Tag Archives: layers

Too Many Layers

Too Many Layers
Multiple layers of reflections produce a complex whole.

Too Many Layers. © Copyright 2022 G Dan Mitchell.

Multiple layers of reflections produce a complex whole.

The urban landscape can be quite complex and even deceptive. I think that we imagine it to be the most rational of landscapes, where everything is objectively “real” and describable. But when you begin to look more closely, if frequently isn’t quite what it seems to be. The surfaces of things are often elusive, and you may find yourself looking more at the reflections of other things than at the object you think you are viewing.

It is somewhat difficult to make sense of this image at all once you start looking closely. There are, obviously, things from the street — parts of automobiles, a bit of a crosswalk. But nothing in this scene is viewed directly — everything is a reflect, or a reflection of a reflection, or a reflection viewed through another reflection.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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At the Shoreline

At the Shoreline
A peninsula of fractured and worn rocks next to the tidal zone.

At the Shoreline. © Copyright 2022 G Dan Mitchell.

A peninsula of fractured and worn rocks next to the tidal zone.

As I wrote in another recent post, what I thought would be a quick visit to this cove turned into a rather longer one. As I started my visit I wasn’t sure that I would photograph here, but once I started looking around I found plenty of interesting subjects. After well over an hour I finally tore myself away to go photograph something else!

The location encompasses a shallow cove lined with rocks, some of which are flat and gradually head under the water, and others that are part of a small peninsula blocking the area from the open ocean. The intertidal zone is full of fascinating things — living creatures, pebbles left behind by the surf, and a pavement of upended strata. In this photograph I backed off some distance and put a long lens on the camera so that I could include the foreground boulders along with a small portion of the flat area and the rocky wall of the peninsula beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rock Face, Pacific Coast Shoreline

Rock Face, Pacific Coast Shoreline
Fractured layers of rock ascending above the edge of the ocean, Point Lobos.

Rock Face, Pacific Coast Shoreline. © Copyright 2022 G Dan Mitchell.

Fractured layers of rock ascending above the edge of the ocean, Point Lobos.

This little peninsula at Point Lobos State Reserve couldn’t be more than a couple of hundred feet long, if that. I first visited it when I was a pre-teen and my family came here to explore tide pools. Later I took a camera and photographed here starting in my teenage years and continuing from time to time since then. By now you would think that I’d know every single rock, crevice, and layer. Yet when I go back I still see things I had missed before.

These rocks are on the inland side of the low peninsula that extends a short distance toward the entrance to a small cove. Even at high tide the rocks remain above water, though in heavy winter surf the waves can crash over this formation. It is a striking bit of rock, cut through by curving strata that briefly rise to the surface and then submerge again as they head inland. The material is what I presume to be a conglomerate, so there are many contrasting smaller embedded rocks. It is cut by fissures and cracks along the strata, and there is a seeming infinity of color and texture variations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Layers and Folds

Layers and Folds
The complex geology of badlands terrain, Death Valley National Park.

Layers and Folds. © Copyright 2022 G Dan Mitchell.

The complex geology of badlands terrain, Death Valley National Park.

The landscape of Death Valley National Park is extremely varied. The popular imagination first focuses on scenes of sand dunes, the classic signifier of “desert.” But the place is full of canyons, stream beds, surprising instances of water, mountain peaks, and even forests of several types. All of these are special, but scenes like this one may embody one of the the most common elements of this landscape, the exposure of its underlying geology.

The area of this photograph is incredibly complex. It is a maze of small, eroded formations and canyons, all of them interconnected. Underlying this are uplifted layers of material in colors ranging from nearly black to nearly white, interspersed with surprising bits of red, blue, and green. I photographed here early in the morning because the light was softer and richer and because the low angle of the sun entering the scene from the side delineated the eroded features.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.