Tag Archives: landscape

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Evening

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Badlands, Evening
Evening light on deeply eroded terrain, Death Valley National Park

Badlands, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on deeply eroded terrain, Death Valley National Park

Early each spring I head back to Death Valley for several days of exploration and photography. In March of 2015 I began my trip with a visit to Los Angeles, from which I departed and drove to the park to set up my camp. My typical ritual is to arrive in the early afternoon, find a campsite, get set up and settled in, wait for early evening, and then head out for my first photography in this vast landscape.

I began by heading to an area of the Valley with expansive views across to the Panamint Mountains, backlit by the early evening sun. I photographed them through a moody haze from an elevated spot that I often go to. Before long the light on these mountains faded as the sun dropped behind them, and my attention turned to nearer formations on my side of the valley, which were now being illuminated by the warm evening light. The low angle delineated the complex structures of these badlands during the last few minutes of light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature, Photographs: Northern California

Wetlands, Morning Fog

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Wetlands, Morning Fog
Morning fog clears from Sacramento Valley wetlands on a winter morning

Wetlands, Morning Fog. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning fog clears from Sacramento Valley wetlands on a winter morning

I love these winter mornings out in California’s Great Central Valley — cold, damp, perhaps foggy or perhaps clear, with the sights and sounds of migratory birds all around. This was my first visit to this wildlife refuge up in the Sacramento Valley, and I was in exploration mode on this visit, trying to get my bearings and begin to understand the rhythms of the place. It was a mostly clear morning, with high clouds from Pacific Ocean weather above and pockets of tule fog below.

It is easy to imagine that the wildlife refuges are wild places, someone along the lines of small wilderness areas. But the truth is more complex, at least at the refuges I’m familiar with. They are actually managed landscapes, with water levels carefully controlled to support various kinds of wildlife and even the growth of plants managed for their benefit. Those beautiful foreground curves of stubble in the water are the result of management — over the course of the season such grassy areas are cut down to ensure an optimum balance of open water and tall grasses. Beyond the water lies another peninsula lined with trees, with fog beyond and that winter sky high above it all.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Wetland Dawn, Trees

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Wetland Dawn, Trees
Trees and dawn sky reflected in the surface of a wetlands pond, Sacramento Valley

Wetland Dawn, Trees. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Trees and dawn sky reflected in the surface of a wetlands pond, Sacramento Valley

Some people speak and write a lot about the role of careful planning followed by slow and methodical work in landscape photography. Sometimes that certainly does pay off, but I find that far more often it is about acting on hunches, making good guesses about conditions and locations, and being ready and prepared to take advantage of pure, dumb luck when it comes to you. This photograph is a case in point.

There is no way that I could actually plan such a photograph — the best I could do (and I certainly do this) is to carry around some ideas about clouds reflecting in water and about silhouettes of trees, and then be ready to recognize the opportunity and act when something similar actually appears. But to take credit for dawn clouds whose curve mirrors that of a grove of trees, reflected in a seasonal pond on a morning that just happened to produce a bit of ground fog and beautiful colors would be both egotistical and a lie!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Pedestrian, Bus Stop, Street

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Pedestrian, Bus Stop, Street
A pedestrian walks past a bus stop along a San Francisco street

Pedestrian, Bus Stop, Street. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A pedestrian walks past a bus stop along a San Francisco street

Living a short train ride away, I get to photograph in the streets of San Francisco on a fairly regular basis. The street is always a laboratory for exploring color and shape, light, people, architecture, urban landscape, and more. One of the benefits, in my view, of this kind of photography is that it almost forces one to think and respond quickly and intuitively, sharpening the instincts of seeing in ways that are useful for any kind of photography.

Despite the appearance, I made this photograph along a very busy street — Market Street — in downtown San Francisco. In fact, it took a great deal of good fortune to be able to place the walker in this exact spot at the instant when no cars, trucks, buses, rail cars, or other people were in the frame! The person is one subject, but the light is another – dappled light coming from behind, reflected by buildings and passing through sidewalk trees. Color is a bit significant, too, but you probably already figured that out…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.