Tag Archives: landscape

Between The Curves

Between The Curves
“Between The Curves” — Two large freeway overpasses cut through downtown San Francisco.

San Francisco is not far from where I live — less than an hour’s drive in good traffic (and three times that in really bad!) or a one-hour express train ride. When I have a day free I like to head up there on the train early in the morning and then explore, photographing as I go. San Francisco is a very walkable city, and I have a great choice of routes when I get off the train — I can head south to the an area with tons of new development, walk along the waterfront, go west toward an older (still somewhat) industrial area, or go north and head straight into the center of the downtown district.

I took the latter path on this day back in 2019, cross-crossing on east-west routes from time to time. Frequently when I come into The City by car I travel along the freeway route that mostly flies overhead, leaving only longer views. From underneath the City looks a lot different! I chose this view partly because I like the concept of the dark forms cutting off the view, but also because I was intrigued by the curving shape of the opening between the two overpasses.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dune Waves

Dune Waves
Waves of sand dunes retreat toward distance desert mountains, Death Valley National Park

Dune Waves. © Copyright 2019 G Dan Mitchell – all rights reserved.

Waves of sand dunes retreat toward distance desert mountains, Death Valley National Park.

As photographers, we often take a great deal of photographic license in our creative interpretations of subjects. It is a myth, quite frankly, that some kind of objectively “pure” version of a photograph even exists. And if such a thing did exist, it seems like it would usually be a pretty boring thing for everyone except those using photographs as evidence of a thing. Most of us prefer photographs as a mode of expression, a sharing of the photographer’s way of seeing the world. I like to think that a good photograph or group of photographs tells us more about the person making the images than it tells us about the putative subject.

Sand dune landscapes lend themselves especially well to this way to this approach. While they do have a real geological appeal, when you look at them from an aesthetic perspective they are perhaps less about the fact of sand and more about light, line, weight, form, and color. They are never the same — the light changes, the conditions alter them, and each of us sees them differently. In this interpretation I decided to work in high-key and monochrome, hopefully creating a photograph that reflects the quiet stillness of the static wave forms of the dunes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Temblor Range HIlls, Spring Evening

Temblor Range HIlls, Spring Evening
A fence cuts across wildflower-covered Temblor Range hills on a spring evening.

Temblor Range HIlls, Spring Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

A fence cuts across wildflower-covered Temblor Range hills on a spring evening.

This spring hillside was in early evening sun when I arrived, and as I set up to photograph the green folds and brightly colored wildflowers, the line between sunset light and shadow worked its way up the hillside. I looked around for a composition and thought that the old fence might tie things together.

At about this time each year, depending upon how wet the winter was, the California hills undergo a sudden and relatively brief transformation. First, winter rains cause last year’s seeds to come to life and send up carpets of new, green growth. Then, as the green phase approaches its conclusion, wildflowers show up. In a few places like this one, in an especially good year, entire mountains erupt in brilliant color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sunrise, Fog, Spring HIlls

Sunrise, Fog, Spring HIlls
Soft dawn light and drifting fog above springtime California hills.

Sunrise, Fog, Spring HIlls. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft dawn light and drifting fog above springtime California hills.

This morning completely surprised me. I was in the inland hills of California, between the coastal valleys and the Central Valley, primarily to photograph the spring wildflowers. I had arrived late the night before, setting up my tent in a campground up in the hills before doing some late-day photography. I returned to my camp, made dinner, set my alarm for way before dawn, and went to sleep with a plan of driving down into the large valley nearby to photograph vast fields of flowers.

I got up well before dawn and tried to sneak quietly out of camp without disturbing the normal people who sleep in, fix coffee, have a nice breakfast, and only then head out. As I drove down the gravel road toward that valley I could see that it was completely covered by tule fog, much to my surprise given the arid nature of the place. However, off in the distance, in the direction of the rising sun, haze and drifting fog and soft dawn light produced an entirely different landscape than the one I had been looking for.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.