Tag Archives: island

Shoreline Sea Stacks

Shoreline Sea Stacks
Shoreline Seastacks

Shoreline Sea Stacks. Port Orford, Oregon. August 20, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Giant shoreline sea stacks along the Oregon Pacific Ocean coastline.

As we traveled south along the Oregon coastline on the Oregon Coast Highway (US 101) we passed through various towns ranging from quite small to middle-sized. Eventually we came to Port Orford, which did not seem to us to be all the exceptional of a place – though apologies to Port Orfordians, who probably know the beauties of the place far better than some Californians quickly passing through! However, there was one interesting feature that immediately caught our attention. As the highway pass through the town it curves to the left to follow the coast. But at the point where the curve went left, a short section of road continued straight ahead to the top of a hill that appeared to overlook the coast, and a giant sign hand-painted on the roadway almost demanded that we leave 101 and see what was there.

Just over the top of this short side road was an open view of the coast to the south, curving inland right below the town to form a shallow bay. Slightly beyond this we could see a set of large sea stacks along the beach… but no picture in this particular light from our position. We continued on along the highway, curving through town and then back towards the south, and soon came to the spot where the sea stacks stood. Despite some tricky light, including wildfire haze and afternoon intense light, we paused to make a few photographs. First, a large group of pelicans surprised us by slowly flying by into the strong headwind and then landing almost directly in front of us at the waterline. Then I put a longer lens on the camera and went looking for an angle that would let me combine near and far towers with a bit of surf along the wild beach.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Strait of Juan de Fuca, Evening

Strait of Juan de Fuca, Evening
Strait of Juan de Fuca, Evening

Strait of Juan de Fuca, Evening. Olympic Peninsula, Washington. August 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening light near Hurricane Ridge and over the Strait of Juan de Fuca

After shooting in the lowland rainforest earlier in the day, we planned to head up to Hurricane Ridge in Olympic National Park in the evening, hoping for some interesting late day light. I’ve been “skunked” (frustrated by poor conditions!) on more than one occasion here, including one notable visit when the clouds reduced visibility to a distance that might have been measured in yards. An earlier web cam check and what we could now see from down below encouraged us to think that we might get something better this time, so into the park and up the road we went.

When we arrived the conditions were not quite stupendous, but they held the promise of becoming better, so we stuck around and photographed. Although it was mostly somewhat hazy and cloudy, every so often the sun would come through an opening in the clouds to the west, and the beams of light would move across the rugged landscape of the Olympic Mountains spread out in front of us – and on one occasion this light crossed through rain showers and produced a momentary rainbow. As things wound down – without there ever having been a real climactic moment of light – I decided to walk over to a low ridge from which there was a view to the north and the Strait of Juan De Fuca, with Canadian territory beyond. Again, the atmosphere was murky, though there were potentially interesting clouds about. I made this photograph near the very end of the day when a bit of filtered though direct light swept across the foreground ridge.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Shadows, Alpine Lake

Evening Shadows, Alpine Lake
Evening Shadows, Alpine Lake

Evening Shadows, Alpiine Lake. Kings Canyon National Park, California. September 15 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening shadows fall across an island-studded alpine lake and surrounding cliffs as the sun drops behind a nearby ridge

This lake is one of many located close to the spot where four of us spent six mid-September nights camping near 11,000′ of elevation near the spine of the Sierra in Kings Canyon National Park. We remained in one base camp location, and each day we explored more of the surrounding terrain of lakes, granite, meadows, vast bowls, ridges, and surrounding peaks. While the backpacker’s imperative is often to keep moving in order to see a lot of country, ours was to stay in one area and spend time getting to know it better. Our subjects were literally outside the doors of our tents, and we were up before dawn every morning and we didn’t return from shooting until dark.

I photographed this lake and its surroundings on multiple occasions, ranging from early morning on sunny days to dusk on a day when I shot in light rain. The appearance and mood of such a place is transformed significantly according to the light at various times of day and in response to the weather. One constant in this particular location was that large areas were often in shadow in the very early and very late hours, as steep slopes and high ridges stood between the landscape and the sun in many places. The light in this photograph is illustrative. Perhaps only minutes earlier, the final direct sun of the day had come across a high ridge to the right of my camera position and washed warm light across the water, the rocky islands and shore line, and the broken granite cliffs. But here, all that remains of the light is an intense beam of light angling down from right to left beyond the main cliff and casting only a bit of direct light on its edge. Below, light in the bowl holding the lake has turned cold and blue – a change that literally took only moments. While I think we tend to first think of that earlier, warmer light, this cold shaded light is an intrinsic element of these high places and the feeling of that light is what I wanted to capture in this photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Paoha Island, Mono Lake, Evening

Paoha Island, Mono Lake, Evening
Paoha Island, Mono Lake, Evening

Paoha Island, Mono Lake, Evening. Eastern Sierra Nevada, California. August 6, 2013.© Copyright 2013 G Dan Mitchell – all rights reserved.

Pastel colors in evening clouds above Paoha Island reflect on the surface of Mono Lake

On this evening I ended up at Mono Lake on more or less a hunch about the clouds – thunder clouds had built to the east out over the basin and range country and even a bit over the Sierra, and I had heard a report of thunder and lightning a bit north of here, so I decided to chance an evening visit to the south shore of the lake. Mono Lake evening light can be very special, but it can also be a bit tricky. Because the tall peaks of the Sierra Nevada crest lie directly to the west, the light leaves the lake itself well before actual sunset, so you often might end up relying on the clouds themselves to provide most of the interest. Smoke from a wildfire to the south near Mammoth Lakes had also been affecting the atmosphere, creating a lot of haze and some unusual colors.

In any case, I drove out to a point along the south shore of the lake – not the well-known South Tufa site, though visible from there – and watched the mostly uninspiring light of this very hazy evening. But there I was, and there wasn’t time before the end of the light to get from Mono Lake to other places that might be interesting, so I stayed and photographed and thought about how I might be able to work with the light and conditions that were available to me. There were beautifully shaped clouds, and they rose high enough above the lower atmosphere to gain some clarity. The haze muted the shapes and colors of the far hills and the darker shape of the island. So I composed the scene to just barely hold the island and a bit of the lake at the bottom, and used that to anchor a scene that was mostly sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.