Tag Archives: lake

Tufa Tower, Lake, Blue Mountains

Tufa Tower, Lake, Blue Mountains
“Tufa Tower, Lake, Blue Mountains” — Mono Lake, a solitary tufa tower, and distant blue mountains in morning haze.

It is always a pleasure to visit the Mono Basin and its namesake lake, especially in the early morning when it is often still and quiet. I was there last week, dropping down one morning from a camp high up near the Sierra Crest. When I arrived I saw only one other car, and ts occupant was nowhere to be seen — it was as if I had the entire basin to myself!

I arrived well before sunrise and continued photographing right into the blue light of early morning. It was calm and the water reflected the blue of sky and distant mountains. I used a long lens to focus on a small section of those mountains, aligning them with a single tufa tower far out in the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Fog at Forest’s Edge

Fog at Forest Edge
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.

There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.

I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Balcony Bridge, Winter

Photo of Balcony Bridge, Central Park, in winter snow.
“Balcony Bridge, Winter” — A winter scene at Balcony Bridge in Central Park, Manhattan

I have photographed and walked across Balcony Bridge in Central Park frequently. It is near the edge of “The Lake” in a popular area of the park, and in warm weather it is common to see lots of people pausing on the bridge to enjoy the view and take pictures. But it had a very different feeling on this cold and snowy winter day.

It only snowed for a few hours on the late-December morning, but it was enough to cover the ground with an inch or two of white, transforming the appearance of the park. The snow and the mostly-barren trees presented a starker landscape, one that reminded me of some well-known Bruegel winter paintings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Winter Reflections, Central Park

Lake edge with ice and reflections.
“Winter Reflections, Central Park” — Trees reflected in a strip of water at the edge of a frozen lake, Central Park.

I photographed this little scene on a cold morning walk through New York’s Central Park this past December. We were fortunate to have light snow one morning, and that changed the appearance of the city and the park. It had already been cold enough to freeze most of The Lake’s surface, but the light snowfall covered imperfections. In this spot fallen leaves rested on new ice and the reflected the silhouettes of nearby trees.

The concepts of “nature” (and even of “wilderness”) are complex and, I think, not entirely fixed. Sometimes we accept the notion that these things mean “devoid of evidence of humans.” But there’s a problem with that idea — it suggests that humans are independent of the natural world. Finding the natural world in places like this — even if you can perhaps hear car horns in the distance — is a reminder that nature is everywhere and we are a part of it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
Articles | Sales | Sierra Nevada Fall Color | Contact Info

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.