Tag Archives: layers

Slot Canyon Detail

Slot Canyon Detail
“Slot Canyon Detail” — Details of the wall of a Utah slot canyon, illuminated by reflected light.

There is a lot I could write about this photograph, the circumstances of making it, and how it ended up here today. First off, it is an older photograph, made years ago. I periodically revisit my old raw file archives, and I always discover photographs that I left behind. In this case, someone else’s photograph from the Southwest triggered me to review my older work from Utah, much of which is over a decade old. So far, I’ve rediscovered about twenty interesting Utah images from that period. Stay tuned!

The photograph came from a productive expedition to Utah during the autumn of 2014. I started out traveling and photographing solo, but eventually joined up with others as I worked in the southern part of the state for weeks. Early on that trip I almost randomly ended up at this location. I drove down a dirt road that looked interesting, found a place to park, and started walking down a shallow stream bed. The route entered a canyon that soon narrowed and turned into a slot canyon. It was only later that I discovered that I had been in a bit of a special place.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Layers, Morning Light

Layers, Morning Light, Death Vally
“Layers, Morning Light” — Early mornign light highlights layers of gullies and ridges in the Death Valley landscape.

Yes, yet another photograph of these well-known formations in Death Valley. Hey, I don’t photograph this specific spot that often these days, so maybe I can be excused for working it to death on this one unexpected visit? This is a small section of a larger badlands landscape that lies around and below this popular sunrise location in the park.

If you are interested — and if you follow me regularly — you can get a sort of overview of how the light changes on these features in the morning by looking at the series of photographs I am posting from this visit. I started before sunrise, continued as the sun hit nearby features and cast soft light into the scene, and finished up only as the first direct light (fortunately softened a bit high thin clouds) spread across the area.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

2 responses to “Layers, Morning Light”

  1. Oscar Avatar
    Oscar

    I marvel at your dedication to capture nature and the human experience!

    1. G Dan Mitchell Avatar
      G Dan Mitchell

      Thanks!

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(All media © Copyright G Dan Mitchell and others.)

Morning Dunes

Morning Dunes, Death Valley
“Morning Dunes” — Death Valley sand dunes in early morning light.

On my late-February visit to Death Valley I only photographed the dunes on one morning. The dunes are a wonderful subject, but there are lots of other things to see and photograph in this park, and photographing those subjects didn’t leave me much time for the dunes. But it would seem wrong not to visit them at least once! I arrived well before sunrise, loaded up a pack, and walked out in the dim pre-dawn light to look for a good spot to use as a my vantage point.

Eventually I climbed to the top of a long dune that provided open views in almost every direction. There are lots of ways to photograph dunes, but on this morning I went with a very long telephoto that allowed me to focus in on distant subjects and still fill the frame. I noticed the overlapping curves on this tall dune as soon as I arrived, and I photographed it several times as the light transitioned from the soft, blue predawn light, through increasingly directional light as sunrise approached, to the intense light just after sunrise.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fractal Landscape

Fractal Landscape, Death Valley National Park
“Fractal Landscape” — A Death Valley landscape of layers of eroded ridges.

This view has intrigued me for years. At one popular Death Valley National Park location, one comes upon it quickly and often briefly. Because it is the coda of visits to this area that has many other attractions, it is easy to overlook it. It is harder to photograph than it seems that it should be — there are some compositional challenges, and unless the light is right the scene can have very low contrast and tricky colors.

The variety of pattens and details in the scene is remarkable. The first four ridges are low and consist of soft, easily eroded material. The more distant ridge is far away, across an intervening valley, and its details are almost always muted by haze. The foreground formations are deeply eroded and cut by gullies — which might seem like an odd thing at first when you consider that you are in an extremely hot and arid desert.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.