Tag Archives: intimate

Coastal Cascade

Coastal Cascade
“Coastal Cascade” — A Big Sur creek forms a small waterfall just before it reaches the Pacific Ocean on a foggy morning.

We were on the upper Big Sur coast on this June morning, photographing large surf along with sea stacks and steep cliffs. I first worked that subject from some distance using long lenses, then moved right down to the edge of the water for intimate landscape/seascape images. Eventually I decided to head back up and away from the immediate coast, and as I walked I came across this little cascade.

I thought that the angle of the falling water below the little gully was interesting, and I like the back light an rim light on the edges of the rocks. The combination of thin fog and ocean spray added a muted quality to the atmosphere. The biggest challenge here was that the primary subject, the falling water, was in shadow, and this muted its brightness a bit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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The White Stone

The White Stone
“The White Stone” — A white stone rests among many-colored pebbles, Point Lobos.

I had a free morning in mid-April, so I headed over to Point Lobos, barely more than an hour’s drive from here. I might have gone on down the Big Sur coast, but road washouts have closed that route for now. So Point Lobos it was! I arrived to gray weather — high fog and not much in the way of interesting, directional light. But eventually the clouds began to pull back toward the coast and soft, directional light appeared.

Point Lobos always rewards a slower pace. There’s a lot to see here, and even more to see if you linger and start to notice things that you might miss by passing through quickly. The edges of this cove are lined with rocky strata that gradually dip into the water. Winter surf pushes all sorts of interesting stuff up onto the shoreline, and I enjoy walking slowly here and seeing what I can find. The small colorful pebbles are everywhere, but the larger white rock was the special find.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Stones and Pebbles

Stones and Pebbles
“Stones and Pebbles” — Colorful stones and pebbles washed up against coastal formations, Point Lobos.

The rocks in the center of this photograph are large enough that it is hard to believe that they were washed into this position by heavy winter surf along this section of the Pacific coastline. But that’s the fact of the matter. That surf erodes the underlying rocks, moves large rocks and even boulders around like toys, and deposits layers of multi-colored pebbles like those caught between these rocks and the underlying stratified formations.

Photographing at this cove at Point Lobos is always an invitation to slow down and just look. There are potential subjects everywhere, many of them rather small, but they are easily overlooked if you don’t adopt a very contemplative and quiet perspective. And because the area is right at the surf line and often overrun by high waves, I find something new and interesting every time I visit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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New England Woods #6

New England Woods #6
Lush undergrowth and ferns, with a tinge of late-season color, along a Vermont roadway.

New England Woods #6. © Copyright 2022 G Dan Mitchell.

Lush undergrowth and ferns, with a tinge of late-season color, along a Vermont roadway.

Most likely no one noticed, but I have jumped from #4 straight to #6. What happened to #5? It is coming, but I felt like sharing this one first! Like most of the “New England Woods” photographs from our August visit to (mostly) Vermont and (a little bit) Massachusetts, I made this one while walking along the edge of the woods. I recently remarked to an East Coast photographer (while recording for a B&H Explora podcast about photographing fall color) that I was challenged by the density of these woods. Somewhat to my relief, he sympathized and mentioned something that I was starting to discover — it isn’t always easy to find a camera position, and that walking into the forest or along its edge can be a good idea. I made this photograph while walking along a rural Vermont road.

In California it can be hard to find subjects with this much green by the time August arrives. Out here we usually don’t see much rain in the summer months, and our green season is winter. (I often tell people who visit from other places and are surprised by our dry summer landscape, “Come back in winter!”) About the only place here to find such a natural scene full of ferns is in the redwoods, though sometimes I can find small examples near sources of water elsewhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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