Tag Archives: intimate

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Canyon Wall

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Canyon Wall
Broken boulders and strata at the base of a slot canyon wall.

Canyon Wall. © Copyright 2012 G Dan Mitchell – all rights reserved.

Broken boulders and strata at the base of a slot canyon wall.

These canyons are simply full of fascinating details. Unlike much of my familiar Sierra Nevada landscape, where vistas can often go on for many miles, here the size of your world is much smaller. It is constricted to the width of the canyon, the distance to the upper rims (plus some sky), and upstream and downstream to only the next bends. So you are almost forced to focus on smaller details, of which there are many.

Here my attention was drawn to the rocks. I’m no geologist, and I only know enough to speculate about these things. But a close look at the rocks in this scene show material that was created in layers. Near the upper right corner, if you look closely, you can spot a place where there is a striking convergence of angles in the strata. And although this material was laid down in horizontal layers, over time it has been pushed and stretched and lifted until the formerly horizontal now angles up distinctly to the left. There is also an interesting almost vertical fracture between the more solid (and darker) rock on the right, and the lighter color of the broken rocks stacked up on the left.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Open Book

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Open Book
A sandstone cliff meets the bottom of a Utah red rock country wash.

Open Book. © Copyright 2012 G Dan Mitchell – all rights reserved.

A sandstone cliff meets the bottom of a Utah red rock country wash.

My virtual journey back through Utah continues. Since opportunities to go into the field are limited right now I am instead digging back though tens of thousands of raw files in my archives. I have always recognized that I leave some photographs behind as I move on to the next thing — and sometimes I’m not just not yet ready to “see” how a photograph will work. For years I’ve made these return visits to the old files, most often with an end-of-the-year traverse of that year’s images before moving on. This time I’m starting back in 2012 and working my way forward slowly.

I made this photograph in the first slot canyon that I ever visited. You might wonder how I managed to get to 2012 without visiting this kind of terrain. It is a long story, but for some reasons I’ve explained elsewhere I simply didn’t get to Utah and the Southwest until about a decade ago. Shame on me! As we walked into this canyon I really had little idea of what to expect, but I was entranced. This bit of sandstone cliff wall sat immediately next to the sandy bottom of the wash, and the color of the diffused light warmed as it bounced down from above between the canyon walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Edges

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A conjunction of striated sandstone in a Utah canyon.

Edges. © Copyright 2012 G Dan Mitchell – all rights reserved.

A conjunction of striated sandstone in a Utah canyon.

I photographed this somewhere in Utah, almost certainly in Grand Staircase-Escalante National Monument, and I’m pretty sure I remember which little canyon I was walking through… but I can’t say that I recall the exact spot. We had driven to a rather out-of-the-way location, wandered up a shallow stream, and entered a lovely, quiet, light-filled canyon full of the usual twists and turns.

The canyon presented a veritable feast of photography — plants, reflections of sky and canyon walls in the water, sand, red rock walls, and more. Given the narrowness of the canyon, the subjects all belonged to the “intimate landscape” genre, and it was rare to have a view of anything more than a few yards away. And everywhere the star of the show was there light reflected down from above and bouncing off the sandstone canyon walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Early Aspen Color

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Early Aspen Color
Early autumn season aspens begin to change color

Early Aspen Color. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early autumn season aspens begin to change color.

As fall approaches I always anticipate the color change of aspen trees way in advance of the actual event, and I start watching for early signs more than a month before the color peaks. Way back in August I typically find a few early clues — yellowing corn lilies, drying meadows — and at some point in September I find my first few yellow aspen leaves. The change begins in earnest by the first week of October, and that is when I made this photograph. At this point, the aspen trees seem to move toward a sort of “lime green” color, often with a few interspersed yellow leaves, and in the right light you can convince yourself the fall colors have arrived.

There is a useful lesson about lighting in this photograph, too. Although this scene seems pretty straightforward, there’s more going on with the direction and color of the light than you might first notice. This grove of trees is, indeed, in the shade. The camera is pointing roughly east, a tall ridge rises behind this little grove, and it was still shading the trees hours after sunrise. This provides soft light that fills in shadow details much better than direct sunlight. Look deeper into the grove and beyond and you may notice that the color becomes more blue. Light in shadows is usually quite blue — after all, the main light source is the very blue sky! But the trees in the foreground are not very blue… and there’s a reason. Behind my camera position (if we could turn around and look backwards) was a very large mountain in direct sunlight, and the reflection of that light was strongly diffused and directed straight into the grove, warming the colors and highlighting the front trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.