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Man in White, Mosco Street

Man in White, Mosco Street
“Man in White, Mosco Street” — A man dressed in white takes a break outside of a Mosco Street kitchen, New York

Christmas Eve in New York City.Earlier in the day we had wandered around in midtown, making photographs in cloudy and occasionally drizzly conditions. Eventually we made it up to near Central Park to join our younger son and his future wife at a place where he proposed to her earlier this year. Then we wandered down along the park and across to join the mob scene on Fifth Avenue until the crowds become overwhelming.

Time for dinner, so we head to Chinatown, where there is a restaurant at which we’ve eaten with our sons on a few previous Christmas visits. It is supposed to be — and it was — a place that is good but not necessarily widely known. We arrive and find that the wait is “at least an hour and a half.” As someone later said, “The cat is out of the bag.” We quickly figure out that most of the other nearby restaurants are nearly as crowded, so we decide to walk a few blocks to a Vietnamese place. As we walk down Mosco Street a cook takes a break on the sidewalk, lit by the light spilling out of the door to the kitchen.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Cranes, Dusk Sky

Cranes, Dusk Sky
Sandhill cranes return in dusk light above the San Joaquin Valley

Cranes, Dusk Sky. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sandhill cranes return in dusk light above the San Joaquin Valley

It sometimes seems odd to me that as the day comes to an end out here where I photograph birds, things seem to both slow down and speed up. The slowing down is the natural consequence of the daylight coming to an end, with my own awareness that a long day of photography that began well before dawn is soon to conclude, and the quieting of some of the natural occupants of this environment. The speeding up comes from certain events that take place suddenly and evolve quickly, along with the potential for several of them to occur simultaneously.

Very late in the afternoon I made a quick circuit of the area where I was photographing, trying to make a few final full daylight photographs and identifying locations where certain dusk events might be more likely — a landing by cranes, a sudden departure of geese. I identified a spot out along the levee loop where a decent sized flock of snow geese (and perhaps some Ross’s geese?) had settled in close to the perimeter road, and less than a half hour before actual sunset I was back there and ready to photograph. For some time things were very quite nearby. The geese mostly sat still in the shallow water near reeds, and I had time to compose photographs that were essentially landscapes with birds. As I was working on one of these I saw, far off in the distance beyond a roadway, that a huge flock of geese had lifted off and was wheeling in circles. Ah, well, I wasn’t going to get to photograph that flock close-up on this evening! Before long I sensed a restlessness in the smaller flock near me and, sure enough, groups soon began to lift off suddenly and head south and west — first smaller groups, and soon almost the entire remaining flock. When this happens I transition immediately from the slow and leisurely “landscape with birds” photography to working quickly and making instant decisions about what to photograph and how to photograph it. As I tracked these birds into the distance I began to notice lines of cranes heading back to one of their favorite spots perhaps a quarter-mile away. Using a long lens I tracked them as they crossed the cloud-textured sunset sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Geese, Sunset Sky

Geese, Sunset Sky Thousands of migratory geese fly into the sunset sky above the San Joaquin Valley

Geese, Sunset Sky. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Thousands of migratory geese fly into the sunset sky above the San Joaquin Valley

My pattern when photographing migratory birds is generally to arrive early, photograph until I’m too tired or the light becomes less interesting, take a midday lunch break, and then return to make more photographs. Late in the day, as evening approached, I returned to this area to see what I could find. Geese were around — one large flock near the entrance to this refuge and another visible in the distance on the far side. I made my way slowly around the perimeter, eventually arriving at the spot where that more distant group had settled in.

For a while I photographed them settled in shallow water among plants, thinking that perhaps this was where they would spend the night, in which case I might just continue to photograph here until dusk. But before long I began to sense that familiar restless in the flock, and a few small groups of geese took to the air from moment to moment, leaving the rest of the noisy flock behind. Then, suddenly and for no apparent specific reason, the birds suddenly lifted off, with virtually the entire flock taking to the air at once and heading off to the southwest. I quickly photographed as they passed directly overhead, then continued to follow them as the group stretched out toward the western hills and sunset clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Departing Pelican, Blue Sky

Departing Pelican, Blue Sky
A brown pelican flies past and continues over the Monterey Bay

Departing Pelican, Blue Sky. Monterey Bay, California. July 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A brown pelican flies past and continues over the Monterey Bay

Brown pelicans are a common sight along the California coastline, though the numbers fluctuate from season to season and year to year. I often photograph them along the immediate coast, where they may be spotted skimming just above the surf, usually in small groups flying in a line. Sometimes they fly along top edges of coastal bluffs, apparently riding the updrafts from the Pacific onshore winds. From what I’ve seen, their numbers have varied a great deal in this strange California weather year. Last summer, when I made this photograph, there seemed to be a lot of them, but by this past winter the numbers had decreased significantly.

I photograph this pelican and a bunch of its kin near Moss Landing in Monterey Bay. We had gone there after hearing reports of whales surfacing just off the beach here, and sure enough, that’s what we found when we arrived. I have seen whales along the California coast for years, but I had no idea that they would come into a bay and then come so close to a beach. Whatever attracted the whales also attracted huge numbers of birds, including one of the largest collections of pelicans that I recall seeing. Photographing them was almost easy — I simply picked a spot near where a creek emptied into the bay and waited, and soon a nearly steady stream of the birds passed right over me in the warm evening light.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.