! I quickly moved the camera to the nearest possible shooting location and, working almost entirely intuitively, quickly picked out perhaps four different shots, each focusing on the momentarily best bit of light as the scene evolved quickly. The final bit of light was a rapidly fading stripe just across the snow- and cloud-shrouded summit of El Capitan, where the upper rocks, snow, and trees picked up the intense red light for a matter of a few seconds, and then it was gone.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Fin Dome, Storm Clouds

Leave a comment
Fin Dome, Storm Clouds
Fin Dome, Storm Clouds

Fin Dome, Storm Clouds. Kings Canyon National Park, California. September 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Last rays of sunset light illuminate the fractured summit of Fin Dome and the Sierra crest on a stormy late-summer evening

During a week of beautiful days in the King Canyon National Park High Sierra back-country, this may have been one of the most compelling. The day began with interesting clouds and light, eventually evolved into light showers mixed with sun shine, and as sunset approached it cleared enough to give us rainbows, dramatically dark storm clouds, and golden hour light on the surrounding upper peaks.

This dome is a familiar landmark for many who pass along a section of the John Muir Trail not far from where we photographing, though that familiar view shows the opposite side of this feature. Although I was very close to it during the many days we spent photographing here, the face of the dome was often no all that photogenic. During the day the flat light did not complement it, and it is difficult to see how to compose an effective image of the thing from very close and right below it. However, on this evening we had wandered off to another location not far away, where there were many lakes and ponds, beautiful small meadows and granite formations, and more expansive views of the surrounding landscape. Shortly after we arrived there it began to sprinkle on us and we could see heavier showers distributed around the wider terrain. As sunset approached, the clouds thinned a bit over our position and the sun began to occasionally slant in from the west below the clouds, casting light beams that traversed the landscape to our east. I missed a few moments of beautiful light on this dome before I finally realized that this was a situation likely to repeat itself – and I stopped and waited for the next illumination from the west to arrive, here contrasting the warm sunlight on the peak with the darker storm clouds further to the east.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.