Tag Archives: leaves

Two Small Trees, Autumn Fog

Two Small Trees, Autumn Fog
A few autumn maple trees are scattered in a Yosemite National Park forest on a foggy morning

Two Small Trees, Autumn Fog. Yosemite National Park, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A few autumn maple trees are scattered in a Yosemite National Park forest on a foggy morning

I admit it. I got distracted. This past week I had reason to visit Oakhurst, California, just below the southern boundary of Yosemite National Park. I drove up there in tremendous rain, had my meeting, and then headed to The Valley for a few hours of photography. As I drove up from Oakhurst the forest was wet and fog was everywhere — perhaps the ideal conditions for all color — but I kept driving, wanting to get to the Valley before the light was gone. At one spot inside the park I caught a glimpse of a bright yellow big leaf maple tree in a small gully leading away from the road, but I did not stop.

I was back in Oakhurst that night, and then up very early the next morning with a plan to arrive in the Valley again by daybreak. I headed up from town again, but once again there was fog, though less of it. Three things I cannot resist are autumn color, fog, and forests — so when I passed this spot again I quickly decided to turn around and come back to make some photographs. This is a complex photograph, the opposite of the minimalist images I like to produce (see some recent Mono Lake photographs for examples), but that is the nature of forest scenes like this — they are an utterly harmonious whole created out of a very complex set of components. And, even better, they are mysterious and quiet and still.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Rain, Fallen Leaves, Reflections

Rain, Fallen Leaves, Reflections
A pedestrian walks post a small garden in the rain near the Tate Modern, London

Rain, Fallen Leaves, Reflections. London, England. August 2, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A pedestrian walks post a small garden in the rain near the Tate Modern, London

It may be a bit hard to see in this small version of the photograph, but the walkway, made dark and reflective by light rain, is covered by a universe of small leaves that have fallen from the row of trees that stretches to the right and out of the frame. I was also attracted by the complementary red and green colors of reflections and leaves.

The location is not far from the end of London’s Millennium Bridge and at the entrance to the Tate Modern, where we went to see a wonderful exhibit of Georgia O’Keeffe paintings. (And, yes, it did seem slightly strange to be visiting the exhibit of this American painter in a British museum.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Slender Aspens

Slender Aspens
Slender aspen trees with leaves transitioning from green to yellow

Slender Aspens. Eastern Sierra Nevada, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Slender aspen trees with leaves transitioning from green to yellow

I made this photograph quite a bit earlier in the season that usual — just past the middle of September. More typically I photograph these trees a couple of weeks later. However, this fall I made a reconnaissance trip to the Eastern Sierra at this early date and discovered quite a bit of good color, especially at higher elevations. (The typical pattern has the earliest color starting at higher elevations and in the smaller trees, then progression downwards and into the larger trees over the next few weeks.)

When it comes to the possible ways to photograph aspens, there are too many to count: front, side, or backlit; while there are still green leaves, when everything is golden-yellow (and orange and red), or when the trunks are bare; in sunlight or shadow; big trees and small; up close or from further back. I photographed this beautiful little grove of slender trees from some distance, using a long focal length to flatten the perspective a bit and to create a tighter composition. The leaves were at a typical early stage, with a few having turned yellow and others still quite green. But I think it was the slender and stark white trunks and the patterns they created that drew me to this grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dense Aspen Grove

Dense Aspen Grove
Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

Dense Aspen Grove. Eastern Sierra Nevada, California. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

While the exuberant colors of large groves of autumn aspens are attractive, there is something about the trunks that is hard to resist, even when the colors may have diminished a bit — or perhaps because the colors are less striking. I know I’m not the only photographer who returns to this “take” on the subject. It is fun and more than a bit challenging to make compositions out of such complexity. Frequently I’ll stop and look at a grove, think “that will make a great photograph,” and then gradually discover that some subtle element is not quite right and the whole thing won’t work. I’m continually surprised that a subject that seems so simple often isn’t.

To a great extent it is a question of balance of several sorts. The complex patterns of trunks cannot be completely uniform or there will be no form to the image. There must be some differentiation in the ways that trunks are grouped and among the angles of branches. But too much differentiation is also a problem. There is a “just right” quality to these compositions that is hard to explain, but which I know when I see it. A bit of “dissonance” can help, too — a little bit of something that seems to step outside the predominant patterns. In this photograph that could be the diagonal branches at coming across from the right, or it might be the group of closer leaves along one side. There is also some sense of depth, and if you look closely you may see a good distance into the more distant and darker areas of the small grove. And aside from the obvious vertical lines, there are three horizontal layers — brush at the bottom, trunks in the middle, and yellow leaves at the top.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.