“Street Scene, Calle el Temple” — Blocked-off ground-level units and weathered walls at Calle el Temple, Zaragoza.
I am always a bit of a sucker for old buildings that show the effects of time, especially if they are on narrow, car-free European streets, and perhaps more so when they are a bit messy around the edges. This building puzzled me. The ground floor seemed abandoned, with doorways sealed of its bricks. But the second story and above seemed well-maintained.
We stayed in the old part of Zaragoza, Spain. This location is mere footsteps from our hotel, and we walked past it a number of times. ON this morning we were just starting a walk that would take us the Central Market, then to some historical buildings, followed by a walk along the river back to the center of this part of town.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.
Desert mountain ridges in pre-dawn “blue hour” light rise above Death Valley and recede to highest peaks in the distance
On this April 2013 visit to Death Valley I encountered some very challenging light situations. What you hope for on an early morning like this is beautiful, colorful dawn light, perhaps preceded by a warm pre-dawn glow and followed by bright morning light. But when it came to beautiful early morning light – and evening light, too – I got precious little of it this time. On two mornings a thin overcast and atmospheric haze pretty much killed the dawn light. On one other morning I got some light, but still had to deal with the haze. The clouds were with me on a couple of the evenings, too. I have sort of learned to pretty much go with this flow and accept that difficult light as the balance in the universe that gave me, and will give me again, astonishingly beautiful light.
However, even in such light I try to see what I can find to shoot, and sometimes it provokes me to see things that I might otherwise have overlooked completely. On this morning I was up well before dawn and I headed off to a specific location that I had scouted earlier. I had two possible sorts of photographs in mind for this spot. One involved the view back down and across the main valley, and the other was planned around the arrival of first light on these rugged and stratified hills along the west side of the valley. I got to my spot, was relieved to find that the air was fairly still, and I settled in to wait for the dawn… which never quite came. It was so murky and the light was blocked by so many clouds to the east that I wasn’t even really quite certain when dawn occurred. Things got lighter… but remained hazy. I made this photograph at a moment when, on a clearer morning, these hills might have begun to assume a warm colored glow from light in the eastern sky. But this time it was all blue. The hazy sky was blue, and the mountains were as well. Since the conditions were somewhat unusual, I went ahead and made some exposures. When I first looked at the results I wasn’t very thrilled. But as I looked at them more, especially at very large sizes, I began to appreciate the softer and lower-contrast lighting and the way that details in the formations of the mountains actually become quite visible.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Facades of residential buildings along a hilly street in downtown San Francisco.
With all of the landscape and nature photography I’ve posted recently, I figured it was time for something different. This is a street scene in San Francisco I photographed on a quick walk on an early March day in 2010. Many of the other photographs I made in this area included people, but it this one I wanted to isolate the fronts of the buildings, especially the contrast between the relatively fixed-up one on the left and the more weathered one on the right.
Black and white photograph of a Mission District storefront with UFO flyer in the window, San Francisco, California.
The intricate and curved wrought iron work on the front of this building in San Francisco’s Mission District first caught my attention. As I came closer I thought that the underlying textures and patterns of blinds and stuff in the store and the street reflections might be interesting. Then I notice the small pamphlet taped to the window: “UFOs and their Mission.” The mystery deepens… :-)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/8, 1/80 second
keywords: the, mission, san francisco, california, usa, north america, street, urban, city, store, window, storefront, wrought, metal, iron, curves, ufos, their, mission, sign, flyer, flier, reflection, newspaper, sill, blinds, sky, columbia, stock
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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