Tag Archives: lake

Shoreline Rocks and Grasses

Shoreline Rocks and Grasses
Rocks and grasses along the shoreline of Lava Lake, Oregon

Shoreline Rocks and Grasses. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocks and grasses along the shoreline of Lava Lake, Oregon

This past week I spent some time in the Cascade Lakes region of Oregon. This was a family event — not a photography trip — so I did not come back with a whole lot of photographs! The thick wildfire smoke in Oregon also limited the opportunities to do photography… not to mention the opportunities to breath healthy air. The smoke sort of came and went over the first few days, but on my final day in the state it was horrendous. Unfortunately, almost the entire West is suffering from this right now, and it doesn’t seem likely that the situation will improve for another month or two.

We stayed at a pretty, quiet little lake nestled in the woods, Lava Lake. Various members of my family managed to take about a half dozen campsites there. While I spent most of my time doing the “family thing,” on this morning I went for a solo walk along the shoreline of the lake. True to its name, the banks are largely rough lava, and here a bit of that rocky material extends into the water near grasses.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rocky Terrain, Subalpine Lake

Rocky Terrain, Subalpine Lake
Rocky terrain and its reflection along the shoreline of a backcountry subalpine lake, Kings Canyon National Park.

Rocky Terrain, Subalpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky terrain and its reflection along the shoreline of a backcountry subalpine lake, Kings Canyon National Park.

As I do from time to time, recently I was reminiscing about the Before Times when I headed into the Sierra backcountry for a week or more every summer with a wonderful group of fellow photographers — among whom are several who have been doing these trips for two decades. (Although I’ve visited the Sierra backcountry for what I vaguely refer to as “decades,” I only began to join this group in 2008.) All of us miss these trips, especially what would have been the one celebrating the second decade of the work, but it turns out that there are still discoveries to be made among the photographs we brought back.

On this trip we visited a fairly remote location in the Sequoia-Kings Canyon backcountry, one that took us a couple of days to get to. Once there we spent close to a week photographing the heck out of the place and surrounding wilderness, a high elevation place full of lakes and rocky terrain. We mixed photograph in our immediate “backyard” (sometimes only steps from out tents) with somewhat longer explorations. This photograph comes from a lake rather close to our camp. My weak knowledge of Sierra geology suggests to me that this monumental chunk of rock was probably overrun and sculpted by glaciers in the past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Eastern Sierra Lake, Evening

Eastern Sierra Lake, Evening
Early evening light on a high country Sierra Nevada lake in the Hoover Wilderness.

Eastern Sierra Lake, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early evening light on a high country Sierra Nevada lake in the Hoover Wilderness.

A few weeks ago I decided to head to the eastern Sierra for a few days to get up into the high country. The main idea was to do a sort of pre-flight check for some potential backpacking, but I was also interested in photography, of course. I ended up camping at the end of an east side road that departs US 395 north of Yosemite. Despite the number of wildfires in California, I was lucky and the winds blew the right way to give me mostly clear skies. On this afternoon I decided to just hike up into the drainage above the road end to see what I would find.


Because I was looking for late-day light I didn’t start up the trail until mid-afternoon — my plan was to arrive at the high point when the light was getting good, make photographs, and then return by nightfall. After many years of hiking such terrain, this route felt familiar even though it was my first time on this trail. I passed a lake, following a trail through trees along its shoreline, and then climbed again, crossing a rocky ridge before another lake came into view. Eventually I came to my favorite sort of Sierra landscape — flat, meadowy areas with glaciated granite and small trees, with water flowing and peaks above. I stopped hiking and just sat for a while, enjoying the solitude and quiet… and noting that it was starting to get a bit cold. Eventually I made a few photographs and started back down the way I came, pausing to photograph a small peninsula at this lake as the angle of the light lowered.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Stream and Peak

Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.