Tag Archives: landscape

Aspen Grove, South Fork, Bishop Creek

Aspen Grove, South Fork, Bishop Creek
Aspen Grove, South Fork, Bishop Creek

Aspen Grove, South Fork, Bishop Creek. Sierra Nevada, California. October 2. 2010. © Copyright G Dan Mitchell – all rights reserved.

Brilliantly colorful fall aspens along the south fork of Bishop Creek.

I have been in this area many times in the past to search for aspens – and to backpack – but when I came into this part of the canyon this year I think I exclaimed, “Oh my God!” out loud, the colors were so intense and so widespread. While the trees in the lower portions of this watershed were still largely green, the colors in the upper canyon had gone fluorescent when I arrived – mostly brilliant yellow-gold with some orange and red, and stretching from the stream-side to the highest reaches of vegetation on the slopes above. I know that people from New England cannot imagine that aspen color displays can compete with their colors – and they are usually probably right – but this year I think they might have exclaimed as I did if they had seen this canyon.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographic Myths and Platitudes – ‘Landscape Photography Lenses’ (Part I)

(NOTES: This article has been updated periodically since its original publication, including a more significant update in 2019. And, yes, there is a Part II.)

A recent discussion got me thinking once again about another “myth” of landscape photography, namely that some lenses are appropriate for landscape photography and other lenses are not. There are several such myths, including but not limited to the following aspects: focal lengths, zooms versus primes, maximum apertures, expense, etc. While I could have a lot of fun (or not!) starting with the zoom/prime question, I have saved that for Part II. (Short preview: I think that “zooms or primes?” may be the wrong question, the image quality implications are not as simple as you might think, and I use both… but tend more and more to rely on zooms.)

Instead, I’ll start with…

Focal Length

The trigger for this was a discussion of the suitability of a certain type of lens for landscape photography. I had made a point concerning a 85mm prime that I sometimes used, and the other party disagreed with my perspective. Several rebuttals to my thinking were offered, but the one offered as a sort of trump card was that using a 85mm lens for landscape is an inappropriate choice, and one should use a wide-angle zoom like a 16-35mm lens.

While many landscape photographers know better, especially those who have done this for a while, it is surprising how many assume it to be accepted wisdom that proper landscape photography is done with ultra-wide to perhaps normal focal length lenses, and that the first and perhaps only lens that a landscape photographer would want would be such a lens. (Again, I’m not getting into the prime v. zoom question here – I’ll save that fun topic for a later post. :-)

In my view, the best answer to the what focal length is best for landscape?” question is the focal length that works best for the photograph I am making right now. My current kit, based on full frame DSLR bodies, covers focal lengths from 16mm to 400mm — technically 560mm if I add a 1.4x TC. While I sometimes work with less than the full kit (when backpacking, for example), when I’m not constrained by weight or other limitations I carry lenses to cover this full range and typically use most or all of them. What follows is an overview of some of the lenses I use, accompanied by some photographic examples and explanations.

Continue reading Photographic Myths and Platitudes – ‘Landscape Photography Lenses’ (Part I)

Aspen Grove, Near Sabrina Lake

Aspen Grove, Near Sabrina Lake
Aspen Grove, Near Sabrina Lake

Aspen Grove, Near Sabrina Lake. Bishop Creek, California. October 2. 2010. © Copyright G Dan Mitchell – all rights reserved.

Bright yellow-gold leaves of autumn Sierra Nevada aspen trees near Sabrina Lake, California.

I visited this small grove on a couple occasions during this weekend of eastern Sierra fall photography. I had primarily stopped to photograph a large nearby grove of very bright and colorful trees, but the arrangement of these tree trunks caught my attention and I spent some time shooting the subject in fading evening light and gentle rain.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Morning Fog on Hot Creek, Mount Morrison

Morning Fog on Hot Creek, Mount Morrison.
“Morning Fog on Hot Creek, Mount Morrison” — Morning fog rises above Hot Creek with the Sierra crest and Mount Morrison in the distance.

Finding this shot was just about as random a process as I can imagine. I was in the eastern Sierra to photograph aspens, and staying in Mammoth Lakes. I woke up very early without a really solid idea of where I’d shoot that morning, but started out heading for Rock Creek, where I had seen great aspen color a week earlier. As I left Mammoth and headed south on highway 395 I noticed low fog out in Owens Valley – Crowley Lake was pretty much covered and it appeared that there were bits of fog here and there above creeks and springs in the valley. This started to look more interesting to me than photographing aspens again, so I changed plans and headed out into Owens Valley, not knowing precisely where or what I might find but thinking it would involve fog and mist and early morning light.

I first stopped and photographed near a small pond along side the road. After shooting here a bit – mostly shots pointing back toward the Sierra crest – I recalled that I had been on some gravel roads a bit further north of my position, and I decided to do a bit of exploring. I turned off on the first road going north and followed it until I found another interesting road that dropped down into a small valley and crossed a creek on an old rickety bridge – I later figured out that this was Hot Creek. A cloud of mist and fog was lying above the path of the creek, periodically thickening and thinning, and because it was not deep the morning sun was still somewhat lighting the scene through the fog. At times the peaks of the Sierra crest would gradually resolve through the fog. I set up and waited and made some exposures as the fog rose and fell, increased and decreased.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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