Tag Archives: layers

Morning Light on Dunes

Morning Light on Dunes
Morning light on sand dunes with distance desert hills in the background.

Morning Light on Dunes. © Copyright 2023 G Dan Mitchell.

Morning light on sand dunes with distance desert hills in the background.

The camera position for this photograph is very close to that of a previous dune photograph I shared here — one made a few minutes before sunrise when the light was soft and the colors still subtle. What a difference a few minutes can make at this time of the morning, a time when light evolves with incredible speed! I made this photograph a few minutes later, after the sun rose above the mountains to the east and not long before the saturation and intensity of the first light began to fade.

I’ll use this photograph to note a fact about dunes that might surprise some visitors. If you have been out there in a sand storm it is easy to imagine the dunes blowing along like wave on the sea. The analogy isn’t entirely wrong, but the big surprise is that most major dune features don’t move much at all. I have photographs from here made years apart in which the same dunes are in the same locations and have the same outlines.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Too Many Layers

Too Many Layers
Multiple layers of reflections produce a complex whole.

Too Many Layers. © Copyright 2022 G Dan Mitchell.

Multiple layers of reflections produce a complex whole.

The urban landscape can be quite complex and even deceptive. I think that we imagine it to be the most rational of landscapes, where everything is objectively “real” and describable. But when you begin to look more closely, if frequently isn’t quite what it seems to be. The surfaces of things are often elusive, and you may find yourself looking more at the reflections of other things than at the object you think you are viewing.

It is somewhat difficult to make sense of this image at all once you start looking closely. There are, obviously, things from the street — parts of automobiles, a bit of a crosswalk. But nothing in this scene is viewed directly — everything is a reflect, or a reflection of a reflection, or a reflection viewed through another reflection.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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At the Shoreline

At the Shoreline
A peninsula of fractured and worn rocks next to the tidal zone.

At the Shoreline. © Copyright 2022 G Dan Mitchell.

A peninsula of fractured and worn rocks next to the tidal zone.

As I wrote in another recent post, what I thought would be a quick visit to this cove turned into a rather longer one. As I started my visit I wasn’t sure that I would photograph here, but once I started looking around I found plenty of interesting subjects. After well over an hour I finally tore myself away to go photograph something else!

The location encompasses a shallow cove lined with rocks, some of which are flat and gradually head under the water, and others that are part of a small peninsula blocking the area from the open ocean. The intertidal zone is full of fascinating things — living creatures, pebbles left behind by the surf, and a pavement of upended strata. In this photograph I backed off some distance and put a long lens on the camera so that I could include the foreground boulders along with a small portion of the flat area and the rocky wall of the peninsula beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rock Face, Pacific Coast Shoreline

Rock Face, Pacific Coast Shoreline
Fractured layers of rock ascending above the edge of the ocean, Point Lobos.

Rock Face, Pacific Coast Shoreline. © Copyright 2022 G Dan Mitchell.

Fractured layers of rock ascending above the edge of the ocean, Point Lobos.

This little peninsula at Point Lobos State Reserve couldn’t be more than a couple of hundred feet long, if that. I first visited it when I was a pre-teen and my family came here to explore tide pools. Later I took a camera and photographed here starting in my teenage years and continuing from time to time since then. By now you would think that I’d know every single rock, crevice, and layer. Yet when I go back I still see things I had missed before.

These rocks are on the inland side of the low peninsula that extends a short distance toward the entrance to a small cove. Even at high tide the rocks remain above water, though in heavy winter surf the waves can crash over this formation. It is a striking bit of rock, cut through by curving strata that briefly rise to the surface and then submerge again as they head inland. The material is what I presume to be a conglomerate, so there are many contrasting smaller embedded rocks. It is cut by fissures and cracks along the strata, and there is a seeming infinity of color and texture variations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.